@ SANGBARA Framfér allt i balladerna dr melodierna valdigt s&ngbaro och lander ofta pA ters eller sjua pa de betonade taktdelarna eller p& n&gon firgande ton. Tonmaterialet ar i huvudsak himtat fran ton- artens egna toner. EXEMPEL pa mycket sAngbara melodier: - Just once (Quincy Jones - "the Dude") - Smile again (Manhattan Transfer - "Mecca for moderns") - Through the fire (Chaka Kahn - "I feel for -you") Q@KoMPPRYLAR Manga melodier, speciellt i refrangerna ar néra-~ p& mer en sorts kompfigur in en melodi. Rytmen och tonernas harmoniska funktion ar ofta viktiga- re in den melodiska aspekten. EXEMPEL p& refranger uppbyggda av “kompfigurer": - All right (Christopher Cross - "Another page") Coa a ar ~ Look who’s lonely now (Randy Crawford ~ "Secret combination"."Bill Labounty") - Trouble in paradise (Al Jarreau - “Jarreau") - Mornin’(dito) © SEKVENSBASERADE En fras eller ett motiv upprepas (mer eller mindre exakt) i ett annat lage. Hela létar eller refrang- er kan vara uppbyggda av sekvenser. EXEMPEL p& refranger som ar sekvensbaserade: - Livin’inside myself (Gino Vannelli - Night- walker) - Never gonna let you go ("Sergio Mendes") (Dionne Warwick - "Friends in love") - After the love has gone ("Airplay". EW&F - "I am")am Teadwelodin kan man offs finna en aan melodi. Den kan vara ett snabbt riff i trex. blaset. Iséfall fungerar den nistanmer som en sorts kompfigur. Mycket vanliga ir ocksd de langa linjer som léper i strakar, blas, eller bakgrunds~ kéren. Linjerna rér sig mellan harmoniskt vik- tiga och snygga toner. De arbetar garna kontra~ punktiskt gentemot melodin genom att réra sig at motsatt hSll eller ligga still dar melodin ror sig och vice versa. EXEMPEL pd lines: - Trouble in paradise (Al Ja cnt emt = Just once (Quincy Jones - "The Dude") = Secret combination (Randy Crawford - "Secret c.")2 ACKORO Det vanligaste sittet att beteckna ackord ar den s.k. gitarranalysen (C, G7, Fmaj7, Hm etc). G/F betyder dé Gdur med F som baston. Ett annat skrivsdtt som inte ar 4 vanligt i Sverige dr "POLYTONE"(som f.8. har gett namn St en firstarkare). betyder ett C7 med en éverlagrad D-durtre- klang pa topp. For att skilja det fran det vanliga skrivsattet skiljer man pa rakt och snett brakstreck. G/F = G-dur med F som baston c £ = F-dur med G-dur som Sverlagrad treklang. Eftersom skrivsdttet ar tamligen okant i Sve- rige stimmer inte detta med rakt/snett brak- streck alltid. Vi har dock férsékt att g& in for det. Angdende 11-ackordet rader det lite oklarhet om hur man skall beteckna det. I Sverige menar vi att ett C13 Br samma sak som ett Cyadd6. Och ett C11 ar ett BP-ackord med C som baston. I USA ar daremot ett C13 ett BPmaj7 med C som baston. Det vi kallar 13 heter C7add6. Vi har valt att géra pa féljande satt ———_——— errs eb/c kallar vi fér C11 abmaj7/C kallar vi for C11add13 Claddé kallar vi fér C13 TRE _ACKORDKATEGORIER I princip bestar alla ackord inom slickmusiken av treklanger eller sammansaéttningar av treklanger. De tre huvudkategorierna av ackord behandlas p& Féljande satt. @ ourackoro Blir ofta ma durtreklang 7, maj?(=Cgurtreklang> Add? laggs valdigt ofta med tersbas. eller add9,(ackard forts.) 5 @ MOLLAcKoRD Férekommer nastan uteslutande med liten 7:a. Blir ofta m9 eller m11. m7-5 férekommer oftast i qrundform. (Har i huvud- sak 2 funktioner. a/ frsatter m7 i en II-V-I. b/"dimfunktion" dvs genomganosackord vid kromatiska baslinjer och vid modulationer. 9) * t =o Pmt (ES) pPm7~5 (Fin AD} @ DOMINANTSEPTIMACKORD Blir valdigt ofta 11-ackord. Overlagras friskt med olika treklanger. a ae FeOm man sitter stick harmonik pA "Sov du Lilla vi- deunq" kun det t.ex. Lita pa filjande sitts Traditionell harmonik Em Dm GF c SS 5 Harmonisering av durskalan ikhet med den mesta vasterlandska musiken bygger den "slicka" harmoniken p& durskalan. Hen jamfort med t.ex. visgenren anvander man 4- och 5-klanger istéllet fir 3-klanger. Féljande ackord vi av C-durskalan: ; ie z £23 Cis) Dm? m7 Png G7 AMT tn 7=5 Av dessa bildas sedan II-V-I och langre rundgdngar som ligger till grund fdr Atskilliga standard (T.ex. All the things you are, Autumn leaves) "If that what it takes" (Michael McDonald) innehal- Jer en kadens hamtad fran detta schemat. Laten gir i Ab-dur.) ¥ @ Harmoniseriny av durskalan med frammande ackord Waldigt typiskt fir stilen ar att melodin ar inom tonarten men att ackorden ar "frammande" eller an- dra former (fargningar - dur byts mot moll etc.). Typiskt ar ocksa oviintade kadenser inom tonartens ram. EXEMPEL: -Through the fire (Chaka Kahn - "I feel for you") (harmoniken forts - Tonight Tonight (Bill Champlin ~ "Runaway") e__Guie F [Hm end Ghd 3] le Wut lem - Graceful (Koinonia -"More than feelin’") - Love is not enough (David Sanborn)(harmoniken forts.) 8 @ liarmonisering styrd av lines Welodin eller matmelodin rar Sig mellan s& firgande toner att harmoniken styts darav. Det kan modulera friskt. EXEMPEL: - Mornin (Al Jarreau -"Jarreau") x Pa EnV Ft Ges (or 6 ar) Cnirs La ckordet Benagenheten att stoppa in 11-ackord i tid och otid ar stor. Den grundliiqgande harmoniska skill- naden mellan slick och jazz ar att dar jazzmusi- kern spelar A9 eller A13 spelar slickmusikern A11. \t-ackordet ar oftast nagon sorts mellandominant varvid mediantik brukar uppsta. I kadenser kan man lata 11 fdlja pA 11. Detta anvands flitigt av bl.a. Naurice White och George Duke. Det gér till och med att hitta hela latar som ar uppbyggda av 11-ackord. (Mer om 11-ackordet i kapitlet "kryddor")(Harmoniken forts.) 9 EXEMPEL pd 11-ackordet: = Look what you find (George Duke- "Master of the game") Fees @ KOMPPRYLAR Rubriken avser den typ av figurer som ligger i gitarr eller synth fér det mesta. Den syftar ocksé pa blasriff och i viss man kérstammor. Det ar vanligt att keyboarden ligger med klanger (Elpiano/flygel ar allt som oftast dubbat) medan gitarren har en kompfigur. Alternativt byter man. Nedan féljer nagra vanliga kompfigurer. @ 2- eller 3-klangsfigurer Den allra vanligaste rundgangen ur T-Tp-Sp-D. Om vi utgaér fran den ser ménstret ut som féljer. I takt 142 bestaér kompfiguren av T och D ( I andra takten byts baston). I takt 3+4 bestaér figuren av T och S. Detta minster finns med smarre variationer i 100- tals latar. EXEMPEL : - All right (Cristopher Cross - "Another page") > Ride like the wind (C Cross - "Navegando") - Mornin’(Al Jarreau - “Jarreau") Nonstret kinns igen aven i latar dar harmoniken ar lite annorlunda.(kompfigurer forts) EXEMPEL: - Mr Briefcase (Lee Ritenour - "Rit") y “& z = = robe rtf 6f cott - Trouble in paradise (Al Jarreau - "Jarreau") - You need a hero (Pages) - Who’s right - who’s wrong (Kenny Loggins - "Keep thefire". Pages - "Future street". Al Jarreau & Randy Crawford "Casino light") - Through the fire (Chaka Kahn - "I feel for you") @ Hammarklaver-"pumpbas" Snabba Sttondelar eller sextondelar i diskanten p& pianot pé gammalt rockmanér. EXEMPEL: = Hold the line (Toto) - Cryin’ all night (Airplay) - You oughta know by now (Ray Kennedy) Lika vanligt ar det att basen har 4ttondelar som pumpar. Gitarren dubbar ofta. @ Entonsprylar/Riff Bl3sarna har ofta genomgéende riff som ligger i bakgrunden. EXEMPEL: ~ Boogie down (Al Jarreau-"Jarreau") - Roofgarden (Al Jarreau - "Breaking away”) T.ex. gitarren kan ocksd ha ett “entonsriff" EXEMPE - We're in this love together (Al Jarreau -"B.A. ) 2. Pak Sen Fi @ Brutna ackord Speciellt vanligt i introna. Oftast pa piano. EXEMPEL: > Smile again (Manhattan ransfer -"Mecca for moderns - You (Earth, wind & fire - "Faces") - Just once (Quincy Jones - "the Dude")i Formen p& "slick"latarna dr oftast en utvecklad schlagerform. De bérjar ofta soft och byjgs undan fdr undan upp. Att vaxla mellan tonarterna ar po- puldrt s& att refr g&r i annan tonart an versen teex. Nedan féljer ett recept pd den optimala slicklaten: INTRO Brutna ackord i piano. Rundgang pa 4 takter. Den tas i repris ett tonsteg hégre - dé med en straéklinje till. VERS 1 Sang. Kompas av piano-elpiano som spe- lar identiskt och lagger ackorden. VERS 2 Bastrumma/Bas kommer in p& efterslag. BRIDGE 1 Lv. i annan tonart. Bérjar f.i. med ett 11-ackord. Bldsarna spelar vackra lines. Det hela bérjar ta fart. REFR 1 Kérstimmor. 8l4set spelar fills pa de stllen dar sangaren andas. Gitarren har nu antligen hittat sin komppryl. INTERLUDE Liknar introt. Modulerar med hjalp av minst 4 11ackord i rad p& ett under- bart satt till en ny tonart. VERS 3 Kantslag pd virveln. I takt 4 en annor- lunda rundgang an i vers 2. BRIDGE 2 Som Bridge 1 fast den modulerar till tonarten tersen éver férra refr. REFR 2 Ettorna i takt 1,3,5,7 pushas i bas- bastrumma. GITARR- Bérjar med en valdsamt hég ton som solo snabbt dalar. Darp& byggs solot upp och blir férst 2-stammigt - dérefter 3-,4- och 9-stammigt. Solot svettas fram under 18 timmar i en varm studio. OBS: FAR EJ IMPROVISERAS. Allt for att undvika likheter med jazz. Solot modulerar till tonarten en ters ovanfér refr 2 REFR 3 Mer kér. Mer vrik i solorésten. Gitarren fyller i allt efter producentens tycke och smak. Blasarna spelar nu dubbelt sa fort som tidigare. Hela smeten férsvinner s& i fjarran...\. cam @Sarskilda kadens Nagot som anvinds flitigt ar “in-ut-in"ménst- ret i kadensen som féreqar t.ex. versen eller refrangen, "In-ut-in" betyder att man fran den tonart man befinner sig i gir en utflykt till nagon annan tonart fdr att Stervanda. Man dkar den harmoniska spanningen far ett dgonblick efter det kinda minstret “spanning-avspinning". Detta kan ske i olika hig grad. Ar man i C-dur sé dr ett "besdk" i G-dur inte lika "spannande" som ett besdk i fF -dur. F - dur ar mer "Ut" (eller"out") an G-dur. zp MIN-UT-IN" Vi har valt ut nagra typiska "slick"-varianter p& "in-ut-in"-minstret. * Dominanten féregas av ackordet en halvton eller eventuellt en helton upp. EXEMPEL : - Smile again (Manhattan Transfer) 7 , yeh WE Ae aay [C85 )Hin zi =e - Trouble in paradise (Al Jarreau) fn G eh | by ee = Ft ln * Dito - fast fler ackord ar utanfér tonarten. EXEMPEL: - You (Earth, wind & fire) @e Ht Ent les En Dit ¢ Dominanten ersatts av ackordet en helton under Tonikan. EXEMPEL : - Lost in the hurrah (Mare Jordan - "Blue desert") pbs hs Wy, A (es(kryddor forts.) 3 Dominanten firegas av ackordet en halvton dver IL i tonarten. EXEMPEL : - You (Earth,wind & fire) Hee @sz SS Rundgangar som ar varianter p& de tidigare EXEMPEL: - Reach out (Gearge Duke) Fedurz c11]am7 om7 c11 fet - We're in this love together (Al Jarreau) Bu Gu Din ca ~ Who's right - who’s wrong (Pages, K Loggins) Dep Creme ale woh gicur wnat eone 83 — Fa 9— @)Orgelpunkt Ett vanligt stildrag speciellt pa versarna. Orgel- punkt betyder att basen ligger kvar pA en och samma ton medan harmonierna andras ovanfér. Orgelpunkten kan antingen vara ihopbundna helnoter eller ater~ kommande rytmiska markeringar. EXEMPEL; - Without you (Bill Champlin) beers OT Si At Ey Mee trace egCeryddor forts.) I4 EXEMPEL: - Fearless (Pages) Eis Fy gee ~ Whatever we imagine (James Ingram) - Tf thatswhat it takes (Michael McDonald) - Funky bumpkins (Koinonia) instrumentering" Att Tata Tlygel/Elpiano spela samma sak har redan tidigare namnts. Det ger en fyllig klang med bra attack, Ofta - speciellt p& senare ar har man alltmer bytt ut det ena eller baage mot synthar med liknande sound. Genom midi-~ koppling kan man ju spela bida samtidigt pa ett keyboard. ~ Bas/Bastrumma féljs s4 gott som alltid &t och markerar samma synkoper och accenter. Ibland dubbar man basen med synthbas. ~ Nar basen har en harmonisk linje eller ett riff som &terkommer ar det vanligt att gitarren dubbar en oktav upp. Sana har figurer ar ofta med som ett sorts svar till melodins "fraga". Dvs. Sangen sjunger ett kort motiv ~ Bas/gitarr hdrmar eller kontrar. Blasriff/fills ligger nastan uteslutande i "halen". Alltsé dar séngen gér uppehall. Dessa viff ar sallan nagra vackra melodier utan har mer en rytmisk funktion. (De vackra melodierna kallas lines). > 2- eller 3-stémmiga gitarrsolon, intron och fills dr kanske det allra mest typiska fér den “slicka" genren. Det ar séllan ndgra langa solon med snabba rékor utan ofta bara 4 takter langa och coola. Vanligt ar ocksd att solona i princip ar melodin p& refr eller vers med smarre variationer (girna i en anna tonart). - Percussion ar en viktig krydda. En triangel t.ex. ger en valdig lyster ’t soundet. En cabassa kan Ska svanget Atskilligt. Gverhuvud taget dr olika percussioninslag bra fér vari tionen. - Man jobbar mycket med att variera instrumenta- tionen, soundet, tonarten, harmonierna mellan de olika delarna.SKIVLISTA STORA BOKSTAVER = SUPERSLICKT IS sm& bokstaver - slickt) Artist/grupp - titel (producent - skivnr ~ utg-ar) A AIRPLAY = AIRPLAY (J Graydon-D Foster - RVP 6456 - 1980) Allen, Peter - 8i-Coastal (D Foster - SP 4825 - 1980) - Not the boy next door (R Landis - Arista 205 198 - 1983) Alessi - Driftin“(Louis Shelton - AMLH 64713 - 1978) = Long time friends (C Cross-Michael Ostin - QW K 56 999 - 1982) America ~ Perspective (McCauley/Zito/Burgess - 064 24 0216 1 ~ 1984) ANKA, PAUL - Walk a fine line (D Diante - CBS 25259 - 1983) Attitudes - Good news (Jay Lewis - DH 3021 - 1977) AUSTIN, PATTI - Every home should have one (Quinsy Jones - OWK 5693 - 1981) = PATTI AUSTIN (Q Jones m fl - 923 974-1 - 1984) ~ GETTING AWAY WITH MURDER (dito - 925 276-1 - 1985) Average white band - Shine (D Foster - AL 9523 - 1980) B Bajley, Philip - Continuation - The wonders of his love (PB - 92 3744 1-1984) ~ Chinese wall (P Collins - CBS 26161 - 1984) Benson, George - Livin inside your love (T LiPuma 288K 3277 - 1979) = In your eyes (A Mardin - 92 3744 1 - 1983) = 20/20 (R Titelman - 925 178-1 - 1985) - Give me the night (Q Jones - HS 3453 -1980) - Weekend in LA (T LiPuma - WB 3139 (1978) Berger, Michel - Dreams in stone (MB-Philippe Rault - WEA K 99228 - 1982) Brecker Brothers - Detente (G Duke - AB 4272 - 1980) Bright orange - Bright Orange (Ll Wellander - KS 80036 - 1983) Broom, Bobby - Clean sweap (Dave Grusin/Larry Rosin - Arista GRP 5504 - 1981) Brown, Sheree - the Music (ST - 122 29 - 1978) Bryson, Peabo - Take no prisoners (A Mardin+T LiPuma - WB 960 427-1 - 1985) c Carlton, Larry - Larry Carlton (L¢ -.BSK 3221 -, 1978) - Mr 335.Live in Japan (LC - WB 56721 - 1979) - Strikes twice (LC - BSK 3380 - 1980) ~ Sleepwalk (LC (LC - WBK 56974 - 1982) Friends (LC - WEA 92 3834 1 - 1983) Casiopea - Casoipes (ALR 6017 - 1980) - Mint Jam (ALR 2002 - 1982) - Brush stroke{6 SKIVLISTA(Rlad 2 Casiopea ~ Jive jive (ALR 28052 - 1983) > Thunder live (ALR 6037) > Hake up city (ALR 28007 - 1980) - fyes of mind (ALR 28016) ~ cross point (ALR28029 - 1981) - Photographs (ALR 28049 - 1983) - 4 x 4 (ALR 28045) - the sound of graphy(saml-LP)(ALR 28055) Champaign - Modern heart (C-George Massenburg CBS 25038-1983) CHICAGO - XVI (D Foster - WEA K 99235 - 1982) - XVII (D foster- WEA 925 060-1 - 1984) CHAMPLIN, BILL - Single (0 Foster FULL MOON JE35367 - 1978) ~ Runaway (D Foster - ELEKTRA 5E-563 - 1981) CRAWFORD, RANDY - Secret combination (T LiPuma - WEA - BSK 3541 - 1981) > Windsong (T LiPuma - WB K 57011 - 1982) = Nightline (T Lipuma ~ WEA 92-3976-1 ~ 1983) CROSS, CHRISTOPHER - Navegando (HW O'Martian - LWB 5447-1981) ~ Another page (MO - WEA 923757-1 - 1983) - Every turn of the world (MO - WEA 925 WEA 925 341-1 - 1985) Crouch, Andraé - I'l] be thinkin’ of you (Bill Maxwell- Ls-7052 - 1979) ~ Don't give up(BM - WB K 56949 - 1981) Casino light (saml.LP A Jarreau, R Crawford, Yellowjackets © Sanborn m.fl.) (T LiPuma - WB 92.3718-1 - 1982) D DaCosta, Paulinho - Happy people (PD - 2312 102 -1979) = Sunrise ( PD ~ 2312 143 - 1984) DeBarge - Rhythm of the night (J Graydon-DeBarge ~ 2L72340 - 1983) Diggs, David - Realworld (Bob Edmondson - PA 8037 - 1983 Doobie Brothers - Takin it to the streets (Ted Templeman - BS 2899 - 1976) ~ Livin on the faultline (TT - KBS 3045-1977) > Minute by minute ( TT - BSK 3193 ~ 1978) - Farewell tour (2LP"live")(TT-WEA 923772-1 1983) DUKE, GEORGE - Follow the rainbow (GD - EPC 8336 - 1979) - Dream on (GD - EPC 85215 - 1982) - Guardian of the light (GD ~ EPC 25262 - 1983) - Rendezvous (GD ~ EPC 26059 - 1984) - Thief in the night (GD 960 398-1 - 1985) Delta - Delta (M McDonald - WB 252 561-1 - 1985) Dakota - Runaway (anny Seraphine - MCA 5502 - 1984) E Eagles - Hotel California (Bill Scymezyk - AS 7E 1084-1976) > Cagies live (BS - AS 62 032 - 1980) Earth,wind & fire - That's the way of the world (Sig Shore- CBS 32054 - 1975) Spirit (Maurice White & Charles Stepnay ces 81454 - 1976)SKIVLISTA(Blad 3) Earth,wind & fire - All'n‘all (M White - CBS 32266 - 1977) - Tam (HW ~ CBS 86084 - 1979) - Faces(2lp) (MW - CBS 88498 - 1980) - Raise (MW - CBS 37548 - 1981) - Powerlight (MW ~ CBS 25120 - 1982) - Electric universe (MW - CBS 25775 - 1983) Easton, Shena - A private heaven (G Mathison - 064-24 0229-1 1984) = Best kept secret (GM+J Graydon EMI 1077951 - 1983) Edwards, Dennis ~ Don't look any further (Dennis Lambert - GORDY 7172148 - 1984) Eye to eye - Lye to eye (Gary Katz ~ WAR 56940 - 1982) - Shakespeare stole my baby (GK - WEA 23919-1 1983) F FORD, ROBBEN - Schizophonic (Kris Huston -MCF 3028 - 1976) ~ The inside story (Steve Cropper ~ ELEKTRA P-10625E - 1979) - Love's a heartache (Kazu Matsui - 28NM-0253 1984) Witherspoon, Jimmy - Live JW & Robben Ford (Mike Verner - LArecords GG 58003 - 1977) FAGEN, DONALD ~ The nightfly (Gary Katz - WEA 92-3696-1 1982) Ferguson, Jay ~ White noise (Michael Verdick+JF - CAPITOL 064-400 077 - 1982) Ford, Dwayne - Needless freaking (D Foster mfl - EPIC 85897 - 1982) FOSTER, DAVID ~ The best of me (DF+Taka Nanri - SOUND DESIGN 1342-9 - 1983) FRANKS, MICHAEL ~ The art of tea(T LiPuma WEA REP 54048x 1975) ~ Burchfield nines (WB 56479 - TL - 1978) - One bad habit (WB 56814 - TL+A Fischer 1980) - With crossfire(live) (MF WB-56922 - 1980) Objects of desire (WBK 56973 Michael Colina+Ray Bardani- 1982) - Passionfruit (Rob Mounse - WEA 92-39621 1983) - Skin dive (RM - WEA 925275-1 - 1985) Friendship - Friendship (Lee Ritenour+Don Grusin.- ELEKTRA 6£-241 ~ 1979) - Friendship/l Ritenour Front, the - the Front (RMLP 018 (1985) Franklin, Aretha - Love all the hurt away (A Mardin - AL 9552 ~ 1981)i SKIVLISTA (Blad 4) G Gronenthal, Max - Whistling in the dark (Michael James Jackson - CHR 1231 - 1979) GRUSKA, JAY - Which one of us is me (JG - WEA 923923-1 - 1984) H Hall, Lani - Blush (Allee Willis - AMLH 64 829 ~ 1980) Henderson, Finis - Finis (Al McKay - Bellaphon 260-15-058 1983 Holliday,Jennifer - = Say you love me (T LiPuma, M Jacksonmfl SCBS 26564 - 1985) Hyde, Paul & the Payolas - Here's the world for ya (D Foster - A&M 395 025-1 - 1985) Hall & Oates - Along the red ledge (D Foster - INTS 5258 1978) I I-ten - Taking a cold look (Keith Olsen+Steve Lukather CBS 25637 - 1983) INGRAM, JAMES - It's your night (Quincy Jones ~ WEA 923970-1 - 1983) 3 Jackson, Michael - Off the wall (Quincy Jones - EPIC 83468 - 1979) - Thriller (QJ -€PIC 85930 - 1982) Jacksons ~ Destiny(EPIC 83200 - 1978) JARREAU, AL - Glow (T LiPuma ~ REP 54 073 - 1976) ~ This time (3 Graydon - WB 56 804 - 1980) - Breakin “away(JG WB 56917 - 1981) - Jarreau (JG - WB 25 0070-1 - 1983) - High crime (3G ~ WB 250 807-1 ~ 1984) = In London(live) (T LiPuma - WB 252 369-1-1985) JONES, QUINCY - Mellow madness ( A&M SP-4526 - 1973) - I heard that (A&M SP 3705 ~ 1973-76) = Sounds..and stuff like that (A&M SP4685 1978) - The Dude (A&M AMLH 63721 - 1981) JORDAN, MARC - Mannequin (GaryKatz ~ WEA BSK 3143 - 1978) - Blue Desert (Jay Graydon - WEA P-10774W - 1979) > Hole in the wall (MJ+*Don Murry - SOUNDDESIGN 1342-8 - 1983)SKIVLISTA (Blad 5) . 19 kK € Kennedy, Ray 7 Hay Kennedy (D Foster - CBS 25AP 1884 - 1980) jot KGB - ion (R Kennedy:s4ng)(Kenny Kerner+Riche Wise MCA 2221 - 1976) Khan, Chaka ~ Chaka (A Mardin - WEA BSK 3245 - 1978) - Naughty(AM - WB 3385 - 1980) = What cha“gonna do for me (AM - WB 56888 - 1981) - Chaka Khan (AM - (AM - WB 923729-1 - 1982) - I feel for you (AM, D Foster, R Titelman mfl WB 925162-1 - 1984) KIPNER, STEVE - Steve Kipner (J Graydon - ELEKKTRA 6-202 1979) Koinonia - More than a feelin’(Bill Schnee - RMLP 009 - 1983) - Celebration (Bird 156 - 1984) t LaBounty, Bill - Bill Labounty (R Titelman - WB kK 56988 -1982) LARSEN-FEITEN BAND - Larsen-Feiten band (1 LiPuma ~ BSK 3468 1980) Full Moon/featuring Larsen/Feiten ( WB K 56933 - 1982) Larson, Nicolette - Radioland (T Templeman - 85K 3502 - 1980) Lava - Crusin (L - PGR 2382 120 - 1981) - Prime time (L ~ PGR 2382 134 - 1982) - Fire (L - PGR 821 631-1 ~ 1984) Loggins, Kenny - Celebrate me home (P Ramone+8 James - CBS 81882 - 1977) = Nightwatch (B James - CBS 35387 - 1978) Keep the fire (Tom Dowd - CBS 83069 - 1979) Alive (CBS - 88500 - 1980) High adventure (KL+Bruce Botnick - CBS 85932 1 1982) - Vox humana (KL - CBS 26221 - 1965) Lorber, Jeff fusion - Galaxian (JL+Rik Pekkonen - AL 9545 1981) Lorber, Jeff- it's a fact (JL - AL 9583 - 1982) - In the heat of the night (JL-ARI 90100 - 1984) 4 Madagaskar - Spirit of the street (John Barnes -Al 9565-1981) McDONALD, - If thatswhat it takes (T Templeman+Lenny Waronker- (urcwaey WB K 57018 - 1982) = No lookin’back (MM+TT ~ ‘WB 925291-1 - 1985) Manhattan Transfer - Extensions (J Graydon - ATL 50674 - 1979) - Mecea for moderns (ATL 50789 - JG - 1981) - Bodies and souls (Richard Rudolph - ATL 78-0104-1 - 1983) Mathis, Johnny - A special part of me (Denny Diante ~ CBS 25475 - 1984) MAXUS - Haxus (M O'Martian - WEA P-11141 - 1981) Mendez, Sergio - Sergio Mendez (SM - AMLH 64937 - 1983)SKIVLISTA (Blad 6) Miller, Marcus ~ Suddenly (MM+M Colina+R Bardani - WEA 92-3806-1 - 1983) - Marcus Miller (MM+RB - WEA 925 074-1 - 1984) Mathison, Greg,project - Baked potato super live (CBS 25AP 2315 - 1982) N Newton, Juice - Can't wait all night (Richard Landis - RCA PL84995 - 1984) = Dirty looks (RL - 064-712294 - 1983) NIELSEN-PEARSON - Nielsen-Pearson (R Landis - CAP ST12101 1980) - Nielsen-Pearson band (EPIC 34984 - 1978) - Blind luck (Bill Schnee - EMI ST-12176- 1983) Night - Night (Richard Perry ~ PLA P2 - 1979) 0 O'Martian , Michael - White horse (MO - MYRA 1048 - 1974) Adam again (MO - MYR 1058 - 1977) Seasons of the soul (MO - MYR1073-1979) The Builder (MO - MSB-6636 - 1980) P PAGES - Pages (Bobby Colomby - JE 35459(CBS) - 1978) - Future street (BC - EPIC 83816 - 1979) - Pages (J Graydon - CAP 1A 062-86350 - 1981) MR Mister - I wear the Face (Peter McIan - RCA PL84864 -1984) = Welcome to the real world (MM+Paul DeVilliers - RCA PL89647 - 1985) Perry, Steve - Street talk (SP CBS 25967 - 1984) Phillinganes, Greg - Significant gains (PLANET P17 - 1981) - Pulse (Richard Perry - PLA FL84698-1984) Preston, Billy - Pressin’on (BP+R Benetar+C Senogles - Bellaphon 260-15-041 - 1982)SKIVLISTA (Blad 7) R Z| Rhythm Heritage - Disco fied (Steve farri+M O'Martian - ABCD-934 - 1976) = Sky's the limit (SB+MO - ABC-1037 -1978) - Last night on earth (SB+M0 - ABC987-1977) Rite on time - Rite on time (Rot - PHILIPS 812045-1 ~ 19683) Ritenour, Lee - Captain fingers (Skip Drinkwater - EPIC 34426 - 1977) - The captain’s fingers (LR+Dave Grusin - ELK 52 094 - 1978) - Feel the night (ELEKTRA 6£ 192 - 1979) - Rit (Harvey Mason-D Foster-LR - ELK 52273- 1981) = Rit 2 (H Mason-LR ~ ELK 960186-1 - 1982) - Banded together (G Mathison-Trevor Veitch- LR - ELK 960 358-1 - 1984) ROBERTS, DAVID - All dressed up (G Mathieson - ELK K 92011- 1982) Richie, Lionel - Can't slow down(LR+James Anthony Carmichael ~ MOTOWN ZL 72020 - 1983) Ruff, Michael - Once in a lifetime (1 LiPuma - WEA 925 159-1 1984) Ross, Diana- Why do fools fall in love (DR - RCA AFL1- 4153 - 1981) - Ross (G Katz/DR/Ray Parker Jr - EMI 1C 064- 1983) RUFUS - Party til you’re broke (R+John Stronach - MCA-5159- 1981) RUFUS & CHAKA KAHN - Camouflage (MCA 5502 - 1981) - Stompin at the Savoy(live) - (R Titelman - MCA 92 3679-1 ~ 1983) Russell, Brenda - Brenda Russel) (André Fischer ~ A&MSP3174 1979) - Two eyes (T LiPuma - WB 923839-1 - 1983) s Seawind - Light the light (T LiPuma - HORIZON SP-3173 - 1979) ~ Seawind (G Duke - AMLH 64824 - 1980) - Seawind (H Mason - CTI 5002 - 1976) Bob & Pauline Wilson - B & P Wilson (BW - MYR 1102 - 1981) SCAGGS, BOZ - Slow dancer (Johnny Bristol - CBS 32760-1974) = Down two then left (Joe Wissert - CBS 86028 - 1977) - Silk degrees (JW - CBS 81193 - 1976) - Middle man (Bill Schnee ~ CBS 86094 - 1980) - Urban cowboyl (B Schnee/D Foster - 1980) SENDER (Ross Vannelli mfl) - Exiled on earth - KKLI-0547- 1984) Sanborn, David - As we speak (WB K 56975 -1982) Sembello, Michael - Bossa nova hotel (Phil Ramone - WB 92-3920-1 - 1983) SCOTT, TOM - Blow jt out (TS+Hank Cicalo - EPIC 34966 - 1977) - Apple juice (TS+HC - CBS 37419 - 1981) - Desire (Jeffrey Weber - MUS kK 52 411 ~ 1982) - Target (WB 78-0106-1 - TS - 1983)uz SKIVLISTA (Blad 8) Seals, Dan - Harbinger (Kyle Lehning - SD 19336 - 1982) Snow, Tom - Hungry nights (Dean Parks - ARISTA AL9600 - 1982) Steely Dan - Can't buy a thrill (Gary Katz MCA 37040 - 1972) - Countdown to ecstasy (Gk - MCA 37041 - 1973) > Pretzel logic (GK - MCA 37042 - 1974) ~ Katy lied (GK - MCA 37043 - 1975) - the Royal scam (GK - AB 931 - 1976) ~ Aja (GK - MCA AA 1006 - 1977) - Gaucho (GK - MCA 6102~ 1980) Sons of Champlin - the Sons (CAPITOL SM-332) - Loosen up naturally (2LP - CAP SW8B-200) ~ Loving is why (Christopher Bond - Ariola Am, ST 50017 - 1977) Sorrenti, Alan - LA NY (J Graydon mfl = SLP3055 - 1979) - Non 50 che darei (G Mathieson - SLP 3065 1980) STALLONE, FRANK ~ Frank Stallone (FS+Vince Dicola - 821 237-1 1984) Summer, Donna ~ Donna Summer (Q Jones - WEA K 99163 - 1982) > She works hard for the money. (M O'Martian - LPR 19080 - 1983) ~ Cats without claws (MO - WEA 250 806-1 -1984) Simmons, Patrick - Arcade (John Ryan - ELEKTRA 96-0225-1 1983) St. Elmo's fire(filmmusik) (D Foster ~ Atlantic 781261-1 1985) T Taff, Russ - Walls of glass (Bill Schnee - MYR 1121 - 1983) - Medals (RT+Jack Joseph Puig - MYR 1173 - 1985) TOTO - Toto (T - CBS 32165 - 1978) - Hydra (T+Tom Knox - CBS 83900 ~- 1979) ~ Turn back (T+Geoff Workman - CBS 84609 - 1981) > IV (1 ~ CBS 85529 - 1982) - Isolation (T - CBS 86305 - 1984) vw WAGNER, JACK - All i need (Glen Ballard/Clif Magness - QWEST 925 089-1 - 1984) - Lighting up the night (GB/CM Q 925318-1- 1985) VANNELLI, GINO - Crazy life (H Albert - A&M SP3139 - 1973) - Powerful people (G & Joe V - A&M AMLS 63630 1974) - A pauper in paradise (G&JV ~ A&M AMLH 64664 1977) - the Gist of the Gemini (G&JV - A&M AMNP 103 - 1976) - Brother to brother (G&J&Ross V ~ AMLH 64722 1978) - Nightwalker (G&J&aR V - AL 9539 - 1981) - Black cars (G&I&R V ~ PGR 825 108-1 - 1984)SKIVLISTA (Blad 9) Watanabe, Sadau - Maisha (SW - WO 252 914-1 - 1985) 23 WATTS, ERNIE - Chariots on fire (Q Jones - QW K 56 982- 1982) - Musician (EW+Don Grusin - W8 925 283-1 ~ 1985) Waybill, Fee - Read my( lips (D Foster - 2402511 - 1984) Webb, Jimmy ~ Angel heart (Matthew McCauley- Fred Mollin - F C 37695 - 1982) Wells, Cory - Touch me (David Anderlee - A&M SP-4673 - 1978) Williams, Deniece - Let's hear it for the boy (DW+G Duke CBS 26010 - 1984) - When love comes calling (D Foster 1979) Wilson, Carl (Beach boys)- Carl Wilson (Jeff Baxter - CRB 25225 - 1982) Woods, Steve - Take me to your heaven (Jack White - 204 235-320 - 1981) Wolfer, 8ill - Wolf (BW - WEA 960187-1 - 1982) Wonder, Stevie - Music of my. mind (SW - STMA 8002 - 1972) - Talking book (SW - TAMLA T319L ~ 1972) ~ Fulfillingness first flight (SW - T 332 1974) - Innervisions (SW - STMA 8011 ~ 1973) ~ Songs in the key of life (SW - MOTOWN 2-48001/2 - 1976) - Hotter than july (SW - MOTOWN 062-64121 1980) - The woman in red (SW - MOTOWN ZL72285 1984) - In square circle (SW - MOTOWN 7L72005 1985) Voudoris, Roger - Roger Voudoris (M O'Martian - WB BSK 3154 - 1978) - On the heels of love (Charles Calello BOARDWALK N81-33233 - 1981) Warwick, Dionne - Friends in love (J Graydon - Arista 90028, - 1982) y YELLOWJACKETS ~ Yellowjackets (T LiPuma - WB BSK 3573 - 1981) ~ Mirage @ trois (TL - WB 92-3813-1 - 1983) - Samurai Samba (TL - WB 925 204-1 - 1985)KOMMENTAR TILL SKIVLISTAN Det svaraste i arbetet med skivlistan ar att veta var man ska dra grénsen nagonstans. Bedémningen blir givetvis valdigt subjektiv och gransdragningen kan klart diskuteras. Namn som SPYRO GYRA, MEZZOFORTE, BOB JAMES,/STUFF, DAVE GRUSIN, CRUSADERS, LITTLE FEAT, RAY CHARLES, HERBIE HANCOCK,, JONI MITCHELL, TUBES, JEFFREY OSBORN, MAYNARD FERGUSON kanske vi borde haft med men vi valde att lamna dem vid sidan om. Naturligtvis finns det ett stort antal plattor som vi inte ens har hért talas om som saknas. Upplysning- ar av den typen tar vi gdrna emot. Manga i skivlistan finns bara representerade med ett fatal skivor. Det giller t.ex. GEORGE DUKE, BRECKER, GEORGE BENSON, CHICAGO, DOOBIE BROTHERS, BOZ SCAGGS. Vi tog med det vi upplevde som "slick". Bedémningen i slick/SUPERSLICK ar kanske dnnu mer subjektiv. Syftet med det dr att valje ut ett litet begransat antal framfér allt fdr den som inte ar s& bekant med musikstilen. Fér den insatte kan det tjana njtta genom att visa p& vad vi varderar som "slickast". Anskaffning ay skivor N&nga av dessa skivor (fér att inte saga de flesta) ar cerhirt svara att f8 tag pa. Ett flertal finns dver- huvud taget inte utgivna i Sverige. Och finns de ut- givna s& gérs det valdigt délig reklam. Man kan finna mycket bra om man blaéddrar i rea-backar. Tittea p& musikerlistan p& baksidan. Ar man en riktig entusiast s& kan man skicka efter ifran Japan eller USA. En del skivaffdrer har specia- liserat sig p& att importera skivor.DEL IL Tnnehall weafter all...... EEeeeeee After the love has gone.... All behind us now......---. All in the name of love........ All right....... And the melody still lingers on (A night in tunisia)... Anthem (from Chess) .....++++ Anyway YOU CAM.sseeeeesseeee (Synth solo: David Pack) Appaloosa........++- oer 2222 Automatic man... 2124 Back on the road , (Guitar solo: Steve Best of me, the..... Black and blues. eeeerery (Guitar solo: Jay Graydon) Boogie down (horn arr).. Boogie down. Black cars.. Born to love you Broken wings... Cry meade Gt eee tee teeter e eee eter} Divina...... Do be do be. Do you love me.. Don't look any further Don't slow down. . Don't stop....... see eeee Don't try to stop me now. (Guitar solo: Michael Landau) PEE PEe Eee reer eres eierce Al Jarreau, Synth peasy eeeetee reer eee (vocal scatsol Larry Williams) Echoes of love.......++++ Ending, the (Guitar solo b Endless.. Jay Graydon) . Eye to eye. : : Fadeaway. ss... eeeeeecccce esas ccscen een cesecs sess 0 (Guitar solo: Steve Lukather) Fearless..........++ eee (Guitar solo: Jay Graydon) Freetime.........0ee eee wee eT4 Frontline..........+ ares ++ +76 278 Funkabilly swing......ss.see+ Funkabilly swing (Horn arr.). Punky Bumpkins......eeeeeeeesGazoot....... aerate “Glory of love,the......, Gotta get back to love.. Gospel... Graceful see Bd eee BE +88 + +90 aod Happy face...... Homecoming song Homecoming..... Hold me 'til the mornin' comes... .. (Guitar solo: Steve Lukather) *Hold the line.. Horus...... 14192 93 +94 I believe.. see . + +102 I gotta try..........08 . +2104 I just wanna stov...... + +106 I never gonna let you go... + +108 (Synth solo: Robbie Buchanan) I'll supply the love........ceeeseeeeee I'd like to go back home again. If she loves.. Stee e eee e eens Tf that's what it takes... Imagination.........., Imagination (Horn arr.) . +112 +114 lls +118 +120 122 In the stone.......... 124 In the stone (Horn arr).. 126 Jarreau Bieter etre +2128 FUND. eee eee ee eee (Synth solo: Just let me wait.. 132 xJust once........ 136 Kvrie. eee nee eee e eee nce ee eee ee ence eee LAO Last nite............ “Lately... Learn to love again.. Let's start all over.... Life on the wire....... Living inside myself. +142 2144 +146 148 + +150 152 Livin’ it up. ; 5 154 Lonely weekend. ; +156 Lite till....... i 159 Look what you find... 2220011! 160 Took what you find (horn arr) +163 Look who's lonely now +164 Lost in the hurrah.......1.1! +166 (Fliigelhorn solo:Jerry Love is not enough.......... +169 Love at second sight...20.2 111111 +170 (Synth solo: David Foster) Love is waiting...............05 -172 Yuush life....... : 174 Maniac. ...... eee. settee ees eee eee eee eee 176 (Guitar solo: Michael Sembello) Monmouth college fight song..... 178 (Guitar solo: Robben Ford) 181Mornin'.. PEE e Eee Retest rete a2) (Synth solo: David Foster) Maxine (vocal arr)......- Mr Briefcase. My babv...... ere (Guitar solo: David Pack) Normalisation. Not like this. One hundred wavs.....+.+.6-+ pete e reese Only one, the (You turned me inside out). Oops... ..0.00. Overjoyed..... Pass it on.... Please hold on POOLS. ....2e ee eens Put the weight on my shoulders (Guitar solo: Mike Miller) QASiMOdO.... see eee eee eee eee Pee eee Eee Eee rte 2 13) Raging waters. +4220 Reach out..... +222 Read my lips......... +224 Ride like the wind + +226 Roadsong...... 2-228 Peasons...........005 25229 Roofgarden........ 2 +232 *Rosanna... . . see beeen eee + +234 (Synth solo: Steve Porcaro, Guitar Steve Lukather) Sara eeEEEe ere +238 Savin all my love f +240 Search, the....... 26242 September..........- 22244 Shadows in the rain. +1246 Shaker song....... 2248 Should we carry on + +250 Shout..........06- +4252 Shout (Horn arr.). 21254 Silverlake... + +256 Singasong..... 2.258 Smile again... Song for Katie Storm...., + +262 +264 Sweet lucyv........ 2-265 Super blue sees +266 Sure enough... . 268 (Sax solo: Tom Sweat it out...... cece ee cee eee eeeen eee 2270 Take it uptown.... 22272 Talks eceeeeeeeeeee tl274 Thank yOu... 2... eee cece eee oe + +276 (Synth solo: Greg Mathieson) ++ +278 xThat's what friends are for....... +1280 here's no easy way.......“Through the fire........ “Tonight, tonight Too young... Trains.. Trouble in paradise. They danced......sseeereeerere (Guitar solo: Michael Landau) United blues.... Valentine. ....scceeeeceeceeceecec cere c cence ence es 1298 We're in this love together. *We are the world........ We can work it out.. We can work it out (Horn arr.). What a fool believes. Weekend in LA.... ‘whatever we imagine... Wheels of life... When T loose my way.. Without you.... Who's right, who's wrong. You bring the sun out You might need somebody..... You need a hero...... “You're the inspiration......ot I. THEN THEZE WAS A 2.1 Katie My mo GY THE 1 ew THAT NO MATIERCOME WHAT MAM, LOVE WIL PRE VAIL. CA_HERT AnD Mind THAT NO MATTER COME WHAT MAY, LOVE Wit SURVINE ot ; — Ted SIDE THE vREANS . KNEW, Came THE LOVE CMOAUTHOR CF SPACE AND Time, KEEPS ThE 7 8 (1) QUESTION Levees FEAR, CAD TRUE Love FAIL, THEN | WOLD MiSs THE Culbptot fost (2) GALAKIES AND EACH, SPARROW ALE (Ca THE YE THAT HEALS THE fount Pa (CWS) an HAVEST | SUNG TOE YoU OF THE KNIEHT IN AQMo MM BelchT Ly (DW SUMAN ACTER THE WAR 1S THROUGH, ISTHE KNIGHT IN Amu gciGHT J PATRASfnaree! hig 2) )Chons) v (Wik 8 THE ONE TO HOLD You WH MY ¥ CF keyboara’y VWI BE THe WE TO HoLD YoU \ WIL BE THE OLE TO HOLD BL Ie MY INoMy, Ags, Pe fio | | | (When repealed Chorus)FoR A WHILE TD LE WAS AL WE COULD DO We Pzece Yobne Aone Kea DwHiwe TO Love, EACHOTHER WATH ALL WE Wottd EYER, ERD Love was LONG FoR Su LONG NEVER KNEW THAT WHAT wASWRONG BABY WASN'T 3 CN WHite a PA NoMM™MIND TD THE PAST WEP KNEW LOVE woul LAST Ev TRIED TD Pinb WHAT wE HAD ‘TIL SADNESS WAS ALL THAT Wwe| | (VE%es were ALIVE DEEP INSIDE we ri OUR Love WAS TRUE FORA Dp (2) HAD WE WERE SCARED THIS AFFAR WOULD LEAD OR love INTO a EG t= A= 8} 7 . VCD MGHTSMEWNC BEAT Wolo INVIPE US TD S BEGW THe "balnce F E v MATUSED TOBE HAM WAS SAD I. ING HAPPENED AWWNG THE war AND YESTERDAY WAS AL THAT WE HADCAFTEE THE Love HAS Gone a . 5 (S™METHWe HAMeHED ALENG AND YESTERDAY WAS AL WE NAb (CHozus) 5 OH, AFTER THE Love How CoULDYOU LEAD ME ON. AND NOT LET ME STAY AROUND Da & al Copa copa ; ; SS SaaS SS + SOMETHING HAePErED ALONG THE WAY WHAT USED TD BE HAPPY WAS SAD -~— SOMETHING HAPPENED ALONG THE WA(AND MESTERDATWAS ALL THAT WE HAD AFTER THE LOVE HAS GONE — HOW CouLb YOU LEAD MEDHCATER THe Lae NAS Gone -3) 92 Ano NOT LET ME STAT AROUND AFTER THE Love. HAS Goue, (votes as Bp) jn — —# tr = ¥ $e q Ki _———j u CUSEMUSED TE BE RIGIT WAS WRONG CAN Love MATHS LOST ge FORMUHEY 7 SORRY Hey, " FUNNY DINT Work THE WAY THAT WE'D AL- WAYS PLANNED WENT AWA‘ AW SOME HOW DION FT LNOER STAND (3) coun FING THe "Wn THAT MI TA A) BOTW HAD Seip THe Same Thine AWN Reo Tsu eo SB CAND 6 (2) WE PRETENDED MANY YEARS (3-4) we PRETENDED oo MANY YEARS(AX BEHIND US NOW-Z) 9 1-2) pur now Ils Time WASH Away my, TEAES CAUSE IT(s " (34) BurNow its OVER Baby AND SOARE MY TEARS EBay US NOW, CAUSE WE'VE LEARNED TD Live SomEngW WITHOUT EACH ALL BEHIND US Now, Cpuse wele FOUND A WAY To LIVE wiTHoUT EAcu| OTHER np iis{.EASY, TR SEE ANT S. i OTHER AND IN “VER GONNA 8E THe SAME AGAIN a = ae — == TIME Wel. HAVE To SEE VIF [TIS EVER GONNA BE THe WAY RGA Pap Y Gta ca Me hy Dmb/ep (ose i) RILBING GUT FoR IFAR Can, BUT eNOW al nt Bb By pba Dol i eee w com ; FINALLY FOUND Where | BELONG Cause IT'S 2. Ha pies? 3 CHS Hy WAS ‘i~ AJ! 0 0N'T mem To LET THIS Hatren 1 NEVER WANTED TO yURT ANYONE [2.) SAw pity THERE WITH HIS A€NS AZOUND mie! Aer re LEANED | TO Csrmnte, we cone Bodeans someWrue “Lime “ou've NEVER! SEEN) LOOKS AT YoU (my WATCHING “TOO THROUEH HIS VIDEO Lec ~ rec Tears Te m= pos- Si - Ble 1S REAL DE TO PLA THE PART HE'S NU OR- bi-NA -_ BY -5 Al3sus = sant { =P PP te(AvTomaric mans HE WAS MADE “10 BREAK ~ouR HEAer He's THE AUTO MA -TI (Tmo Wee FolR Fie SK Seven Eller) He's THE AU-TO-MA-1e Cike-t re) DALY (2x connie) | (Two THEE Four Five six Seven E1oHT) HESTHE AU- TO-matic MAN (v1 TAR sovw) SS ee ee | J WAS SUCH A LONE-INy LonE~LY Boy’ AUTO MA—Tie was MY NE -VER DREAMED HE WoucD L HER AWAY « (Ges (RSS THE FOR ERE SK Seven EleHT) HES THE AUTOMATIC | Mv\ni + (Te NRE four Ewe Six HES THE AUTOMATIC an)¢ aT aa Amt D9 Gi ¢ KS 2 + Cy ON THE FoAD GoNN EAvE THis TRUE BEWIGD ed PBF reine Se CR HAT MY LIFE |SLA TRUE DESIGN: oat AS - aed Ve You won't ae a PHONE TOME I Be pote Rone plea te! Line ees STILL, | HORE & @ Time GET Gan ONTHEZOAD GonmA MEN THS HEAET OF Mine SOMEDAY WILUN ~ Dee STAND MUSIC GIES MY HEACT A THRILL G (Hors) wey on) Dow'T Mov CRY WHER SAY GecveNe — BABYBABY, CAR - ex on CA 7 T—e- Toe(RACH ONTHE RoAD-2) ZF r Dovi't Mou CRY WHEN | SAY GOODBYE BABY Yulee NOT ALONE 3. THELE (\ysens)) (guitarseisy FA Fo (VocAL Soro) £ gfe1, SOMANT ENS, L \— 7 ©) eeve STILL _BEMEMm - Bee E> How vip i EZ— (a Gwe CAlvove THAT was Sg \ Cast FOCCET 3) Ep pini G IF WE CAN HOU a (Amo) 1 Tink I've come GAVE ONE, vriey NE | VER eo eA WV Vea Ler my HEART Bevieve: (2) THE Way oo vSep TOS Holy WS oR E E s Rice THe TOUCH (3) TS Fan gecausep OF You be no ee CP IE ve’ ENQUER Tb ame = Cn on Bate Poe ae eine oe (ax) You were py Tours wi 5 ONE MRE CHE NEVERTHOUEHT I'D Find “ou WERE THE Ene(THe bes oF me -2) 29 ~ MACE I'VE ALWATS KNOWN IN MY MID No-CE WILL E - Fae Ver ToucH be i ME (ANd) | ONLT HOPE aoe ===: —=- ===: aes = IMleHT Have SAVED THE BEST OF HE Ai FoR OU DAR, we HAVE Nolen eo ¢ > pg _ =e ee S55 gh yn ch phy) Dh le eS 2S te a a Amt ont FF TepyNee TOGCH — SS me Moy Ee Eau mt Bint Abt, che? GONE WIL E- AND | ONLYY HOPE Phir Oo ba RETURN as a How Mu “y HAVE ony yO eRe SSS 1 ici a SAVED i THe Best OF ME FoR EGE ou as(vocat) E NEED SEMEBODT, INEED SoNetert I NEED SONEWEY SeMEBS DY, INEED Sanekou{ 1. PLEASE vorlT Leave me ‘AU (1) Um TiRED OF BEE BY SY SELE. (2) Bm Tikep oF KEEriNe HWS FoR ONE T Nob LEAVE EG TENS SHELE PASE DouT LEMME. CLO DANCING ANT Ay FUN VE YOU ea baatiaT 1 ee N(yack & BLUES) 2) a 5 aistts & + HELP MepND MAY DANCING hSHoE S CANT Mow Come AnD HELP ME GUT eae — z ny 2) on ‘On —— wy | wouen of LIVE JUST DOWN THE WAY, a @ @ ust susT SMALL SWEAT SPEND SOME "Time WRK ME. LETS Go FEEL THE LIGHT “ t TAKE A momenTAN GnEME Some SHEATLOVINS S Se HELP ME HEAL THIS SLACKS BLES. 1S Fok. YOU YOU WONT HAVE “D STAY. nm TALK AND JASMINE DREAMS INS TOWN TON TEA HERE'S GUST WATCH THE RAN] LEAVE THOSE BLUES IN THE RAIN S MtQnT 3S Sa 7 v 2% ne Can Gin (OL SAT,YOU KNiiv wHATI MelBoscn & CLES - 3) a) DD 9 UFR DE ary MeN (Guitae) Clp 09 Clo D9 Core cHbRET Lars voTHE Eeont eneeY (607 raz) F9 C/E FQ THIS 1S The WT eae Pa, coke PRETS é : roar. Bye ry eye Fs Zi Baws Fond = a ae Bout You Facmace Like 4ULR SEL ton 4 — Oma OC Ce Fovcrrounist Fon ove vancive SHOES So Coop Tw BE pown oFF THe SHE LE CY) 6veG we BEARTHS BLACKS BLUES CREPEAT TIL Fang) | \ NEED SumEbopy, | NEED SumeBooy | ( MEED SHEED T (HoRNS) eeBOOGIE OWN (Horr ARR. BY IEReX HEX) Cnet. - - , ( . : . a iS gre ate be wy sfety t. REPEAT TIL FADE)MAT 1 WANT TDMOUIHUN ALL NEED IS Te Ger My 6eceie COMIN WHAT 1 WANT TDMUG MAR ALL | NEED IS To GET MT GOCE! +f: You CAN BE WHAT) WANT 70 Mov Kw ALL} NEED 1S To Gey MY BOOKIE LOW xen, You CAN BE Whar 1 Want ro You vn AU MEL 1510 Ger my BOCK IE LownEe (cor m4 CeerAns AMORY SERE'NoyEH ON) ‘Avoply Prin ON MY RAL Foe. BEA FB Ag on Ay TELE (You)ACE Thar CuerAns wT YOR, 26° STIFF ony YOU ALE THE WWNER (toot Bow ig HAT CoETHIN TH TOR 8 oan (avs) teconwa FEEL ra Ant ) A: Fa J WANT TD AnD AU | Mumia Sb Ger my eae VouN DSarcooa | You Can 66 AND ALL You"NEED, 1S ‘TD GET YuLe BOOGIE Downs CODA Now You Go LAD 2 Ano SHES A UNTLE STEP FOC SE ASD F COME. Antp STRUT YOUR STUFF BUT LEAVE EnovéN FOR THE NEATE OOGie TAR VEST BIocie- Woe | TWOcAL AS BASSLINE)UNDER, THE COVER, — sie Bea eT Toe HoT eneases ie RRs SHE WEAGS HER MAKE OP LIME WAK v SHES A DARK ANGEL WEARING DARK GLASSES (Dek swe if ein d “Seema Shel A DARK ANGEL RIDING. _DABK HOGSES Clap 1 T Ckeve,) (1) Dae SHADDWS UNDER LONG FALSE LASHES| p Sinise perry twee Ow Lt covers |] DY (CHogus) BLACK CARS Lock BETIER INTHE SHADE, = = = ‘ ==- 7 3 > Y BLACK CALS SHE SMEARS HER LGC Gri QibeAT — — r= eFLCE SHE SULEPS(BLacu Cas -2) 34 A ron Fs, G FOR AU THOSE PHANTor LOVERS IN HER DREAn (sw) () On GPK AY — ORE (Gulsacy 3, Sie SHORES THEM gece Be giBemes i Cocaran grb tes STRAPLESS DRESS. = (3) SHE Ours A PeRfecr Stuwveme (BLT SHEN A) DARK AniCL WEARING DARK GLA CSCS A FADING BEAUTY ASTHE MGHT TINE Passes BLACK CALS Look BETES is THE iE ee ee ee (2epeat Hi fale) Not Fest Tine) SHADE BLACK CARS LOOK BETIER INTHE +} 4 BARS AS WR 4J noi CANT Jusr Gu — AWN THovbH = WANT You WA INTO, MM LIFE zB Someaignies Wee wire = = Oe SS 5 = J oR FT SUCH A LOVELY FATE + (Gos TD 1eust Youe HEA Bas me] E Eiott f & | 11) Anp CHANGE MEBALAWCE OF MY DANS WT MOVE ENES You SAY" Ta STAT —ImusT FiND Coun mt Mw BAG ‘pas int 7 PLAIN Ennes vs 1 An SU BENAYED THAT Mt HEAT AN ae ¥. GH) Want (0G Se DELAY = welee not THING DEEP INSipe (Arma CAs NEVER be KEEPS SAYING, THE SAME (You PLAY. v 7 APART AND ni A bame - 1 oc MY HEART IT'S Know we CUEAR THAT Love(Borm Te Love “eu -2) 39 Wkeer My FEE -Lngs Spcusig MUO riny THE SouG Yuu Siu lo S wv HAS Feunp A CLOUDY pAY, 'm HERE To SAY THA, F A I. C3) trove | CAw Tew we'ce woaud Z. TO [Al ~ Ss . Ve WAS BORN TD Love Sou THE SAME YOU PLAY SS x APALT Ano int Bt WAS BORN TO LOVE 1You! A eAme ~ S mH MENT rts TOCA Tuer Love AS Founs A Ciou Upes Sree li AND THE SoG You Sine THoVveH | ne eS — DY DAY, Im ueee TO Say ya, Bee te Pa Chea A Hiiyas Gay, tey8 FRB aii h.BABY (i) DONT UNDERSTAND We We CANT GUST Hoty oNBEACH GTHERS) HANDS Csr.) bee Sd NaVTHe Tie wilt Be THE LAST | FEAR UNLESS | MAKE IT ALL SO CLEAR)! NEED You FF ( 9) BABY a's ALL KNOW THAT YOU'RE HALF OF THE FLESH, AND BLEOD THAT MAKES_ NE ee BABS Twa TONIGHT WE CAN TAKE WHAT WAS "WRONG AND MaKe IT RIOR (excuse) Nor go Sy wing(GeEKEN Woes -2) $I TAKE THESE BROKEN WINES, AND LEARH TO FLY AGAIN [ans LEARN TO UNE 8 FREE (ast) Wiens We] HeaR, THE VOICES SING, THE BoOW OF LOVE WIL (PEs! UA AND LET US IN TALE TWese BEOKEN Wines wa) (Fe 2.3. int | % TARE | THESE BROKEN) WINGS Aub LEAR TO FAX AGAIm[im)UERRy TD LNE PF ceca neu we On a, I. HEAR ic + HE VOICES SING THE BOCK OF LOVEWKLOPENUR AND LET US IN r D 5) 2 it x ‘ Eat 5 # Aald eld Dua 5 TS SS een SS ee —3— Bald? Daddy (RECENT TA fade,li 1. BABE, VW CALUNG YOU FROM Hie 1B) BABE WWE oT SOMETHING Cove 1 knowl” You! Never Oe if AS, WEE ‘eorn Senwhl OUT Face ov SO PHONES Puno tn cen) teesoor \wAaS PRAC=TI- CWGON YOU. 2 S Co HE CALLED (HE caus) DTELL, (TO rEL) pore L DION T want 10 See Tou AGLAW ¢ HE'D Founy A REAL THING AS FAR WERE On] v (Aub He(CRIN ALL NIGHT -2) C 43 v oO Sittin6 ANE BY THE TE Le -PHONE SHE'D BE CETING ALL NIGHT - THE VOLE ON THE LINE SouNvar SD DNMIND Was SHE cy la dil be, ° Me eH COM ALC SIGHT . HEARS 2x CTINVE) Ml Z THIS LOVE ISDUSTAN ITA Quite agree pce ‘l G é Now 1 HAUNIS mite Pn dg-¥ Da fe +: Sroll-g OTING AvovE FE TELE Tg HO Gy wy peed Aw ‘NIGHT Une SOUNDED Sc UEKD WAS SHE ine “UST IMITATION NOW CS Wd Voice Ou) Coo Fears 8 Bewioe w eae 'é Atm Riot? iS StS HEARTOF STEEL TO COLD To FEEL NOT wor WHR Arenas gs C4 a =<: oe. a SHE LOST WERE THE FEAGS(Pin 2) or 7 S | F |SLICKA PRODUCENTER: * QUINCY JONES Borjade som jazztrumpetare pa 50-talet. Arran- gerade 4t bl.a. Ray Charles, Dizzy Gillespie, Count Baise pa 60-talet, Har skrivit och pro- ducerat mangder med filmmusik, T.ex. ROOTS ("Rotter" efter A Haleys bok). Ar idag en av de mest betydelsefulla producenterna vi kan tanka oss. Har producerat bl.a. Michael Jack- son’s "Thriller" (Varldens mest sAlda platta), Donna Summer, Patti Austin, James Ingram. Han har utgivit ett stort antal plattor under eget namn ("the Dude" dr den senaste). Producerade band-aid-laten "Ne are the world". JAY_GRAYDON Gitarrist och producent. En av férgrundsgestal- terna vad det giller utvecklingen av ett slickt gitarrspel - sdval komp som solo. Ar mistare pa att spela 2- eller 3-stammigt. Producent for bl.a, Al Jarreau, Marc Jordan, Manhattan Transfer, Pages, Airplay och Dionne Warwick. TOMMY LiPUMA B6rjade som jazzproducent p& 60-talet. Ar idag en av de stérre prod, p& Warner bros. Har producerat bl.a. George Benson, Al Jarreau, Michael Franks, Randy Crawford, Yellowjackets, Brenda Russel, Seawind, Larsen-Feiten-band, DAVID FOSTER Catskrivare och keyboard-player. En férgrunds- gestalt kanske mer an nagon annan, Hans latar och slingor (aven strak/blasarr.) finns med p& i princip allt bra fran USA. Viktiga produktioner: Earth,Wind & Fire, Bill Champlin, Chicago, Airplay, Lionel Richie, Chaka Kahn, Boz Scaggs, Average white band, Andra producenter av vikt: GARY KATZ (Steely Dan, Marc Jordan m.f1.) MICHAEL O"MARTIAN ( Maxus, Christopher Cross, Donna Summer plus egna soloplattor) . ; ARIF MARDIN (Chaka Kahn, Aretha Franklin m.f.). TED TEMPLEMAN (Doobie brothers, Michael McDonald). MAURICE WHITE (Earth,Wind & Fire, Jennifer Holliday). GLEN BALLARD (Jack Wagner, Patti Austin m.fl.). BILL SCHNEE (Nielsen-Pearson, Russ Taff). Manga producerar dven sig sjilva: GINO VANNELLI KENNY LOGGINS ToTo GEORGE DUKE LEE RITENOUR LARRY CARLTON STEVIE WONDERveveen "Home: SHOULD HAVE POMe® (Bear) == SS Ses v Bs Gh Du Dvir 4 Ed Dn Dn Dw ab DnDnie Int st oS ae = (Guitar) Du EM dni dws 2 614 Dat (GHORUS) DoYou P} iove a Oh 24 INFDn> dn On3 6G CAN We STIL BE A Paar oF TOMLR- AoW DO You WANT Dwi} PME GG nt Dh De} Dew ME BABY OR 1S THIS JUST A THING OF THE PAST Gsingite”) C (1) re va. ode ada XS L. = wt Ato Ie canis sah, Fy enenevie WUE CONE (2) Nou wevenwt Let Love Buin ME, Live a rode eA TEMEURER MOURE &(po %0y Love me-2) 49 = — (1) — Ver since THE PAY You Folds Me, veg = F EEN Hooke «iss By (2) You Seewusr How You Huer ME GOT A Sean St Tee Heme, Bue LM SSS = (wot Hat THIS Cad GOON, Bra BEE WATCHI!’ ALL Mt DREAMS SUP RIGHT A 2)-RING APAET OveR You (S¥itgr) | NEED Te See Se Like BE— i N= WAY SEEMS SOWROVE HOW ALL THE Goov TINES LicMusi9g. OF YES= 2 Dow'T BE CRUEL Dow'T GWE LP OW THE THINGS We BoTH BEEN U- C} (cHoevs) Tee DAY = VING FoR \ov You love mE CAN we STW BE A Pret uF TOME ow Re Do Mou WANT Me BAM OR 1S THIS JUST ATHNGOF THE CAST AS TF So HARD To Sil WHAT YOU FEELZ CAN'T YOU UNVERSTANDTHAT 1 STIL CARE Z “Ou VE GoT To TEL ME THIS Love 1S REAL, OR ARE TENRSTHE CHT THino We CA) SHARE (Choevs) EE50 eee 0g aN D.LAMPERT, F 60 LOE, 0. HITCHINGS Bass syn CPUNKHY From THE @ECoRD:" PONT Lom ANY FURTHER" DENN, Sowa hot 24 = = ax Count on IN A WORD OF ACHANG ING HEREIMISTICK WHERE YoL STAND, WHAT Yoo MEEDIS A AMANTD TAKE CER 0, GIRL Dont Louk ANY FURTHER | | | | (no chords) STRANGE,WHEN YoU THINK CE THE (ZX GUITAR Saudyere $1 (sae) TO. = CARELESS LOOKING FORTHE RIGHT THING O4.BA — 841, DONT Wow Amt FURTHER, TO~ ROCK AT AL NIGHT LONG DAMLIGHT. FEMALE) WERE CORNARTASIEA LITLE PARADISE 66, Favs Wes STILE LOCKE Wi Your HEAVENLY EXE § Loowine iH Yoo Hemrenr erase NO WELLES QUAND Ou aula, On 54/6 BFS” mango fi, AC 40 DON'T LOOK ANY FURTHER 05 JAMDEY UM BaY-O DONT Lao Ant FLETHER Someone (2X Continue) veo MAMbOX) AYO Pout Look ANT FUTHER iG KC Re) Umea peo mamgoti AM Yo DONT LOOK ANT FLETHER$2 WRITES BY? RICHARD PAGE, STEVE Ge. JOHN LANG R STEVE ARRIS Gon THE RECoRD"WeLComE TO THE REAL WoRLD'-MRMISTER-| 91 (SYNTH. Simicg, it = Vcc ties Racers AND SEE Te TORE Men twat ve GEL Sey J Ase 40 Yrace ove poems 26 Cau We EmeTT Scewes, wou HE- (ass See) "LL SearcH No R%moce MWeetive See WS NOT Teo LATE IS NEVER TET uy seen when Meee iam Betis y Tre — () We AGE oF Whe V wis “tu a8 THE TRUTH OF wriat(mor't suow peown~ 53 MUL THeee 3p ucH BEYOND THe PAST AWE WHEELS eo ine THE FIRE’S. We NING TH US Now Por'T slow CowN pow T Loose THE MAGIC ~ Weve Come TOOFAR to Then BACK Now p "CHobUS” (voc. Sous) |] “iurec! "CHoavs? (REPEAT TIL FADE)(FUNKY) (Arree pic, Guiraesue (Sv tH ~ (3x evirne Spr) VE VERN TRE) Looe AT IUD MY HEART! srdays Dancin 2. HO- URS On THE TELEPHONE, it's Se FELSTRATING] Frt FE BFTF (1) AND EVERY ARLE THixo YOU bo 1S $2 ENT RANCIN’ (2 HANGING YeAND AL ALONE Av- TH cy~ pa TING. FFT B35) Seu Moedven MH A Door, TNE - VER BREW AMI) WE A pg OiC OF OUR Pac Tare Ww EXERC RUSH,Coon't stor -2) comme) sx” 1-3) Yo LEAVE ME WANTING Moce (mbee’n mucellf moke) adN92) You KEEP pAme RISING UF (UP AMD UP AND UF DON'T STOPWHEN The Lave's GONE CRAZY NEVER THOUGHT I'D EVER BE SANE, BABY ad | CAs t mh w sag Fee [be | [la | [ 2. Dou'T sforweéy THe LOVES Gone CRAZY NEVER THOUGHT I> EVER BE SANE, BABY DONT STDP. WieN THE Loves Gone ANY CANT FioHT THIS FEE = LiNG. cova ~ 4 D.C. ALcona| (without repeat)A ROBE RECORD ("BEAT") 2 TYRICS: JAY GRUSKA Come ene in 2x) al 2 = ae i i cavrememaer® TEIN eon se Feeaious EVERY SEPTEMMER, WE Woo POOREST TO STAY DELIRIOUS v LIFE ON A BACKSTREET, WITH ITS WEEKEND NIGHT AUL SPENT SEDATED LIFE ON A Backs WHERE IT DID NOT SEEM SO COMPU - cA ~ TED an 4,3. 2. 4.*) (1) WHEN YOU WERE LINKIN, FoR YOLaSELE (2) TIME TUNED YOU INTE SOMEONE (ELSE) (3) Xeu ONLY THOUGHT IT WAS A PHASE (4) ONLT REMEMBERED IN A (HAZE) BPs Berd bc DorlT TRY TH Sie TLL NEVER LOOSE THAT FEELIN DoxT TRY TO GibP_HE NOW =(Mew “TRY WTOP ME Mow -2) 1 53 GROWING UP 1S JUST ANOTHER = ACCIDENT ral THAT 1 CAN po WITHOUT JUS; CAUSE THe FUN WE HAD CAME ANpWENT DONT Tey TO Stor ME NOW Bm BL em (twerselo by MIKE LANDAV) E mil : ape aaa E 4 Emly wng 454 +t 4 + (3 oa — | A = HHS cag He FD GRowine yp 1S JUST AvOmcR ACCIDENT THAT | CAN 00 WITHOUT wa Aas, He pAcusr case FIN We HAD CAmé AN) WENT, DONT TRY TO, Stor Me NOW Gang BO9 ey tag c/ Banh smatignan tz ¥ TA. YESTERDAY Meu CEPT BRAZIC AND WEST AWAY iB Lock FoR, A’ DISTANT BEACHA DIFFERENT SHOE 2 Nee OSL PERMAN Gena 00 THE SUPER “est HE Cans Rts You fe sure et ve ss wie POS SETTLE Dow: THERE Aw'T NO ret lou Ns SEEN hee REST WHE WELT oo tiie bee ARE Bact (AY yo SEETHER (8) A AGS TER “Wee A) we Fe THE peace Repenhew me Poem Garth Bate REE ¢ mar.) GE) “To Keer Meu “NEAE Jt) Twine TAT Move HEARTS DE- Sice [Joma ever Bue KEES dee (EVERYDAY Your Neen. SOARS HIGHER cS ttt (NHUMCECED Foc orepe— iC OR fet Lint CAUGHT = Zerne s Ait Lacan ce oe S) love IS Nor CHIC A- Go OR {N Bewetn THE Snow Ano TE) FE. (2 Puree our Heaens on AS WHERE YOUR He AT'S OEY(Easy -2) 2 59 UWI wEET CAA (2am Shee quar EES SNOWBRD MELTS AWA irs EAST , Qi caw DED VE THIS is Sta c ~ 4 = Let Your Lave aa Bir leront Lowe My? 23 : ‘ 1 , De cars Carts Be ot 26. F = = Ts 4 et (T'S) Ea St EAST EAS he oe —_ (voc at $00) 4 cr Gut Dino westae ZWG-OxG Soul QW -Owe-OnGTO fen TEE em weRmVorT fm nin SSS SS T Dim Dogo Mi oo fo OUSU * eee, Bim dom 2181 Mo NO BE And 6 ed Fa nt a yA pu sek Be is DENG ZWEBI-Son-pouy ZERWOWOH Mar Zhu da DEIN NAWA Hw ve J NERNANA ZA (gts mal DOS oy | 1 Lek Be = y fe, a 5 ~~ skal Bo b Raee 7 =: f # 4 5 IRM Bo go4-Bom, ptm Do do. epee. gated oa OND Bho Biv BLA WY DONS PACA WAS OES vA DA-DE Hun? <1 +. 4 ¥, 3 oe Be bow(STH) Aw he 3) Het $ b49 8 Awa MMe ve A Og eh pew eigepD IZ mi C ty +t 4 et £4 aFits ma/E Git Cat, > 3 Sl : +t > 3 — LET Your Love awh Sex a = ~ LET MY Lovine in\ HEAR Your voi, € Every — wreee, (ecHoes oF Love) MAKIN ME LOOK BACK OVER M1 SHOULDER (ECHOES OF LovE)ARE STARTI AL Cory 5 O~ NER\ECROES OF LOVE KEEYS on! HUNTING ARE OUTOF CONTROL ,KcEPS ON BUR a S ~MIN7 ECHOES OF Love Ate OUT OF CONTROL BRINGIN' BAK LOVE | USE Th | | | F |62 (ECHoOESLCF Cove 2) O DARLING , bse INO, ovr BU SINCE YoU WENT AWAT an i MAANT MEMORIES “BOUT TD Get THe Besr ort Py | ysep re wiotes ~ i T WONT RECALOM THE TIME VausT won? po poser re Yo KG TP (cHoews) RUN TO\ECHIES OF LOVE = KEEPS ON HUNTING ( ARE OUT OF CONTROL KEERS on BL- ~ rc. > ~ g + ptt Nb ECHOES OF LOVE, ALE OUTOF CONTEOL BRINGING BAC love | SEDTO t =< \ DIDN'T THINK YD Uve To HUNT TD CH GML T'S MoU(ecHoes OF Cove ~3) ee q I cet g SSH + x = ¥ at a a I a \ (Echoes OF Love? rs + ~ Obed D EA) ECHOES OF LovE KEEPS On Huy: as £5 TNC) ECHOES OF LOVE ECHOES CF Love} $e Fe KEEPS ON BuR — NING, == 4 ECHOES OF Love C REPEAT Ti fave)(THE E+ eet 6S ee est “pe Ehren ag f eras | fit ice £4, 2 MAYBE XOULE “THE RIGHT HEAT (V2) You Couo HAVE Eu THEO GH MY HANDS, THe LoGic Canty WALT ane | (C HoRws) HANCE WE CA MAKE ITiWE DUST DALE TO TAKE IT. ENDLESS AQ »STAT With MoU, ENDLESS AZE THE DRE Ag OY MAW ECONE TRUE FOREVER MT ARDS iF Trier |A (: DREASON To OUR Love ¢ ea 2) we've Sei Fike ft Ohi tine Hf wt Fling FA ENDLESS ACESIHE MAGYITS, 1 STAY “ie we ENDLESS AmeMTHE BOFENS ASI MAKE Come! TRUE Fok evER int Ay AC hn Hie fi >. REN ro oun Love 1S Enmore cs68 Bene CRFUNK or ae) Ge tonye KEN.) (Gv.7AR SimiLe), = Qi De cm Cm % Wilh WN THE mos! 2.ThAT pistany Love ~ (3. @irae soc) 5 ned - ON Evee morte Mey STACE tow ROM AS ee (2) Eveey Time Vey Tat 8 ou, OLBER THA even ce se ad se FURTHER APAST ins VET PL (\ eveRt noye T sEe_ Your Face, 2) EVERY WokD 1S Lost ws SCC Ss (NB mwee eine \ Tite SUR LOVE HAS REACHED THE FIAT OF no REY 2) eveey WAY we've Comé 1d ge THE ONES wHo's Love 1S Cut UF(exe ro Eve ~2) 69 To Wen, WS So SAY (2siont AS So welen thar We jusr Dowte see That cet F pon'T SEe_ oZ : eee CUR Love SSS Se Cm Che Dm BID eee SS aa vet ™m SY wo, ore Gm? Ema emt Dor OF . fe, F tie, 61 _ Gut Sag") (GYSse: aaa : E es FS so CLOSE, so eee AQ at i; + ; = v Copa¢. % Gu 2 THERES NO REACOn FOR THIS | HEARTACHE wo Go ent set te one _f _—— ear = = == = =| Tes ano oo wien THE PEE Laos Cae ‘ x & G, WM Canter SCE Now THAT AUS Too LAT bo Curd Dw D Tel tae chugs alent cm Ng SE pass - Re Che Gl ) Gel wet Chorus veptek WU fade 3 = ae Bits Vocals#0 STREET RIPERR Spt ————— p (" SHUFFLE) N NIELS EN- PEARSON ~ 1983, SHE WuST Lue TD TEASE ME SHE 2 Taine SHE] MADE ME COR S\WeQEves THEY CAUS THE QU: — 2 AM aw TON, Trey ee, (No SerEAT Vos) THOSE (DOESN'T MEAW TT WHEN SHE HURTS BLOODED LIPS THEY FREEZE MEAS {2a war Amy Suerose # ( bo *Y Mee SWHouerte GETS Wy (3) STARING AT YOUR FtowT-DOOR- WALL PO vou LEARn THAT IMSANE LES- Sons IF DV AMAGwe EVERY WoRD (2) AS | Looe ATeOSY THE SS (3) SHE bov'r eaten tou WHEY tov FAL Vv SEE ME BUT IM DUST NOT THERE THE LIGHTSACE Gove EVER TWHECE JACK WHELE ‘os PALS CREPE AT ONLY APTER DS) ss FADE WAY. WHE oBscer oF Aw(RACEWAY -2) yt You CAN'T wis BUT You Can conan 7 ryyCXBSE NOBODY REAUH = GU ITARSOLO a STEVE LUKATHER, Yh 15 By) % Dm 40 SSS WY — 1 + Ee Sh tb ~ ayy ade EW wy ee c — ro, WEADEW AY You Cant SEE ME BuT i'n JUST NOT THERE THE LIGHTS REPEAT IY 37 Fave) Ae Gone EVERYWHECE BACK WHERE ob SEE THEM. END WTA GU TAR SOLO THE Last Times w fF)eviTae 2x) i Ar v VESPER ATE AGE 2 Fearless Fe Me Ra cme hae Eee 2. GIN Cite HE'S Ont THe 1 i) Le THe WE ONCE PLAYED 2) — Tt PRAT OS EE OO Pe () Teamiess KNoysS WHAT JUST ENOUGH TO Mave IT REAL (i) weak So _COURALEDLS L (2) me Ve 19) ngs Stil Sous (2) HE“ With DARICE TO STAY ALIVE, GO) uve A HE = fo HE Suevives WOThns' (29 ALIWe Feat Less G DD SURNWwES wae) 6(FEAcLess 2) 33 ———— = — fa 5 eARLESS = ON THE VITAR tf v a i r —==+ afr f = OTHER Swe Riwine FRee Rn reAeegy ow THE RAL + Pea t ee _ I t he Peay ae ~ ~ GING SEA ISTHE ONL Thing, THAT MEEPS YOU AU YE 64 A 2 1 ; Pe = 1Ge mee PS ies pp Fran Se ioe ggh ree TY ¢3% FO ¥ 3 (Uae f pS oe = Gee y GA * Zhe’ wt —— ’ 2. ae (ae PSE = yp me Em a Sh Hin ees SS ee — Ritmmd ine FREE AniD FEARLESS on) — Sa SA ee THE RAGING SEA iS THE WALT Thine THAT KCEES Denker oe seem) Hee Ga en Note @ , —e v — oS FEARLESS ae Dee ea Lerr Te Wee + Yet Gb t sed = = + Ft Ss. = 4 FERRLESS oN THE tae Vy ca Ey FEARLESSFREETIME (SAX. Fie)(FReEtIME 2) as Asti Rohn By Fr Gi 2 nA GH Ho Amy F Emi Aime pitssf SNNTH, AS WTRO) ~ Lit(PRomtune -2) *—F 4 a) || Dal J al Cova f = cod (gym 64850) t Soo “heb — 7 / (@Kss. dvs 6x53) v — e toe% a 6 7 4 one wm? n tas Tera He 1 Gnd ¢ (ouitar solo) SSS 55 e r aa! Ss =“UTHOUT WALLS*Y WRITTEN OY! mL CHAEL SemrBEO RICHARD RUPOLEH BOBBY CALOweLL (ssernour wap et + ra == a - ott DoomSoarScmé THE FINAL FRIDAY NIGHT EVERY Mmasceacy ow THE S03) SIGHT HONEY 1 Just wanT TORE A IMR ae NEVER HAVE TIME, SHow Thin wee We Jace IB} ( sur Uwe someone foun HE LAST COnTeoL PEG) (2)wat's Thar Souuy THAT PLATS UP OL VEE HEAD CO pusneo HE Bul- Tow Te The FLeag AND Loc THE OR, '2) Seree g ur (s es DUST Wace ee (Yi More THe — OComence STAND EY, Hope UT alee F2y CooL JAMES LEAN HE JUST POST, LOE HECE An Mot € f(FUNKABLY SWING ~2) ()_ Bavy Love To me p GIVE Yous (2 @xBx WE MOU Love tO Cv) Mou Cad SEE Ain't MucH IME AS Aln'T MUCH TRE AS Oy Can SEE F + x = ASH g ae a 2,3,4 , 5,6, t- Ma-maA ee FUNKABILT Stung SS eee | vocal fl 1, 2.4.4 LS 1 Vaden se MA = MA Doar Leruar uA bum x yo RereaT 0-8) Ir 2X REPEAT. continu US M4 Thine. (SING -wataciet) E (AP) eas 3 e> (A), corms) i be. wo JD: RI AP Ee4 — H ere, LF £ - tretéests Sse é —— SJ(FUNKABILL Swine -2) vi82 : SSS a atopy FeoM—HE—FE Cat: > Aa Rae —OINONIA Y 19835 ("Fume") a ‘¢t | | | |(FUNKY BUMS) ¥ OS. al Copa “A CODA . de den SOLOS: GIT (PI, BAS)GALOOF HEUNKY |EC Gee GUITAR (Ue wre = ! ‘ — = (Sa0-sAKoPHONE) (i ppae NEZT CLEAR AS WEkbeTH LYING MERE ye Sometimes | JUST ForGeT SAL THNGS | MIGHT REGRET 3 Youu Keer Me STANDING TALL Moun HEL? ME THROUGH IT ALL (1) _TMere’s so MAW THineS 1 wast (2) \T BREAKS MY HesRT TD see Mw cept iy Aways STRONG When YoukE BESIDE Lwin AUS Live You \wovub Never Leave You AW ~ "VOUT WANT TO_LCOSE You \ Fcourn NEVER Maye aT "A= HAVE AbNAYS NEEDED YOU Couey NEVER YAME yp AR ‘Abaods Halls) Ae A Mans Who Wik FIGHT Pot to HOpoLR Mu BE Tae He-(THE Gent oF LweE-2) ox Ro THAT YOURE DREAMING OF pps Welt LE FocevE® KNOWING GE > oe a - te T Wwe DI IT AW FOL THE Guoky OF LE OPA Guitar we ona gj = (usr) UKE A KNIGAT syne ARMOR Lens A LONG TINE ee JUST IN TIME VL SANE THE Day “TAME “ov pt CagTve Fay, a) wn Cc u bab YE on Fee ee! ee wager) Gh F Tash 2 bare J bog Ht 4 Wah ohn phe Cima De Fie tim on? Mos A DD Hf eee Wee FoREver | eee Venowine THEETHER THe ecu Dw Mt ALFOR The Boe OFTHEgs GOTTA GET BAK Te LOVE music: To KELLY {xeRey HATCH DIA WHE RECCED fea UNAICS VS bby ("BALLAD") za (1 Y BIL CHAR aris 38 f i ah IE Api y I WHAT HAPPENED TO THAT OLD FRELNG We lig 2, WHY CANT We BE UKE THE RAINBOW WE SEE O) Rementer How My Lov eYes WOULD pANce AL over You 2) RGHT BEHND THE RAGING STORM THE COLOURS AL AGREE LAY, DOWN BESE MY GICL AND Welu TALW AGCUT WHAT WENT WRONGWELL TAKE TRE CLOCK UPON THE WALL AND Tye iT BACK WARE We SIAR TE] SHADOW FROM CUR LOVE AND LET THE BRIGHT UGHT START SHINTAG) etRan in ft) 42 LRH GOWAGET BACK TO LOVE, BACK How IT USEDTO BE, fh (STAMMoR SOM TIDIGARE) GACY THINK OF ALL THE MEMORIE: OWA GET BACK TO LOVE) WANNA GE LY You TOuHeD Or HAND MAK! My LOVE WAS THE PLAN stor THE G2(GoTA GET BACK TO LOVE ~ >) 4. 89 ENDLESSLY | IN POMANCE (ins ROMANCE W ~ 2, Romance Gi lon! eens Gor, TO make THE Lv Ge 7 WE CANT TRAN BACK NOkd, AE s pu Deb fi mB ) WE Gora KEEP REACHIN FOR THE —_— Abie FOUL OR Cyby7b eas IF bg STAR i mn oe oS a ra TU AN wal AWAY, 3% = rt BABY “API, Ye powy wwe UPON IT AR) Oba Ee igs Hy A WA yo ee h os EL ARO (REET Orn, Ont Cot wee 5 te aia ee oe ee | \ WANNA, BE ENDLE SSL IN ROMANCE! a SABY THinKOr AL THAT MEMpRES| IN Rom ANCE90 [wre] ("Func") FROMTHE RECORD ITF (he Te NANI ON ELA GHT ) (ony toa Ms WBE FF ome ak Dot Ye L Gover) | | | I & \ t+ tT. + £t bee? Dep in fe wet e+ ee er ; + AS f Pin? 5 - he Hip-9 ei iy =< oy Emi a All ~ Gurraay ) (GuiTARSoLD (uene. Soo)9Ao eo HAL ON FLIGHT 198% FA GE es eS Re CE Fa Pints Boul A ee mB PUNK “or Gn Gh Fn S ~ 61 gf, Beane ie 4 [ee CH93(oeums) (Sax.) SMITH. SIMI CE) pe pe pe,DS AL Copa é cere) =$-c008 ; (REPEAT TIL FADE)( "@ALAD") fitwo BROKEN HEARTS NEITHER ONE Kaui wnat: SAY look AT US NOW WERE REACHIN BAKES (2. WHERE SHALE “START AS” TENDER WORD THAT WE CaN) SHARE LOOK AT US NOW WANTING MORE THAN WORDS CAN SAY Q bor FALLING from Love QUT NOT QUITE ALL THE WAY GTO KNOW. \F__ OTHER, WANTS Ta STAY f =f eS Gano ve we sey O” i’ Time We We Ger THERE Both FAUING IN Love BuT__ THIS TIME AL THE WAT (2x 7 THLE mh DIREeT THLE _ witaour AF -TER ALL 'M SBE One wHo Savo Wek THROUGH (Wind) CANT LVE fam (2) 2. o &.. THeee lost THEBES A OUT THERE LOST DREAM THar CAn’r come TRUE 1S IT — worTH THE RE FOR Dow'r You WORDS"! SnuU LOVE YOU" Ate THEY WORTH THE REACHIN FoR DO You(Noto Me TIL THE Moen’ Comes-2) WANT ME ANT AGRE Agu : oe = HoLo me TLL THE MORNIN Comes peo t - f = Love me Lavoe | DARLIN’ [a UN-TIL 1, See WoUBSmie TAKE ALL THE SADNESS Fy mm Your BYES HOLD ME TVA THE Moen SUN te STAY. wee Just BEGUN “or Fh Oh te ~~: T ME Eusr Ben p= a tS oy: : wlAl Gaon repr) iB) Giraresd Dla Sr neadther) GY iy) Dun WILL You Snu BE THELE IN ‘ _ -# Fun B/D it MORNIN OR WOULD YOU LEME ulrHouT A WARING SAY YOU Love ME 10 M — po : z ite Dns GI om oft ome’ cig(urns seone) ows Pin = AGF Kod € cht 176 sot ie THe WA You Say MoU LTS NE THE WAT TAT YOU, Ho\o Mie . OE , |: 2-3. 17'S WoT INTHE WAY iar fou Tee I'S Not ISTHE WAT OU SAM Maze] ITI Nod wa HE WAY THAT Neuve BEN TREATY MY FRE DS a al eee re WS NOTIN THE WATTHat Yeu CAME Bick “fo te” paras WS NOT AN THE WA THAT You Gaver Te 0) THe ‘ ¥ i (2-3) 11'S Nop Ww THE Wat That YouR Love ser me ewe Feeg a F WAC OU SAT WAT PEL PO ou qHE eee ee ted(Holo THE ALINE = 2) 79 , _ ony Lave ISU T AWAITS ON TIME Hy, oH Love (OST AWAITS ON + + z — : ime pel 3u Ot (ftom BT (ows Es 5 Cont)HORE: cane et asso (wees) (rar) Font Gm Ad Bee Ela(Horus -2) lo| D5 ai Cons e = INTRO =tuy gee102 ("G osper Beaq") GINO VANNEWI~ (981 7 A A/G FWee Ln? e (vees 3- Sars eg aes) WHERE} AM,A MAN IN A NEW GENERATION, 2 HERE | AMA Maw WiTH An OLL FASCINATION Db veer wane on 70 Quite Be Lone (2) STL Holdhg THE UNE — OF Me TIME ele > 3) BELIEVE WHAT DONE WS wd AUD WHAT wit BE WL BE CIN CAUSE 1 BELIEVE THE WoetDn Is one Ce -Hudlp TAS, masdBee ave YCAVSE | BELIEVE THE DAY Wid COME WHEN THINGS Will Wor RIGHT ( any © o aN Te CAGLoTHER. A_ “poten ts Au. you iS ROPEAT, (Moisn REACH OU (1) WUT) REACH WTOP THE DAZRMESS — ANDMRCIWONITHE UCIT me THE DAY 2) (JUST) REAGH OUT Your BeoTHeR, Any SAVE THEN A MOTHERLESS) CEL Doe) © WELL WANT YG TL KwiWw | BEL VE \THA SUR LVE CAnI FIND A WAT ass ) (388)103 | BEUEVE THATA HEART So CAN BREAK |) BELIEVE THAT A WISE MAN HE Agseu| a >a SO), ANDTHE WRiTIWeh ON THE WALLPARL IT SHinESSO BelbuT Ani leas Alot 1 gece THAT abe GME CAN FINE A WA Gadd?(06) HetSS esels 7 EE THCH AEL = SF THATS WW HAT IT TARE ee cite, > oy . L Mave sta AS WAT MEY SAY Agu IT MANE We CAM GG, LN (2.500) MUO 7 THis A8OUT MANBE THELE Aw! LY) OWE THE EAS MEET, Marge Welle AL HAVE TO po wGUT HT mAYEE THS WORLD'S MTLEFT ITD SAY — RUT IF OLR TIME'S REALLY RUNNING CUT Then THIS 16 NO Te TURN AWAY ‘Cause wece DESTINED Leck FoR TRUTH IN THIS, LIFE. SEARCHING FROM piereRenT SIDE. 17'5 $0 KACD LNING IN A DESPERATE WORLD (607) WE: (2) BuiNceD ey TF AT ey, EYES T'S NO USE TRYING LIN A pesPEcaTE WORLD med Nau come torMagwecas Crees) (B)ay7 (2) ree EWE WAS | BoEHe — Some reone [sce Cranes INCOMPLETE, STU WEAN LOOK, FoR RUTHIN OUR LIVES(Veo WeY- 2) los Some Wht LEMAI THE SAME — (BUT) AL OF THEM UNE THEIR. LIVES. bt uo fe UNDER THe GUN SOME See THE ROAD AS CLEAR OME SAY THE END \S HERE THEY Sav 11'S AL HOPELESS Hien; WELL Z. SS SAY" GOTTA Tey" t Y NH i (ve) Livine TO Lo eu (S.\T Tee DS.abte b Y UATE = so Turn IT ACU Leoune Some PEOPLE SEE] copa = re — v Some SEE TE” lana aS CLEAR (RereaTes CHoeus NL _ EAEror Foe eUe Love, a SAX SOW) \ Ger Me SHEETEST MMOUGHTS OF YOU And ME | SET Me SADDEST THOVETS OF You AND ME J WHE | THis ABCUT THOSE MORTS NW MOwTee NL 2.WHEN | THK ABOUT THE WAY THE = WORLD MUST TURN Sie a MN) mtsvces OF Love agove THe CITY WVeuTS eve RY MEMOCIES OF Ue Ano TIMES GL OM ANE ON Ve (1°53) TRY So Hao TO A oy (2) Rep waa To HEAG T WOST MAuE UT Mine WOT Cet iT(1 Just WANNA STor-2) E)coeus) Jo2. \ SUST WANNA STOP AuD TELL You what | FEEL AGOUT You BAET 1 J QUST WARNA STOP Fae qe pve ao J ‘ Pi Cs Ca pa Bx DS (ex sro) SUST Wana () 1 NEVER Wana LV 7 You GAGE ee e) WITHOUT tou BACE \ DUST WANNA STOP (2 3y-THe MCL Air alonr witmovr Ww BADE (REPEAT Til FADE)\o8 V WAS AS SEONG AS) "Colo Be PD Ler You Cer away Meum ne LOOKIN BACK Now IT SEEMS Go CLEAR | HAD iT ALL MEN You WERE HARE — — (V1 eee, THAT MOVE (FOR AS LONG AS Ms Livia, 12) Om You GAVE TAU AN? 1 ToOK IT Foe Een VED T Now THAT IVE COME 10 SEE ThE LIGHT, ALL | WANWA DO IS MAKE THiud TIETHECE'S SOME FEELING LEPT_IN MUU, Some FUCKEROF LOVE Tat Sjitsneds Ong (2) ou (hunt, so ST Sarthe wone ao TEC ME THAT Pee: (2) Theoveu = Ler s TALK TALK ABCUT Sec(NEVER OONNA LET You Ge 2) 4, ftp pee ee E ——— 4 t+ (DMBU AND ME WEE GOMNA BE BETER Than wewes de {S GONNA BE SWEATER THAN iT WAS EE FOCE EE Fonte rae m= () Love You THEN, BUT Now) INTEND, TOF ores SOP aK U Even Mie (ZU GAVE SOMETHING U7 MDW | INTEND 1 TD DEDICATE MYSELE TD Gniate (2) THS TIME You Caw ve SURE Cube Co ad ~ NEVER Gowwa LET OU 69, Gonna HOLD YOU IN MY ARMS Fure- “> PINE Codey TS DATO 4 NEVER GONNA LET YOU GO(Fema, £) 7 os Se IF Nov just wr, We perc LAA—t WAnT ME Too, 1m NEVER Gonna cet 2X GUITAR, e ’ [ Sovo ) NEVER GOUNA LET. aMl SLICKA =MUSIKE Gitarrister: Larry Carlton, Jay Graydon, LeeRitenour, Steve Lukather, Michael Landau, Charles*Icarus" Johnson, Michael Sembello, Robben Ford, Buzz Feiten, Dean Parks, Carlos Rios. Trummisar och percussionlirare: Jeff Porcaro, Mike Baird, Steve Gadd, Carlos Vega, Vinnie Colaiuta, Lenny Castro, Alex Acuna, John Robinson, Rick Marotta, Paulinho DaCosta. Basister: Marcus Miller, Nathan East, Abraham Laboriel, Niel Stubenhaus, Willie Weeks, David Hungate, Mike Porcaro, Louis Johnson, Anthony Jackson, Stanley Clarke. Keyboardister: Herbie Hancock, David Foster, Greg Phillinganes, Robbie Buchanan, Michael Boddicker, Steve Porcaro, Niel Larsen, Dave Grusin, Michael OMartian, George Duke, Stevie Wonder, Steve George, Greg Mathison, Don Grolnic. Saxofonister: David Sanborn, Michael Brecker, Tom Scott, Ernie Watts, Phil Woods, Sadao Watanabe. Brass: Jerry Hey, Bill Reichenbach, Larry Williams, James Pankow, Chuck Finley, Bakgrundssangare: Bill Champlin, Tommy Funderburk, Richard Page, Steve George, Michael McDonald, James Ingram, Tom Kelly, Cristopher Cross, Patti Austin, Carmen Twillie, Brenda Russell, Maxine Williard Waters, Venette Gloud. (Kolla efter dem pa plattor){ (Guitar) “ (2x win Deumd Nee sureut The NiGat Ga-B1 MUL, SUPPLY THE Love | SEE RM honEMas Me St, IT MAKESME TOR) AND Wevdeen| 21 MET A cine Aceoss THES) She Sue MUEE AD cave ME, 7 cS, ‘1 Wag THe SAME tip FOURTEEN, NS TIALS BEA CHANGING CE THE SeASONS| (2) _A_TENPER @niGHT OF PACK PERSUASION) —_CULLD BE MY BAST ANE LAST OCCASION You Suma THE rent Sumit THE Love LY Nou SURLY THe NG(Nee cure THe (wey (Bass) —_——— 4K (Fest The only Deums & GDITAR) L Mou SUPP he wiGHT BABY Tuy Sure THe Lead Mov suri THE Nour BAY Tu Sure THE “Ue os Mu SuRtLY THe Use caer MU SUPUTTHE Me Gumy The Toor GP.)("SHUFFLE") Percussion) g RAVELED Su FAR VE SEEN THE Nicest PU DIDNT TAKE MUCH TO WALK AWAY | al Leave YOU > LNG ON THE TOP AND WwATGING IT ALL OC PAST (*: SEEMS\ NEVER MOS A Good TRING TELLING STAR BEEN in SUCCESS) With ALLIN THE BEST pur STILL | SEARCH gaq THAL Hares, witeRe u RUNNING AROYND AND WEARING ME DOWN SEARCHING FOR THINGS THAT Ie ALREIT Hab wnt@e LIFE WAS SOG FREE WHERE tlgul | 1 Getto To BE ety > = 6S hee Le AND FREE WHERE fay le Gott Te B& -—(i'd LIKE_TO Ge BACK HOME AGAIN-2) Ww ; aS = J 1D Lixelro 6o "gat Tone AOAIN, AND FIND IT How IT USEDIDRA SS Wp UKE TO GO BAK Home AGAIN TO FIND YOU WANTING THERE for|Me mw & c wv IF | COULD HAVE A CHARICE ONCE MoRE||'D RUN BACK THROUEH THAT POOR - WHERE Ui 2p i BEET SA rp | WAS SIMPLE AND FREE WHERE NOW I'M GOING TO GE SSS SSS Paehi eh, STE oy > _ a h D4 Oras Fame W = 3 r To cwe to aot patc Move AGA, ANDMNEWNS TT Hour sey T CE . | pA _- 0 + Fata Hom C8 = SI == Setar + £ "DO “LME To Go BACK Home TR MRNFIND SO) WAIT THERE UC NE PAY ete ¢ Pant re Ht 4 I Sa ‘4 Fade We | COVLD HAVE A Spee ONCE MORE jI'n Em BACK TROUGA TIE “DuoR, x—t 1 f = t : sa TD UME TH GO BACK HOMENNAGAW Tp (wD You WANG THEME Foie .(“suuFfue JACK WAGNER 19 85° (fade iny 1, FeveRveonr's ouT to SEE WHAT THEY CAM FLD 2 AMTBCDY SAW HER FACE woucp uNpeasT AN Handley & FB Ff Similey (1) She Baas Minin’ is THE Ceow JUST KEEAN TINE C2)SHE'S THE Livi’ FANTASY OF EVEry MAN (Bloco mg pm wee map soc Civ AS See Cond BE eee ~ - (2ysep T BE SO CHNICAL THOUGH NS TH! Ss FE (Sy Feet We MYSIC CLOSING IN THE enti BEDE SST RUEHT URNED AROUND AnD THERE Sue WAS STAND RIGHT IN Feo OF ME £2) Bur 1 THINK SHE COMY CHANGE MY. MIND BEFORE SHESTAROUGH TONIGHT 3) Ap’ | WISH SHES LOOK RIGHT AT ME aA, SHEA MINE TONIGHT: go IF SHE LOVES LIKE SHE Locks, WeGoT TO HAVE — = =, FST ~ LOVES LIME SHE DANCES T WANNA BE BAnCin! UP AND Down HES if SHE WE!(im SHE Loves 2) xy) ad P ee Vere a LME SHE LOOKS ILL STAY AROUND WER sie’ Loon ue Tove es a SHE'S The ESSENCE OF EMOTIONAL T Ye Oo aw dt) = = Wher SHESNEAR SHE TOUCHES SOMETHING DEEP INSwWE oF DalfalGon we LYE SHE LOoKs fi'VE Got TO Have HER IP SHE Love! FLU Stax azounp HEX ~ ~ . WAYNE BE PANTING UPAND DOWN HER, IF SHE love! LiME SHE DANCES 1Ws Ree een ; (CKIE be SHANNOn. ("BEAT") é = ee = iA Tommy 4 p* How De \ PLEASE Freee) ‘eu tow DE 1 PLEASE YOU HOW Vo PLO PLEASE You GRE Ww OF Cue: (ONE WAT HEART IN YouR CHE TEACK MND How ve | PLeas Row D2) PLEASE YOU =) x en J wHEntm SA THaT 4oURETHE ONUT ONE VM NOT TRY To Ral eo \POPT Know MUCH ABCUTTHE. Fe You LEAD BET T_AINT Excubu sir o Ny, bes Babt WHE IM ONLY HERE “T] GETTHE Jo NOE MERE Ou HEART GIZL, | KYW 1 COULD GUT wittAt You NEEDTRAIEWAAT IT Tana 3-2) (ar TH T » Wd b ao (1-2) CAUSE YOU'E SO USED To GErTIne WHAT You WANT WELL LOOK jaur FUCTHER Bg Is v v (6a 061.1 THAT WHAT ITY Coontinne 1 DOS TWEED TO KNOW AMIMORE AINT £ Avr Gquua, Lose Ant Tia, wWHaTEY Ze HeL FI Z, pit teertetes 4 (BABY WELL) Lock NU FUCTHES BALY, iE THABWALAT (TTne FF = az Te Te NO pov8t Adour ES wuaT CANE wit Fannie 6A ~ 8 woumtever the paces mee BOF Came ee com. 1 TuargumaT IT TAKES VAW'T GONNA LOSE AW TINE, (TAUESHD Mane 1or MBE IE THATS WAAT HT TAKES 1 DoNTHEED TO, Kagw AN MOE E WHATEER Mou WAHT FON NE BABY WHATEVER IT TAKES TO DAREN dU Ming Ae'T voLT ABOUT IT THATS WAT 1 ANE HERE FORA | . eerie a- \Somerimies LiFe Seen: Foube * Z.WEE IS CL OF TRICKY STUAT CHS SATHERESA Mani | UNOW SoLTH ge The BORDER (wde!s) Sees THE WORLD AND NEVER LEFT TENS THE FOREST FORTHE DoE r Ger OkpenT UP wu THE Ye (simile: TREES GUST A LITLE Bae IMAI WA-Tow — OfeNS ut New + d= . iL Vo 12) pays. THERES A SOMEMINECAUED [MALI -NA -Torg Ven eee 3) HOME, CO HEARD HM TALE THIS GNLY DT UEHTER He SAW)YOy pdr HK TD FEAR WLU nes. | | 52. Lock gBEHIND youn E: Su PUT MouR Hang IY DACUMG Wy YOUR Mab me, OO Yev'e 6 Sei AT wnat YOU SEE (Meer neu OPEN UME Ceo SCUVE Got THE BEST AMD That AISTALL FP we if You SEEK Wotan FIN STEK MOLL FIND SHINING SHINING f oe = == eS a (ie) STA DES VON GET CUM LAmmAND O@ae THE FARTA- Siee TG Lien] 3) STAR DESion WE GT THE LAM? THAT BRINGS GLC FAW py SiES. VO_UGHT et S - — 7iz (a Gigation -2 i B.S (sitmant Yepents) aadCominne fx)He GOrTo TAKE A SPARK Arid TRY TOUGHT THE DAQPaNDpMGHS DREAM TO HEACTWE CANT UT} ‘ IMAGINE YOU ANNE yA DAME IN ECSTACY BeLicve air orgs BE T'S THE Chace Tonto cal me 7 faye OT TAKE A Sea MO TEY TO LIGHT THC DAK, AND TALE THS DR an orenenued Ber rr GO AWAY re L we ade wa s04 OUR MNS DLE ESELLET HK, Je CA Fn | IMAGINE YAU ABRAME A Due ECSTACY, Be eye ho A Ber HO MMT CELEBRATE +e — 2: Ebg De Ga Fes (E] (rercusAGs \ TE ON ipPMA CT kde o F | (Hornsovo) im AS INTRO) Bind OmI5u§ Fisus Gd Ac Ae, (Fv EK ee Fits (A) MAGIC STAR. DESIGN a WE'VE GoPng LAneMATRRMETANTA'SIES TO LIGHT x Ade Gort TAKE A, SPARK Au” TEN TD LIT THE DARK AtO Tae THIS DREAM TO HEAeT we LaVT LETT be AWAY Z) WEL TAYE WHA ON RAR MINDS, Avo LET THESE RET SHINE AND SEE MAT WE CASED (THERE'S 3G MUCH TO CE JBimaense YOU AD ME, A OMLE w ECSTACY, CELIEVE AND IT SHOLLD Be\BELS HERS Nani THe wa (Horn ouTeO) wv (erent Tw FADE)SSS FRG NAR ON ae seer — C= WSTR, etletyete f SSS IT ks ith nt TY. Ae + oh gee poet Jv [ = * Cheworus) (x8) I, 2. PERCUSSION SOL) =~iN Foun THe Weve pROvIDgS THE KEY onccaste "ET ZX Maw | MEET (Ss WaLmi! TIME © FRET) WANT FFE EXPERIENCE yA PA SSG DAY _ Time wile wit} QD and sours BUNCE aNd me Love wu SEARS Te (2) DER PAST HIS CONSCIOUS MIND. Love wit COME AND (4) ness woar THE Ov FOLKS SAY GETING STRONGER] EAN WE IS Res WN THE STONE cr. You HOME cles adoele L OST Hee STRENGH 15 WRENN Te SRS Zz tome + MY FRIENE IN WHAT You CLAIM? FECPLE OF E_YouR HEART (fox\XoU_TO KEEP LIES A SPARK] — Bade 3) THE WORLD AU DuUE THE SAME BRINGANG QUE S— (5) oF OKT Tir NEVER SLebeS (Um GREATEST UNECra tan Gite OD BP! : 125° a died) ———— ashe F oe ER KNOWN, NEAH (=) (22)TCuTH 3S WAAE NS re THE ST OE - inte Zz — fz g (Chorws) INTHE STONE YopLL FiND THE MEANING, You'ke NOT ATAUoI| x AAA WIN TRE STONE THE LGHT IS SHImING ELE R TDLCHING NEVER MY PALLING, veR YOULL bE VEZ Be AK Haug Fal AE Had veel Che 2unG Tee Bly to W2aK4, A Me Is Pe Fay mmm, parce, Warten Ww THE Stone a)(onTh_oeums) ; oe Grd verse) 4 (ite ——_ = — j heros gt: Re ae ge OE ; (grees f pee? : SS} (CHoeys) os) 3 ee SS ya “ =, t+, 44 tebe tee (eee Soe (4+, Verse) (Sthven), ) aed 7 arte =F : SS(Sox.) ADELERUSTE PERE IG SERENDA-PRSELE “AReKIDe RU SSELL~I9ES (“RALAD") ee <4 As LHE STRIKES LIKE LIGHTNING CUT CF NOWHERE Zi) WELL | WONDER WHAT'S Gy THE MENU S.AND WHEN THE CATIN: RUNTHM RumgLche 4 WEL WHEN iT GETS DWN TO THE SIWEER GO) REwoer You JUMPIN! OOT GF Nour CHAIR “ou WAL co BE )i2) wea Know i's Coty Seno Seu ae TY HES MAKIN’ NOWES prom* rie TUNCLA CE yOu (A) SOME FOLKS Cant WRAP NOU ROUND THEIR FINGER V7 te Rane 1-2) WELL Tt (34 LerHe LAUGH AND CRY(oARREAU ~2) 129 (-2) DowN TO see THE Siew 4 F 3-Ay)WHERE | ye MWVAGM SUNSHINE Wy THE EVENING TIME GGING ~~ WS moom is Rien tu (3-4) SUMmERMIGHT A AND _THE GUNG, (34yDOWN TO See = fate t ers a 4: scout To see sacceay |. : ~ Dald* y = ES [ ae - + = fF aS SS GOING e = +. zz WS Y warm SUNSHINE ON THE EVENWNG TIME \.0owN 1 SEE THE SWOW ne's uxg2- a “bi OF + ‘. DOWN SER doveniemAND NOTH GETS Me. powN feu Ger ry Telex! FVESEE THE TCLCHEST SoULA@oU ND. 2. AND | vib Ty : SABY JUST HOw XU FEEL. . Meu corre SS) Ae You-iahe nM) AEY He wel ELEN © (Berrou say vel tes(umr- 2) 13) (2) @0u wT THE PUNC HERS TO GET TD WHAT'S “REAL CAST You (3) Keow feu WONT Keys UNTIL YOU BESIN SEE ME SITINGHECE | Goma BAL AGAINST THE BECORD MACHINE ‘ 1 BvaOD Te ONG TAT tonser) (snc ini OacAE TO SEWRAT 1 MEAN d KF (CHoRus ) tT $ (MIGHT AS WEL Jum (sump) MIGHT AS WELL Jum? Gc AHEAD Te im DS, some (suet) GO AMEAD JUMP & Ey Bar Gh ab Db Cx) - Sols: EDDIE VAN HALEN) f Za f : Ap ttFlom THe RECORD: “FEEL ) COME bs STRONG OVFRENS iTy GECALSE | FEL Vs oN MY Sipe HN SOMETH NS vive (And) HAPPINESS (wma Suny iy SPECIAL 2D stEciAt Uwe You oi Love 1S REACHING Oui) 16 Toney CAST You Seeribu te # (CY Seem Te GACEOT'S BECAUIE 1 CARE IT'S A THNG Su RAREIAND | WARE D (2) SH\NING STARATHATS WHAT YoU ACE d0Gn pMtutsl My Lovin Down TS)TREAMAL AT | Found Smgnwe mo h ore AL WUT wit you\ H's fou {OUR Love 1S AM THAT ) NEED HI | ES(aus Let me Hea 2) 133 WAIT Te tue ove ds FALLING DEON, CET ME LET ME Dall SSeS Chg File JA (Sum) {Us ‘Al He 2GUND mE WAST IN JHE NAME AUTON ea! ae an ia wi i Nee or ue DOWN 2s AH Daw) lt Chores J y . » i LY Drmt ag gine) [PORN wir FEEL AR) UaeUNG TIS Fee RE ie F vial Pee a TW YOUR Love Comes a A - yen OW, YOUR SOMETHIN’ SPECIAL INMY Life SaY YOUU bE MINE Re at SAM Conta WALT Sa EMGANNA wii a, SAY Yn Gena VAS- 1 GONNA WAIT, Gorn, WATT ON YUU (Got we GGUNE WA YT ont You ee mon. Mou OUR LOVE 1S AW THAT | Neen(ernewar) COIN WALT Gouna WAIT ON WAIT THUMGER UNE Comes FALLING DOWN-LET ME WAIT IN THE NAME OFTHID LOVE | FOUN LET M NLL BE ARouNy LET ME WA iT RET HET Twat (er me wari) PME WATLET ME WALT, LET ME WAIT, LET ME WALT ET HEY HES. HET WEY DUST LET ME WAIT (ETC,SUCK FL ATTOR 138 AIRPLAY” "THE BEST OF ME" DAVID FOSTER "SARREAU" "BLUE DESERT" MARC JORDAN “RUNAWAY BILL CHAMPLINburt but ACu WHERE WE WERE BER ory ERENT GETTING ANYwHen SUESS MY BEST WASNT GCCD ENOL CH This yf AL MAY HAVE BEEN TD MUCH, h Sk €-vER ECE ALWAXS: CHANGES BLGwiw WE'RE WHat i Aw 17) CAUSE c AUSE(aust once 2) B (CHORUS) ; (34 ( vust ONCE (2) susT once CANT WE FIGURE DUT WHAT WE CAN'T WE FIGURE WHAT WE KEES DOIN Ks.) WRONG nE-VER LAST FoR VERY Lun (2) WRONG Goop TIMES Ng- VER LAST FOR Lone j— 2 wal Page we CONE 12 2 WERE ARE WE GONG a (me ~ FIND A WAY TO FINALY MAKE IT Find A WAY To FinALiy Mawe IT eal Mane THE Magie LAST FoR Mane THE MaGic LAST FOR RIGHT ! | | [ <7 () UST ONE NIGHT WE coulpSusT GeT TO 'T (2)suST_ONE_ MIGHT Kuowd WE COULD BREAK THRODGH (1) yuow we Cou BREAK TH2OUGH IT (2)we coven WT GET TE |© cs 1 Gant te Uses ST Amb WHY IT Always Comistace 104 0D OME ARCTHER WERE No EcOp WITHOUT EACH OTHER TAKE ThE BEST ANG MAKE IT BETTER Can't WE GET CUR -SELVES Ind HAND AND ADMIT TU 4 7 L Find A WAY TO STAY TOGETHER WST ONCE CAST WE FIND AWat Tt Fi- rr An os aa Bi Emt Say FAKE ot RIGHT we MME THE MAW OIC LAST wi Hw Emde 4% Pom mong ThAN JUST ONE Ni GHT i) uso we Cov deve THeouEn ITF All hh WE Cored WAT GET TIT Jus” ? Al oe a Bowe oy a2) aap? yt, TT Tue Care CLT 142 4aren Club i LA Q|dar man ofta kan hora forstklas- sig SLICK. FRANK STALLONE ur precis som man skulle kun tro bror till SILVESTER STAL LONE -- alias RAMBO & ROCKY. QUINCY JONES GJORDE SINA FORSTA INSPELNINGAR UNDER EGET NAMN I SVERIGE 1953. Tom Scotts plattor "Desire" och "Tar- get" ar inspelade "live" i studion GILLAR SLICK MusiK! direkt in p& 2 ka- wees naler for att fa en SREY Richard Page - en av de mest|akta kinsla. S a y anlitade studiosangarna hade 4 a under slutet av 70-talet grup- a pen PAGES tillsammans med Steve Fee WAYBiLL g oer George. Ombildade gruppen till TR aH MR MISTER som under1985 fick Ae Sinoage, 58 Wa stora framgdngar.. Han valde tyd- | the TUBES. ag ligen ratt nar han satsade pa ie den egna musiken istallet for CD att tacka JA Tw. erbjudanden att oF bli sangare i séval TOTO som ai CHICAGO. i BJORN SKIFS och lar ha alla hans plattor. RAYTHM HERITAGE bestod pa sin , tid bl a av Jay Graydon Michael O'Nartian Ernie Watts och Ed Greene "HE'S LIKE WARM SUNSHINE — IN THE EVENING Time! > (Brenda Russell om Al Jarreau) | \ QUINCY JONES LP "the Dude" belénades 1981 med hela 12 grammyi. JAMES INGRAM fick personligen 3 av dem (busta nya artist, baste manlige popsangare, baste R&B-sang- are. Han ar den férste att f& dessa utmarkelser utan att ha gjort nagon eqen KF om Pa 60-talet nirmare bestamt 1968 slappte Tamla-Motown en platta med Eivets Rednow. Det var ingen annan an Stevie Wonder vilket man kan se om man laser namnet baklinges. BILL CHAMPLIN (n) Tem 1 Choe saN) (pumer som solosan Captain fin Dreams a med- medverkar gare Aven pa gers (L Ritenour fa in stone (MN Berger) y Happy! people (P DaCosta) Sunlight (H Hancock) |Doo (PUN! Ded Casi? (synth. BASS) = i | ur WEG LI fe ¢ LE — ces + = | wy RS ces VL. THE wind tows HACE AGAWST THIS Mob 7 Aes SDE(ume = (Hokus) : 41 v «i Y KYQIE EE - LED ~ Son DOWN THE ROAD THAT | MUST TRAVEL WNRIE E- LASON THROUGH THE DARKNESS OF THE NIGHT - v7 S L KYRIE = E- Ley - Son WHERE TM GOING WiLL ToL FoLLOWw S vi we WARE E- Ler ~ Son ON A HIGHWAY IN THE LiGHT Amp add? eC: 4 alls oN OH On Cour voc: peony "OH OH OH RS — rz = A Kiaie E ~ LEV — Son OuWN THE ROAD MAT | mugT TRAVELSSS ee SS TARRY CARLTON EZ ("Seer Fon) a perp Sas l esl rr Sass! | esx. ) — i eo (eetow 2) Fe E = r( A s = NI e € 2 ) (bass = 143 @ ie )ergo) (“BALLAD pe —— — LATELY | HAVE HAD THE STRANGEST FEELING FAR MOREEREQUENTEL YouRE WEARING PER~ pm UME #1 = = —- —- + . = i ~ | UATE Ove eben Sram ahah me Me eom JUST ANOTHER NIGHT WHI Wou were SLEEPING —— z Bona 7 REA- Son HELE TO FIND. sreqar Way 100 eS VERY Stow PICKING MEAD) y | VAGUELY HEARD YOD WHISPER Someones NAME rt ———— % APF ) YET THETHOUGHT OF LOSING You'S BEEN HANGING. ROUND MY. Sav WHEN | ASK= Wine YOM PE mySOMING BACK SDON You Dov Se ep eo = =m et +4 TOTELL MYSELF | HAVE No 'REKsonN WiTH YouR | WHEN | ASK You OF THE THOUGHTS YOUR KEEPING You JUST zo — Em : Tomine ZPKNow - NEYRR Know = wen] = ——— = ¥ Pe a bp: (Shena® T f ® f f (@) SAX NoTRNG'S CHANGE - Weul 1 1 bei Hore MY PREMOTI MISSES Bi] Srmb— LSI (LaTer- 2) 45 WHAT 1 REALLY FEEL, MY exeSWolT Ler ME HIDE, CAUSE THET AL aca B34 BI Cyycd THis CODA, Time Cound MEAN Goov. - BNE, Goop - BYE (om) [ IM A MAN OF MANY WiSHES, HOPE KY PREM. TION MISSES BUT] WHAT | REALTY Fee | MY CXeS Walt LeT Me HIDE, CAE THEY Aunts Svat Q Heat 9 ice —=——— cade tg TIME COUD MRD, GOOD- 4 Avat D% fe: be Et pF eee ras = bs es exe Ls LuiWONCE KOU AMD (WEEE TWO ~ we were LOVE Eon You WOU HOLE MT HAND WS ine ewe) be Emme Beicutesr SAR” OM THe sKy Mours weee THE StRoweesT paoT of MY LiFe Cow T GEL IEE wee Tass HACO TE = Ty SeE_ ME Fo 2 .cev ws Bie BO Caucie Ge is THe THis FAR (2s0:F TheedsS A_SECONU 1 ered rT Aw AM Ame) WAS TO) AFR MD Ri ee Lets Make IT RIGHT AGAIN C) cre Let's sr aw SUT TAMA MmUTE 1 iad Tat we Cancenndmge’S AGAIN trtt? ttyt! rrererr BABY ITS Time Dye TwAT ARTE: MUTE Caw THAT iE CAT LEA CY TULUM Adil(Leacn T Love Au wn) Come ON BABT- SHON ME how 1D Love AGAIN) } NEED TD LEACN (Ano THE OW) A SSS t SOUS (WANA SOLEvE THIS Love 15 REAL D WAMAA, EVRY erince IS BURNED F we Have GACH Vow THAT WHAT FEEL yg GOUWA LAST FOCEVGR Hull Em Wa A + BAGTLETISS TO YAND OST TA 17'S Tine. Dos T WAT AHSUTE OS KAD THAT WE Co ene TW WE AGAIN Mee May uTEles cia ACAI Inds Chenin. EEE 1) WAKE UP COLD AND LONELY IN A_ PLACE I'VE BEEN BEFORE 2. Ten PASSION FILS mY FIN? GERS. 1 GRARe@THE PHOWE WU SAT HELLO! 2 CANT Contin BR cee owe E-SPECIALY wien Youlee AWAY 4, | wa No mone Ph FEELINGS, NEED To KNOw RIG HERE Ani» NO 4 ein) tort - - (Yt SwoRe THESE Tim E OVER Clogsm Fi 2) You'Re Acs Hd COTE OER mys, EVES 3a 3 Peon a a seers unt “th an ha rn == eas(uer's STAGT Att WER 2) 149 (2) To MEWHEr 1 TeEW bou BABY LETS START AW, OVER Fine A (4) YoU AWD ME CAN FIND EACH OTHER Cm _ Bhi Boh Cote (2) \ NEED “TeRMDU THAT Tere WAY 1 MAWE TT AULRIGHTIGABY LETS START AL OVER tat Fm Cw Bae DEBE Fin OM Bim (is) | won't ge THe SAE TH in. (mB) Vaow NOUR LOVE 1S MINER vad repr) Epnaneee Know YOUR LOVE 1S mine Po Ce Gitarrsolo let's Star AU OVER FINDA WAY To MAUE IT ALRIGHT, BAGY Leg sract au OVER > TAGE A Chance Beroee iT'c Too LATE) ABT " LET'S” START AUL OVER J NED . 5 SOMETHING edt Ceres Nominee! 1 FO kntowrrtat THERES won! Be TE SAME, Th |_ KNOW YOU'RE (REPEAT TIL FADE )See eee ee (“PUNK") MORIUSEY = MUWENI (98Z, Cquitarn Ens Find Blaes Bhas Fad b309 Goras 38 4 Pa Find aes cto Bad BUS ID Fad Gry eS.2-7 (Smuy _ dot Tme 1S WAST Our THERE Foz THE TASTIN: we mca kege Re 4) ROAD Thats NE- veq ENDING pe Ssnees Neco FUENTY Zz (REFR I GerT ws Gor THS FoLuw mae THE (@ ET 1 DDNT] (Minno HURRY Vike ThemE WIRE - 2) EB) Gwe mes) (ure ON Is] meg Giotesy pow'r LerTHeM Ter TD GET You DOWN — OL PAT A PRICE OM Mov — FELL Youasere THAT ‘OU MESS ACOUND — “favUL BE SoRPRGED Te SEE JuST WRAT TOU CAH PO f E é FRKE OT TS Tine Youll MAKE IT f-9 x» oti gti Ss STE a Ure on THE, WIRE A Gor Te | 4x) ebm? fin? 5 Bind Fund _ ptt” — == Bit pa SS = | | TF ¥ aS (5)6ET OUT TIME 1S WASTINS Life's (o) eas he FoR THE. TaSv ih 6 IT ES | > SF eke Sy ime MES (Sere LF19a aq ene Tren Nea LIVING INSIDE — 3a ASSURED, Sur Suppen7 ITh ALL CHANGED {DIN' Lek, Tosi Mitninee ices N MY DARKEST. = FO) Snes i sf Fen SA WAS Peat Te Sere a "tn THE RAIN WAY EEE Rk he a AND NOW 1 CAN'T ( E 7. Mworta, any phe FIND An DSre ai UKE A Feb TS wane ee AND._Now THOSE = ARE iE (cx4oRus)? “ a lan esestnretiut | 6 | fd eoue CAUSE 1 Am Losr, LIVING INSIDE my SEL, Sih Bae - A = } ‘tht Living WSiD€ foug = Pagtha ieec Pah) SS et AM LOST ee HH 4 An AFRAID OF WHAT LIFE REALLY @ sz wmy Use (INSTR UMEgTALY Wes} be 1 FELT So SELF-A- AND Now | KNow THAT'S Hoty 1 Am (CHoeus) iE (3) -Sueap , BUT SUDDENLY ITS AU CHANGED, REPEAT 5 Te Fave~ LU FINAUY Gor MY LIFE To- eetHen | _ 2.1 GoT MYSELF A ABE! Beeson NA (YP SCRNPED MY HEART yp OFF THE FLOOR, (yer A seh vce F tm PHONE, () MYATT! ~TU0E 1S So MUCH BETTER (2) Tuese DAYS 1 WE THE way cits D1 HARDLY E- VER CRY THE WAY | DD pee \ BEEN ft = — ¢ ihe | = a ASHES (2) | Do JUST FINE AS Lowe AS I'M NOT Leff ALONE | EEN F= Livin! ir ue HAVING MYSELF _A Time = a ose as i(uiwin' iT UP-2) ss Living ue RigHT From THE WOMAN TO THE WINE. \'M = Pt = S Sa : 4 , eve == Eom za =| LAVIN OUT AW THOSE FANTASIES | NeE-vER DID BEFORE aa $ o os ~ . Sg le THOSE CRAZY THNGS | NE-VvER Gor To pol! = = a "_-o- Frkn S44 Bur EVERY Now AND THEN | MUST CONFESS. Reso) ee cm pp 4 & 4K Wm woraume ur To ALC Hig “HAP -Piniecbe wz Fm cs Dawr2- — ~~ . bd . SJOveTINES | WontoeR ie He” PLACE (M AT IS WHERE | DO BOONG E SAXSOLO (REPEAT TIL FADE) tT ET FET “TVET t-trer * fFMt Beem Ane waTed THE fh faut GF GUT bee Loch HIMSELEL WAN Sa = Savane Pate Cds | SH FEET on Ue Geoueb — ati 1 BS ae oP] 4 eels Bt ANP Lb PER IF Ste SimOC SHE LEFT MUL) SieVeGLE THesuEt VERE COMES AV OTHER FRIPAT SIGHT C2 uno SHE'S UP THERE OG THE Gomes BCom)Ma ‘al HaAad cr So rs fbr IES MELT ONG EE wir | Te wens! (Geet Fee THE fin Ui Sweag Swe Ls. p+ oe ee SEs = GY Ke wee SATIS — 1ED (By She BE MECE eT “h SIDE (vOover BRAK A HEAT AGA DAL $- a c ~ a {os NOT EAR wat WoT Sue CARE | & PER- FECT PAIR WED Be oe Lowe Hee COMPLETELY SJ (SAX Soto (AS Gon Us ) Another eu WEEKEND, IE SHE CoULe Ou~Paw | SWEAR SHED NE> Vee BREAK A HLART Aga, SHED NE = VER Brean A HEACT f 4 ZoouthT 1S THRoLeH live MINE FORE - Vea AFTER AvcTHE? Lo MELT WELMEND REPLACE HE LOVE, WHAT Ast) TREAMING OF CHoRus (mw Eb) ilSARC Otros eee E t eT (\eAunv") — a! =e = 3 SS rae eS | daly (uo eepent) i 2x) + (Gry (ex Boner sore) (eerear 00) é Se arr aBis/ar File Bua “Cransiyy” ss ae Du Ea 1 (AORNS.~ARR FOLLOWING) ae | 5s = Sa =| 1 look WHAT YOU FIND We p7eeT on NUE MIND, é FEELWO e Ltn C aa se Look WHAT YOU FEEL wi a I. f +t RAT MOU SEE WHEN YOU 4S WHAT YOU Give Wit OU TAST Tb Ge FREE a=(Look WHAT MOU Foe 2) D eninge Fale’ aie erangy gh Ou AHI Bhe,, 4x 2-LO0K AT'UM MovE WHEN You FID THE oteamPc LOOK AT THEM SIGH THGUGH YoVee SELLING LIES TGWINTATHAND'S WW THE ASTER PLAN TAKE AND TAKE PEOPLE ON TD MACE (Ward Ten cov WHE “oul SAT THE RIGHT PUNCHLINE (2)oaron en COX wren You | 2 deer THeresouss on Ege (Your WATCH YOURTELE SOMEBODY'S ALWANS HERETO TANCE “p ad /4) WHEEL AMD DEAL THAT THE WAY OF THE wore 6 A.wHY DOTHE SAME WuST T Mae A NAME? WHY move Aggunip JUST TO PO_WHAT OU DO, ‘CAUSE You KNOW THE GAME Do WHAT YoU CHOUSE CAUSE Yor'vé 2. MaKe Believe é BEEN Agoun ee erih be Dows| 24& Taso WL FEEL WHEN eG WANT WHY DONT fu 6 WHAT SOU wane 6 LOHeAT MOLE SELE STEPRWE A S\OE Lime some dour ELSE CHEC OUT Yue MIND 17 CEAWTISLOVE SomeBCR WHAT gor 5 Fin WHat tou FEEL Blive ISTHE UiGeT S Ufe 1S A Game, “se ON THE Game ZAND PLAY IT weLl oe loose FATHLe |Z. Me Sit COME AWS CK IT WIN CE Losec MOU NeW RMS TA TEC VER Age ald Has fy bay Ales ALA gh Bran Pru Py a: salute = Fil m9 hho Ab? Abs BPoMd Pm, a + = ~~ Adee ae104 L.00K WHOS es Now, eee WaNTEN By! “win Sonar re gMgrORO- 2-42) Bie Ly nBice CA gouNTeS _ 7 3 HEARD Nai [CAUERT A FALLIND STAR fowl El 2)Lor OF FUN LPTOWN THAT so} (1) Spackuep FoR Sieur, r WHEN You ep ay oA LIGHT, THE GUTTER DiSAp PEARED |_ (2) Fiwauy LET YoU Dowsi, i, Thee we AS NC AROUND | WHO COULD. SYmPRATIZE + Gey ao(wow Wro'S LONELY Now-2) y (continue SAXSCL) C. MISSING I IN MY LIFE, AND IT'S Goop To KNOW, I'M NOT THE ONLY ONE Look widS LONELY Lock! Look WHS LONELY LOO. WHOS LONELT od wvew 7] aie - ARMS ARE opens WIDE 14 Systeme @ EE pTobo ge air os ie fae abil 1 - [eivte= air Gao wa , tA rain Se me cr (1) You (2) _Ner_Fe enlery oA 27 Aad A Love . Sree tm 1 AMAZED Duy, we AF SO MUCH OR WATE. PT MLTHE PEORE THAT You > Ab Meet AND YOU TRY So HARD OR THE |ROMR OR THE “Sith Away fou bo Some THINGS 7,0) YOU SHOUD Not DO CROWD nowve ws YOU'RE FRIENDS + | ot = = a ot 3) = TumeLe = Weed You'Re TustSe, me G) Lost INTHE HURRA\ y J [4) STAND AND JUDGE THe Ne HA aN ee TRS xy ft (2) wito TRIED TO 7 SEE = tH fF You TARoucH aa Pobe IN UME A HE WW .<. Hil} : |(WoST im THE HURRAH - 2) me lo% WATCHING THE HORI - Zou SUP AWA C] (S0L0- FLYGELHORN) we) cr DeseRT BREAKING ON “oUR SHOEE QUIET DUST TET ENT blows RELENTLESSL (AND) WHISPERS AT fouR DOOR — 'M AMAZE D} ~— WHO CANNOT SEE STAND AnD tUDbETHE ONE WHo TRIED Te See MOD “THEOLEH E - DA os Meh Los bilst veg Wnurrals(3) ob oy 7 Oh AB a pS SS Mc OA ME ay al Se = [ SS = FS “i FADE SSS Slpais cals pais . = = 3 — im bag 4 Cat als + + ; fa ¥, Cas ie Lo! cals Dal3 \ COIs C413 pals M5 a + ty ’ Ss S a * a = — cals ee ase FS oe ep = zi ue é GA Phe Al ei GAL Flin? WF pas oar Cas ali Hm ca (ewe)WF WE LEARN TU PACE OUL 2-AuC if we LEAIN TS 15ST tuk] UW) SNES (T Pwon't Ste $o BeAma ric, (o heact Aue DISREGAED he WIEGS (want Be so Unc Kear SCAUSe \p We LeARN TB pac cueshves, (2) UgAdine LS Awa ANT Wt Can Mae A BETTER STAGT cS a ve el ar ri MIGHT JUST tS -Acteale, Rave AU THe Caorces, ME NAVE AW THE SAY aya aa Sel vcR ee. Mar ir colo MAREN He 2} 5 as Mo WM = (2) jee mae ser ABREE But You CAN wAtu_ Away xe 5) (Chorus) ——— (rer. +)(ue at Secony SoMT -2) 13 ( AT WHAT WE ARE AFRAID OF “CAUSE IN THE Moc} — WELL KNOW BETTER THAN ONLGHT __- U3 et = J = = i ELON Si VV Wf T'S GONNA END UP Love AT SECOND SiGHT is < 5. Sant By, Ge — + E = Bh ¥ o CSINTHSOLC DAN > FOSTES) =CM jer A Oa a 4+ A See: Ft i eo be tS ia Fi_ 7% 4, g\Fil = = J cong wre CODA a Bab a 4 Fu F% ey If =LOVE IS WAITING ‘ , (Sacer Se i) Ell Gil Az (GFR) 4 VUINTIN' A DREAM t, GMI» OY wreee Taeslaee evEN BETTER THAT THEY (2) WHEN AWLTHE FANCY DANG DAYS A\ TO WHERE THE LIGHTS INSID yb WENVA Go WHEN AU THE NEN LICH (2) WHERE WiLL YOU Go () Prove al elew Yeu CAN BELIEVE Wien | (2) WAVE Lost THEIR GLow FTtT WELL , Come VTE A Lille Rwe WITH ME CS CAN “Rv COLCIENE THAT You ALREADY KNEW, Look INSITE Awe(Love 1S WAITING - 2) 193 You WAITING WILL see THAT Love IS It's sus AROUND The BEND FoR Mou TO TY ON, i Tye Cy, AITING ANO IT WiLL NEVER eb Giyé_'T up And Youge cverouey THAT Love 1S 2. = 2 on GIVE I yr AND YOOROVERDUE , Love wi See Ta THROUGH | Fil ot Fe Dy Fars RD slaps) En ; SS wyatt et on 2. Onaeiy Woo Be Da CVE IS WAITING. TS usr [AZOUND BEND Fat, FADE SFA For Mou 1D. bent ao THE CHARM ON WATS. ae Ay 2 fide? ‘ANO 7. ote > A NEVER! END — GIVE iT Ur avovaie OVBROVEMATLOES TURN THE CHARM ON174 ARR: AUCT eS /O ME Geusin ("BALLAD") USE TE WSiT AUTHE VERT GAT PLACE S,THOSE Come WHAT Mat PLACES WHERE ONE RE~ hag UST MEN | uivew dap Pu fx GULEN ChAT ACES wi DiSTIN GUE TRACES [\) Late ON THE AFIS OF THE wneeL OF LIPE TE GET HE FEEL CF Life Feu aes (2)_Be pTReze Non Cour Ee wice THEY BEER WASHED AWAT-61 Toe NANT Zz FOC TAES i Te PTRRGUEH THe GAY Teele OCLOUS TALES ~ 2,THE 3 tee jt (ce Came Aloe WI MCUR SIREN SONG Te TEmpr Me TD MADNE c CANES | uAS WHOL Aca 1 WAS REN C(Us5K WEE -2) IC} (sax) | 4 [wostuce 18 LONELY Again AND ONLY ae YeaCEvec THIN’ SeeMeD So SURE, iw | sadly Lene pt + ate Pp oe 2s (4) ANGE 1S AWFUL ACAI = A TeutPlgor Wenedteows oy bE A gore, A 3 (4) WEEK IN PARIS WiLL EASE THE GITEOFIT Gur AL] fray CARE IS TO ghive Iv SPITE 0 IT] , — 5D concer You, 1 wilt ANd Yer fou Ace Smit hey } WDE MT BRA (S) eee Ma 8 WHE 1 PoT WITH THE RST, OF THOSE WHOSE Lives ME LONELY TOO S)ManCe 1S MUSH STIE~UNG THose WHO STRWE NLL LE A LUSH LIFE IAs Some SMALL DINE) AND f ' in 04 i= REPEAT TIL FADETr STEELIOWN GIRL OU A SATURDAY MRT 4 hater A PPRIE LE UWE OF I~ Nury IA THE Feit OF HER FE: In THE REAL TIME WORLD RSEKE SEES Hy “ WS A ARR Won PLACE UF MYSTERY, MOST NE-~VER SEE A sar sues CRA 2 LoeTicws MTHS To THE BEAT OF HER Hears TOUGH AT BUT CavT We You ea Rnucse ARK WL YOU LFE FOTAAT MONET ini TIME. TF Coueb CO MEME T. LGHT SHET MAS LaseD wr tHe ROY COME GR PASS ToL BY Kucer & ns A PUSH SHOVE WELL BUT HERE'S AUNAISA CHANGE IE The a 1-3) IT CAs T Meu un A ce becons Tie Vonnce (3 Gas Yeu ue Mote Seats THe MIGHT (2) there's A WINE = Te heat(34 eS SSS aS COMES THE 1F THe Git Fine on THE wt STRUGGUNG, STEECHING FOR THE PEAK etccaa ee: —— eb Jt a te wn TWEEN WU Do WM wl GE ; (Vy Re BETWEEN LAND Mar Wal BE ‘ Gaels A mae (2) = PING WiTH Hee HEAD, A> GAINST THE Wit _—— ; = aS 1S : “= MAC MA - NIAC ON THE FLOOR AND SHE'S Dat cb Ebn Ebnil , f = ———— = Vane uke SHES NE-VER pace) Berome wT SHE'S AMA pF bin wa Ht = —_ — = a t : t + 7% V TiKe MA SNAC™ AT YoSe Ano Site's BR - y ‘ Sim © 7 & Sey nr Sowe Sue Stet Rever oaWcen eerSte Zon An cee eg et 3 ok (sin) Gx) CRASS ch ear BC Ho. pisws/cb thy p Elmers. Xm Cay end Hr Weses Big gh mm meee(SHURE) aed | 7 |(MoNMoUTH Co CONEGE Frou < Son&~2) 139(Rercar 2) i sere) KEMBOACE o (18) ao 6: hoNMOUTH COWEGE | FIGHT Sn (res 0 ) (= == SS See Sa 1 16 ams = QS aotKesey BX AL JARREAU, MORN IN! (s22ts TE recoeD: ARRERU KL AREER - 198 Farad MORN MISTER RADIO. - MORNIN’ MISTER CHEERIOS 2. MORNIN’ MISTER SHOESHINEMAN) SHINE (EM BRIGHT IN _W ey _AND TAIN [* ESE Sas Sie | ——— aa mnlaa ~ 4 [aearenry SER Go RI- CE DID NTE You EVERYTHING 1S ME -AND DID 1 TELL YOU THAT EVE RYTHINE HERE HERET, HAS Found WS WINGS Seaecuinc ar He Se SS a SS ee D FOSTER WAY GRAYDON (*mepiun FUNK a PAS by 3 ge st hel hao al 3) aust X Aw Gui Au(moamN-2> 183 DL RLLEg ao ELSE ae 3 MORNIN SISTER GOLDEN GaTE | SHOULD WALK BLT | CAN'T WAIT 2 — MY SMILING FACE Wik FEEL THEN) HIGHER — EYOND THE , BLUE UNTIL. o le pp ey184 (Monin — ‘ . aa cs rs UKE Any Maw, REACH CUT my Lae teen, me YY oe ZS Awd FF t7 | 4 5 Ant ar py a> DA ye DAL al CODA \ sine ) CODA (ocar-sean\ (SUSE ME (Rerear iL FADE); 185 DeNALD Facer) (IBALAD") (Cmenteatree are) bgt: SOME SAY THAT WERE RECKLESS THEY SAY Welee MUCHTO YOUNG TELL USTO 2. WHILE LE WORLD IS SUEEANG WE MEET AT LINCOLN MALL TALC ABOUT | + BE- Force we've REGUN WE'VE GoT TO HHOLCOUT TIL THE = MEAmNe OF IT ALL a () GRADU - A - Tew TRI TD HARG Ons MANANE BU-EBAN SPRAWL TRY TOLHANG On186 Menice CTY NICE This YEAR, THEY Sot (3) YOULLBEMY SENC RMN WW SEANS AMD PEARLS CUT FIST -br THIS HIGH WAT OFF WG RAGA ey LL Move UP TD MAH TRE PLACE Wantigg r@ienDS, DEave TOTHE CoAST AND DRIVE RIGHT BALK AGAIHMAINE a1 ( ' 3) 1 s b Lube Lt I Tey WHAM jr ONE ony wel WAKE UP AND Wave Love puT TL THES ee Ba J a b rope tT tT’ ON NE (SAKSOLD) ty PP 4. TROT hang 6N MA- AINE,YS Oo B: BUSINESSMAN, GREEN SEDAN HE SOLOHIS SOUL TD REACH HIS GUAL B: BUSINESSC ARDS BIE EIGAZS ty SMILESCOnCEAL A RQTTEN DEAL 4, BUSINESSMAM) SHAKE NY HAND, (1) TELL ME LIES, BUT HIDE Your EXES ( WORKING HAS WAT UPTHE LADDER, SUCCESS 1S THE EXIDS Ab KIS B MONET Cad TAUAED HE Knows \T. ONE PIECE OF PAPER CAND re. me! f13\() Time. ID TEEL SOee FoR LOSERS A CAT Get THE MOUSE CS “anb THE A) HANG ON REAL TIGHT TO YOUR BRIEFCASE, 9/4) IF You SHOULD LOOSE, YOU'LL [ (WUES ARETE MEATS CETE MEANS 7? wae wo 08 BRBALD ci a (HAVE STAD NAKED LIKE ME [ Al 3 oN mt wae (usr (Rt THE GAMES A DEALS A DEALIFATS SIGNED AND SEALED(ma BRIEFCASE 2) 189 cs 3 KEEP PACE MBA! = ear gadhe gBRICFCASE cant 00 Qf” PAL IMERIERA S — a ; WHAT poco KEEP IN THAT BqG ce TRICKS? IS THEEE ANITHING ee JERE ASE AT AL IN THAT & ASS Gm BRercase Y Git Dal§ al Copa ‘Ta Be (copeut 3x) IS THERE ANYTHING AT ALL (in Tan) GRieFCASE Gmit\9o (!suuF ee") DAVID PACK ~ 1785" ot) cm Fe bP iy € yp, or? Goh An CO TH Wwete Brest teu Faure Am MTHEN 10U SETILE Mag (24) flNothee Seacous mans BUT HONEY DONT You “iwow + GsteaH) 1 C1) wad Pou Fe SmeovE Tey 7 it FReaut { azerouR Tayeeh N_- (2), MRE ANOTHER MAN 1S TRE Cios e eo Cros Fo YOU 1 FEEL IN i TURNS Youd Lig CAR BunD Noy veMecr Te STOP, THK AND LISS To Bed 7) Ger TD Te Se {OUD BEMIER STOP MESSING ARCUND,'REUND wi Tt PY Mod NEVER Know Wiis AD NETIC ae Speboiate Ae Mov'e BETTER STOR, SHE!S ALLL NALE AN THE wit ee eee(MY Ba () ged Mou Fur tim DOWN Sg wb a ~ WEL THATS MY BA 61 DF Gou unocestAocrie@e AN mS > We Go ~ BY GONNA TAKE mt Une AWAY TAKE mt Love Rad ver ee (Ae (PRP) No WAY SHOU EVER NEED ANOTHER Mau WELL THATS MY BABY — HEAR WHATS a —— weT HEM (BASS) d t —— | , Wy VS a —S = £e *~. +t (ea) A = WT ete HID cy lf Gores sree) v vWeU THA & 4” Ga . o o M1 BART, Co YOU UNOERSTAND (THERE Aww T No WAY, SHELLEVER NEED AvoTHERMA way Irs} 3) iS HEAT wat SA THERE AIN'T NOBODY GUNNA TAKE MT LOVE Act Wath or > HEAR WIHATIPSAYTHERE AW NOBUO GOUWA TAKE DY LOVE Ana TAKE MY Love AWAY 7 MEY = Hey wen THA (REPEAT ).194 aE AY = S E (coer BEAT) : “LiFe” ~ 19382,commer > = NOT LIKE THIS 5 WRTTEN BY JEREMY LuBtock (NBALLAD') (Fron THE RECotO ‘NaReeAU'- 33) e == ® + Nor Like THIS gWiTHOUT A SINGLE TEAR WE CAUTIUST WALKAWAT ASIF IT NEVE HAPFENED f OUR Kind OF Love HAS NEVER TALKED IN WHISPERS So IFAs TIME TO GO, Ler’s R Tou Do IT Rony AND €0 OU7 Bor Nor UKE THIS, witout A Back w! CL Guan FeeLiny ONE;THE Motes LEWAS OVER WELL MoT ME 'CAUSE 1 STIL FEEL YOU I MY SOE u “ tl i ra Aa SO 1 WILKE You Tenpeety o@ BMECLY euT No GEE THE 6 Ema-f,”"(1) waar SHE Dot SEND HER S WUST BECAUSE, SE 2) THEE Cou be An OLD LOVER IN HER MEMORY G) VIOLINS SHE LOVES LET THEM PLAY DEDICA’ (2) NEED HER So MUCH Mo@ewHY Don'T You STAY. MAYBE SHE, CY RER FAVOR FESONG AND HOLD Hea CLOSER AW NITE LONG (2) HAS rim HER MIND THAT SHE'S JUST WA STWE HEE JME 1) Love HER TDA Find ONE HUNDRED WAYS AS. HER TD STAY-Fid ONE HUNDeED WAYS 2.:don'T FoR cerD wAtS-2) (one 19} Beis! CooL WONT HELE YOU MEER A Love WAEM OUILIDST Boe OLY CHARGE fae TAKE THE TIME TO OPEN UP YouR HEACT;THATETHE SELRET OF ROMANCE ~ SACRIFICE IF You CARE BUY He Same MUONULHT TE werk, IF THEEES Sole - % BARS Mote STAR SHE WANTS Go AU THE WAY (3-4)IN MOL ARMS TO SHE REFLECT THAT SHE Owes YOU THE SWEETEST CF DEES CF) SHE WANTS To pay FIND O REPEAT Tie FAVE LOVE HEE TWDAY = FING ONE HUNDRED Wars(oR INKL tue HLET ME TE ALL THATS GX YOUR MIND FoR A Love} WHEN I'M Cisse TO You THERES A MA- N (VY) twerours Is oH, So HARD TD Ele — (IVEY LOOKED Sieg (Z) = 6Ic Ani OUR WOUCH THAT UST. Cones SHiwine THROUGH WANT Toy € —| i 4¢ (yy (2 MYSELF Now Ain vEe- VECY DAT WAST You. sae (1) Onn BE You en me, (2 7 ey Sure THEE Can © = veer Gert THERE Cans Seen= Sj ONLY Be Nou fom Me, You Maue iT SEEM So199, TURNED ME IN-SIDE CUT AND YOU SHOWED ME,WHAT LIFE WAS ABOUT ONLY = THE ONLY ONE THAT STULEMTT HEALT Awad WANNA PG ALL 1 CAN JUST TD SHOW YOL,MAKE TOU LNDECCAND CNY ns Z.wypu “ovee vl You THE ONLY ONE THAT SMLE NY HEACT Awny CAame SoLei DAVOS TER) | | |GIRL MY HEART AnD SouL 16 THinicin’ OF THERE CAW NE! NEE EVER BE AN THAT UMERS ANT THE WAT THAT | FEEL! (TE ONE ONE 4) — tt te 2 An J Mov TWRNED ME INSIDE OUT, Awd MOU SHWED ME WHT oe Nou THE ONLT CME THAT Stave M1 HEART ALA OR ed 194 OV SLE MY HEART AWAY Mou STOLE MY HEAgT Away THE ONE OWE THAT STOLE MY HEART AWAY202 Cine “) AHEAD NS (KeYe)p— ee—h 2 7 wt — Mob e- Me — eb) Du J Wer— (CY Si * Hi YA“wt Fhaayety “Calovart) ~Comd) cubes € (ath) —s ss=ppte=s Ny $3 Zi Sa FE Ee OE / (es) d (Hoge St asic) cats —F (Cow) Ae Geeee : zo f = .He C'BALLAD") STEVIE WONDER RS" ~ (wires ave Basse) Time WWE BEEN BULUING MY CASTLE ef ETS Have’ AcKeD cul A “pezeecy com WAVE PAI = Fu - ULy Tuten BVERY 1) Love (1) JST {eR TWO THIGH YoU NEVER Kwen You Were mx (2) wor eve (2) Trove Mol LB" yom unew BY Furs ce yee even Co cone (3)_wst-o eis 8 Bad Bon Minar reeedagter tn BEES Me Gone MUCH TOOEAR fet Yeu nwow) 7 ' NET srsor sr AVE rb reombrtc Wwe Come Myclitde Fae ‘toe Me EATING Gor te THe, mi [Tcacne buct Doves ZN Trev toy por — i | | | pee ee eee(cveasoter - 29 207 4 : + free ow 1 LOOKER AT fou, AND MAYBE Teo) F You Woy Ly BLLIEWG ‘fob Too Micht BE ONAL} We aee ne Axp “THover THE ours ACE IMPROBABLE ~; a war Do THEY Know FeR IN ROMANCE, au TRWE LOVE NEED ISACHANCE iANE MACY is = CHANCE Mou wil Find Meu TCOLIKE | OvEeedoteD Over over208 ae Br fFror eee \ ("gaan") ELLOW JACKETS ~( 983 CF2Ilo PASS 1T x - 8) An GuITApSOLD: | COPLEASE HOLD ON A h Oo MOL LOVE Me. Do You NEEpm VE HEARD THAT () Same volo sToRy (0 Bi} FOR Ever Lie Yobve, THD ME GEA RIGIMAN IF 2, WHY Dood TAKE MED WHY DD YEU RAKE me (1 Fay a DIME, HH,TeIwE RR pea yt COALS. wee De we Kote Ce (3) eu me THE TRUTA THis TH fae Me (27 KrTee MOU HOLE ME witpo You Tues So Cte (3) po tou NEeD MEZ CAN STIL CALL MOU ie 72) the CA DIS ConstaW TERM Sy (5) Soe Uehty ano “Quien music THE Loney PATH SHEVS IF Bape peore Tey oe USE IT! eur A: Nr Wve hex woul Pine ge HEE (fe) i Co LOwELINEss CHoases THe Rugs To THE GAME (H#5) ae Hou On) HOLE Cry +) pe Tae baTbYeS have ii onal” PLEASE HOLD GN (VE LIENS CAL Ave You, BE btw PLEASE RULDENY CR2% AMIR Ds Th Exes)213. a b Tne ey) TAT WITH ME, BART Poi Vac LEA E ME BtEH IND g “4 wiTh ME FAY TN LOVWR gh THE THA A TINE (pysnse HOLY OP - 3) (Aoens)_ Fin Tos _HIeS Ewe At Ene uF et be You Wve mE? po You Weer me | | a F fe = = ; a * +4 + ~a.°214 Fook S FROM THE Rscoun) WRITTEN BY: DON GROLNICK “STEPS AHEAD" | 923 Cis-9 aS = ; Ponti E13-9 2 cis-9 4 Gtsus >, 4 Dsus OF: a aS =o =i yer(PoLs: 2) ais Gis ne Va? 3 SSS S05 Boag tt Al 5 2. a TEs lash time As ys 93k (M fst26 W spire Pte fRory— THER ECORD~ dite VANNEUL ~ 1991 ====: eH taney Va Fre © “ We ea = Tee s) a (RWS STRONG: ae A. Wi Es chonl) bi (Faisus) phew) of eT THe MECHT CN MT SHOULCERS 2) REST YOURSELF ON HY WATERSS SUITAR, (3% SURNR "SSUS) (Y take THE LOAD CFF | YOUR Minis 2) TAKE THE UFE, TIME FOR. e y wv Cause THE Heavy wv + wie FADE Awar Ms RISE A- Be ow 5 7 wd LET NORSELE. BE —— | RG,W- 2) 2\9 Coot THE WEIGHT Om MM 7 1. (2) kyew WHAT love MUST BEAK THeoced™” Ue) @) ewvow WHAT Love MST DO ‘tens Fat THROU Foti ws eu, ma ao. +S "LU BREAK THE FALL ; TMB THERE (2-3) awe Hes ve ‘Cause THe WEIGHT os MY SHOULDERS (iD ant Re weiaer a PUT THe Wein C4 ME lO DEESug (ret THe werent ON MT SHOULETZ $9 ebThue STAR ir cuwes il iF ‘CAUSE THERE'S SO MANY DREAMS ver Aba ———— A —_ ECA) AP - si f f =| v FIND } Tut THE WElOnT oN re SHouc- cee eon I ~ ~, Fee ty BO atm GUITARSOLO BY: Mike Murer WEE. R ie — +t it 42i9 SSS a= ere {CROs FEO ("fu nw) “@cue EYED"CRUNK") 2x \ Eve OWE GETS ZEvEEONe 1S CN tveetone, (ema tks (0) RMT of ( sna *(2abine WATERS 2) 1 (oa?) (Aue) — 2*Fy / 22) QI WaBODY Want o Stow BOWN THIS ZINVER AGA EXET~ eE BE pel eater 1) $e, Bows IS Ser Fox pawn! Bs D TIRED AND Gi~ Vex int a eerael Dy oe MEST Mr At AnD TEU Hie] THE PACE mW! Win Baten ace | Chor yee Bik LES. EL AS Levees CEOS TE ZAGING, WATER: FA at nud | Covees Toss AY KOniGoom Bud Cae * Lovers WALK THE "GLRHNe. 1G Levees SAND HE eon N il é ee = = * : 4 fe] TAKE WE Moet IN THEW WAND CEAM THE CHAINS THAT HOLD'EM Df Da/é : = SAME eGNA veer OD Sou Jeet Lown loves (2, Weg + oF Cave ioe + + —— ¢ | LOVERS STDODTHE Tie In CR-~ PER Fs Muu OTA KeErOny Gon apemneer om Spine t 1) faq Ska ) ig horns) f E f222 oe DUKE : Lieape oan TCUARDU . — (i wi |(cuirar) TAR DHE “bs Aw Tal Ages JZ. +S Ss. — ae ee ao 7H — 1 WE Gor THE PERFECT SITUATION Aue Mm sy WCU THAT I 2.) CALEMT You EVES JUST FOC AMMESTGRITAR Ane NOW MOU NOW THE WAYS SMO ceRL THE WKY 1 BO, et IVE ELT NS HEAVY COMPLICATIONS 2) FEL ABOUT 1 Ge YOu MECN SE CUNG MT ATTENTION ; —— ——— ; at = SS Se BY ye ALP Mt love SEERONT "Th Yok, FhOyGN TAPE WAN) WITTE (2) VT 1 SC we BAG LC. Wits Sore xCUst Yee LAM iCeeaci out -2) 223 yy () NOTHER our EXES Keer TELUN' Me MeL vse Por T CARE (2) TABLE MoU WANT TO MEET ME NEAZ THE POWvES FOAM (EAM MWD Get THE NUMBER AND we'y Go FROM THELEL} O44 (\) VF We Cod TAK OUST FOR A MuvuTE ee You TOUCH MY HAND Asso (LIPMOUE NORE R cHlory 3 (2) 1 Fouow YOU WiTHOUT HIS NITICE, | (cHorvs) et etter ACH “tous ARE CU MS MIND Ado MD cove to Sem bed ie, F Aee ON MY MIND ewD MB We Te Make You Mwe \eeaCn eu ni OU 2: . F fr == $ ‘ + + + J HEAET AND SUL TO ME, TUkn Sour love SOS TRSY BA-BY HeAeT AND Sove TR Mey TSH {ove lwe B ECSTASY BABY A ma Dmt Poth Blas Gut Ant $4 See a a your Shnige TOME, ARD Fp pis og HEAT AwD SUCTOME Tom {cor We ena 5 Pa 4G A (oevms) Ss es es aH Ti “FADE (THE FIRST & BARS : w Lonuy Vocau ‘aud paums): 224 : Se SC z Fseom—we—eecoer——\ SING ICRA FES * -_ FUNK"), (98s AL = = SAF. gal! Fee RT Cr MER) centers E \ HAO AS) TOK To FlbRT CT ANYTHING Cad EXCITE CT MERELY THE MELTIVE of WOR =e = = a * ES = + aE J — . tr (9 EES Ay GUST WSTENISI-FIES (Seow Loose mY SENSES, 1 Ger NO DEFENZES =Bs fae = | ee SS a \ iene RINT NOTHIN - 1 Ex cCeer TD SHACE waTH OU bs TTT Se (0) SERET Com@waTios TOMY HEMT You WANT “ID TaWe wr ALL PLEASE(@ERD ma LIPs 2) @ 25 tr iy sr & Cavs | Love BUF 90 Kmuon Shove | Caw TEU YOu TH Lave YH WN “PU (1) Can't Wart TL THE Par KLE ROME Feet fl. a3 Loose Tau = ar 2 ovioy sows WHOS OY WITNESS , pe csr par oF Frees Fe su nue SUURY (2)sHave if 1 KEPT PuMPING Ron) Zand TEE WHS NIESCIE WY cov oF MY SIREN Yeu Got THE TET au tHaront EXESwiuio po Noms outy toate AY aah L ECL ZET Come NATION. "ie EALT You waaro TAME IT ALL) PLEASE crops dora Fee MENTS Ne Sey UE you KNOW Sie Pueeie, Sse tf Locse ST) vr oss 8 css. 45 roo) i; READ a Cues \TMauded Loam TEM toe Tar cave soe BEAT ARLES (0 Me Geo]226 SSS (beDic rep LOWAL GEO Ree) —— (sreNGs) Gm % < NTIS THE NIGHT “Sri OS (0 myFeopy’s WEAK mF ey THE RUN No TIMEFSR SER e Eee Ri (2g SOF NOFA LAWLESS ped ALWANS SPOKE MY MIND Cr nd A Gin iv A HAND LIVED NIE ze! SRR v A _ wm RWE UME A wind TD GE FREE CEES epuleD Dow TEM Giwn ROE WHE A rayne D $e (CA(ewe Uce THE Wo - 2) (cHors) 227 SUCH A LONG WALT GO Te MAKE IT To THE Bocees GFMEWCO) SO I'LL RI0Y + ~ A 2.) was Boer LUKE THE WIND, RICE UKE THE WIND (3 Gonna 00 UKERE Ba BARA -SA, * BAA bauaen-ta, fA =A EAT OM CEE Ga Gaca-Ea, BA — -BA- BABA ce, PRE Gs cass Gx cmo Dat Cur7er Guo) (C3) Asp TRIED AND TLD TD HAG | WAS NOWHEE nt SIGHT AMEN THE CUR HBL Gel p pees 0.8.1 Copa a HA RICE SA wily BEFERE GET CD (Ky = sl CODA FFT cuoens @) euirae sore jf J «@ JNO, To DEAS | WAS TOLD, © — a & “te Tino a CASS ASA)o MolBomnert ~ 1963 ”ows" Cavin YOUR BODY, IS THIS REAL? Ten-ren-ruee isi, DeiTs (0) FEEL, Im THE WRONG RACE TD Be PEK forits $4445 Ln SSS SrSSs == abn uu ROM Be f ZV LONGINE TE Love Yell, JUST FORA went, kissin, AND HUGEIN AY £ : a= PEAK LET ME Love YOU wid ALL mY “Tats Mh : REASONS, | Te B= REASONS THAT weee HERE Te ee REASONS THAT HE Fea250 (REASOMS -2) SK on Feeunes Sout DISAPPEAR ES Ss ci pete Asp AW THE REASCNS pg Hrwee Soue Awb ——— INTHE Moanin! WREM 1 RISE. as 3. AMD AFTER THE LOVE GAME HAS ECEN PLAYEDAL OR ILLUSIONS 9, tf c = ID MT REAS on] REASONS — MY REALous MAD NU - a ALL THE REASONS WHY AW CUR, oO REA Song WE@E AY UE ACTER — ALL THE REASONS Lov(BEAONG ) aa HORM S a fetitd DLL T t* - A, REASONS Me REASONS THaT Wek Hee: THE REASONS THAT WE FEAR Pm, DiS. m1 COPA adecopn (as B) (eo eae e Ee alAl xy (RHODES Fis) pets fl Anvese WANNA GO WALTZING IN THE GACOEN? 12 ; ’ Sp Tak AMYENE WANNA Go DANCE LPS The Zor? Fils Gewnei) Bh ESE TABS SEQUINS EVEN MG GOWN. CLIMB TRESTANES THAT BAUEION Ihe NIRGAT Sy CAN BE, WHAT YOU WANT TD BE (ome) WALZ Le ME CR A ROT SEPP eoae (Punts recuee™ (3x) DKS F) Aw tone WANNA Go WALTZING IN THE = Gaeoed? AL Ure Te FLOOR peuneia\(ecotunsven 2) 254 Z. IF Mou DARE DeENS UF MESTERYEAR IN THG AR DO A STEC With ERED ALA 4, NOONE STAYS IN DOWATOWA THESE PAIS CQUVRETCAL, Gor US ONE AND ALL DOES ANMONE WANNA Go WALTIING IN THE GARDEN SoS ee = ANTONE WANNA GO DANCE UPON THE FLOOR $ Hants x a (ec SeLo Pet 0 : e DAL SS (so. eareats AL UN ) + . ~ Bole WE END\UTME RECOMMEND WHAT To Pe witty tout HEAtT |S LIGHT or TW STEP |) DOES ANOLE WANNA GO WALT IG INTHE GAZDEN? Apuone WANNA GO DANCE LPO THE (oct Sorey di RIF 2, L ALL. WANNA DO WRENS! waucturin EHEMocANEIS SEE Move Cres ROSERMKIA JU Ra' BAINES EN Sens ct END SE one: Sipe ROSEANNA, RE tte Fy eee ees BN \ Stet é Bete s EOE fr E> E ———— = SS ALL | WANNA DS TH AU | WANA TAKE 15 @ (2) \ DIDN'T know Tov WERE Lint FORE MLOZE THAN 1 COULD EVER BE NEVER THODLHT THAT LouSine 40D COurb EVER HUET % BAD I mipvLE oF THE EWING LS HOLD YoU MoH be NOT AnOTHEE NEVER RWWE HaCOMPROMIZE(eoseanna-2) _ 235 e ROS EANN (0-2) nor quire A tene sive tou MEM ANAT 1 i [ Now Sue's Gone, Avo ) SHAYVTO SAM iy oF > NEED YoU AU THE WAY e P F Bb Beem = na remit, veer vou [by eb he Fx og] Soni (STEVE ORC ALO) witar Sele By Steve: ic} : # (4 ATER Ne sp eeePF BZ = = = (* Z fil ir gee oS] etePa Plattan "Greg Mathison projekt" Baked potato super live anvander han sig endast_ay en Minimann seh ao ee Jay Graydon, son till popsangaren Joe Graydon ar fidd i Burbank. Spelade med Don Ellis ork. fran och till under fem ars tid. Ett 4r hade han 800"gig". Har | en egen studio - Garden rake studio - | och kallas fir "Jake the rake". ARIF MARDIN gjorde 1975 en soloplatta "JOURNEY" p& Atlantic. Steely Dan(dvs Donald Fagen/Walter Becker) ar raétt petiga vid sina ir spelningar. Nar "Peg" spelades in provade man 6 olika solister som fick géra var sitt solo (Larry Carlton, Robben Ford,£lliot Randall, Dennis 8udimir, Tom Scott samt W Becker sjalv) innan de blev nijde. Jay Graydon var nr 7. SMILEY AR QUINCY VONES SMEK- Nam Nar Michael Jackson nyser har utandningsluften initialt en hastighet av ca 800 m/s, vilket ar mer an dubbla ljud- hastigheten. DAVIp FOSTER PRODUCERADE 1978 EN LP Men Aue CooreRll /\.Hont Coyd You LEY mE THE way we've QEEN ‘Z.WonlcourYov ier Me Ee Ava WHITNE Your (\)Gernne on | DIDNIT SEE No SIGN OF TRouBLE DREAMS AWAY, DIDN'r See You LEAVIN ME Ay oe" () AuLOF A SUD- DEN YOURE Gone How was | Meant 2) GWE MEA MOMENT TO STAY. HOWCAN| Ler — Sd Fagg rete a a ee 3 \ LEFTY ALE TO LONG ' Néve@ THOUGHT YoU NEED- Mt WILUNG TO GIVE IT ALL NLU GATHER Your Tey FRoM AU 7 ~~ ( A YA Gaus (ED ALLOF THAT TALKIN-BUTICOULD RE Wea 2. 5 ) OFTHE NEARS AND CATCH TEM WHenever THET]!+ FOUL ILL CATCH THE MWHENEVER THEY Sete Tee . &)239 NEVER Foe@GET Your Nave FALL SA - RA oe ve = === ae z=! } a DA e aw Ss ee ee ce: THE Melopy Wik REMAIN) falcd 2 i THOUGH I'L BE GoNE BEFORE THE Sun) GOES pownl4. % MTEARIN' ApAeT THE HA@T You TURN AROUND: 7 = oF Fh Ell SARA TeAa! APRT_THE HEART. You _TwRn AROUND el = aa zER SE $= (20 Coun UT me _S0 Lanta) AaWee STOLEN Momencs Ig AU THAT, eed You, NO NI Av g ee Ka Aw 3 Gi RATHER BE HOME FEELING 1 == MOL Use TD TEL 11 We. RUN AWAY’ % OVE CVE LOUTHERIONT ae LOVE Cues YuTHERIONT 7 BEING LAST ONPRMWUR LIST, BU! THEY NEED You THERE THDOH | Tey -BB\REsise s eS meUil a Rel onthe 1 May Rider extaK oun Mercer oth SSUE SAVING ALLA Love fun SONM Gavise ADOT Lovt 12k a(SAvin Alt Pt 244 + oS aS Lit Thar's ust Any OLD FANTA-S¥ 3. IVE Gor TD eer REMY, Wee Sa hae pS ot 7 i hn eS ; er oF FE ei oe perky Fee OF (3 +3 yO , $ Loe" Modu 3 ¥, tee To oe yy SAVING ALUM Love Mes im SAvne AW MY Love Ne 1S GEMMA LAXt SUL neg, CAUSE 14 CR Boe) (rob) for wou(6)243 (THe SEAECH 2) > )ke Md Ctw Hat Ohne eee Eg Ct aaa # £ fa Al co ™ eae —_ ~ a wns CHAIOIUL THE Fain PRE (vvicmBee Da TWENTHFIRST NEKT OF SEPTEMBER LXEWAS 2) RINGING INTHE Ket Thar ot SOULS WERE SINGING AS WE Daccoin PRpIhQiGHT a - (ein ou Hotobue, ants with Move MeAcr,TD SEEN ed ONLY GLUE TALK Aup LoUe RE- J CEMBER Feo THE Love Tar we SHARD, SEPTEMBER ONLY BLUE TALK AMD LOVE E- (irewpees WHILE CHASING THE CLOUDS Away 2) MEMBER HEME Stags STULE THE NiCK TL Away Cymemece How WE ANEW Inve WAS HERE TU STAT 4 EMEeR THe TRUE Love we SHARE TODAY z. (Chovns) BA HA HA SAY, PO You RememBeR? BA DEYA DANG I SEPTEMBER BA Det Never was A CLOUT DAY + # (OOUEE Copa: Geiven OEEAIS WEL Srivive DAYS)(serrembes -2) us ° SS S| tA fh ws A Do-ve BA vO-cw A Ve~ce \ wo i! - = ———— SS ee er SEE fi D. omy Trove cea cy eS tA pC eva aoe cemeMBceT oa mA Pind Aw? EW yee " fa ul DANCING iy SEPTEMBER BA DETA Reena (gt eee Horns: 7 fi eng ++ $34 £ J (gt FF tt te tt We ES UE Rpetp hats v V ¥ —= = HTEN—6E (SHUFFLE) — Lo wore UP in MY CLOTHES ASAin JM é () miocnn Pout Kwon ERACTET WHERE 1 Am <= a = of 7 = a Cn ANE \ SHOULD HEED MY Doctor eet iy 4 Wie pees THE BesT wth me Mie 2 HE GAS 1 Suere2 FROM PEC TION 3. AND IF Yor SEE US on THE CoRHeR v TD eT "aso com AIDEST Im (iD WERE WUT DAMIMG IN THE mo ETF CAwT BE AN OPTICAL ILLUSIO~ TELL MY FRIENDS THERE otters 1 SEE THER) b (2) Rew Cas You EXPLA (Dy OeT Se em DOW PANE(onagens ms THE 2a -2) 144 THe Raw Lith o1cn \ A De (Werewe, AP, ANOVA. G Am G Am Fe. NN \ rt Dos fen Dee fn Row Em Dn 5 ff = Be { — XNfrom THE RECORD: CIE REST E st} rrr f Ci Terme (A ioet, sceceewonpeet ne cece ris emi lAle. HANES TES HEAL AS geme THE 3. Ro~ PMANce FALS ke PL APPA BUT AULT (4. HE) Blxnows He i BEAT, = AS IS t ' oS nar se lucene reom Hin ieee is A weet oS sme < HONSOY RENT WED Tage Fe AU The WOR SUC Sa } a = Somat E VASA e E ASimcTives ALE SANE eee TIME HE PLANS FOZ Fosenciwertesve PAIN KE Fees SIMEACT PUTS ON THE HEAT EUN FROM THE GREET THAT pont Brent Minis FEET ONT Fer mson'T Fer His (iy Bertin W'S A Bene Oy TSA BCE GH! 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HAgD TE_HIVE CLR SuLLs| (2) INTERTWiNe MAKE LOVIN FLOW AWAY WITH Me (1) oneliouT-PTicHTs Foch HEAeTUBSS AFFAIES THEY F Fuze THE. 2) “Twins of Flame A Love | So bI-VIN MOU UNLER- (OE soci taice Imadinine —~ Maly youace Here ger 6 f (1) Hores oF Love WME suvpency AereMeep (2) STAND MM _UFE AEN Mov Now | Have THE SPRENCTH CN mete dau ny FEARS FILLED ME WITH THE Love Ve iN (2) Now 1 Wave The wore MOV Give ME gy ALL NEEL ~261 (coque mean?) Coes) — = Coes pogo Sa \ AGAIN, | LIKFACHUBES & MY LOVE of chi Ot MOU MAKE MEg4 SOUTCE AGAIN Flin nh. CME Sets Hn Cin He Ofin (OH | E- LIEVE WE UVE A DREAM Fue THO Aw é t OH You MAKE 2 ms b U MAKE BE, SMILE ACAI Gina ls gee A Ob Ol CRE He my fave you MAwE ME SmCeviran sow) OST tt[sono FOR YATIC may > j=g—>o—=| oN [SI + = =f ~265 — Sas RECORDED BL URBIE =266 inTRo (BASS- ever) Fil Ea(URERBLLE - 2) Fil x e645 E (@ASSRIFF- SIMILE)i, WE ARE THE SAME weve GT The RUN i TAce iT! (oD Sou ACE THE @Latr NOW WANNA WALI we 3, Ly become. FoR ME WE 2eAL Ma Gi Z We Ate [AUWE Te mNocent CH Deen Gwe vave “Suevwew Ley NS DAWN Be eu, Gi Two HEARTS ACE one Twit be Eveg— CAS = TING v — Ew Fe’ Hu Hwa" Ou, WHES WE'VE GoT SO FAC TO GO ANDy: ea, so Tan GI A ca D2 HH fi ki Don’T YoU wotey! BOUT A THING (YEAH) va) Suee ENOLR (CAUSE) ONE AND ONE MAKES Two Here lot Hue Adee, = 5 — = t = E === — at Fe Sune ENOUGH | WAS MADE FoR You(sure ENYVEN 2) Te SURE_ENOUGH WE WELE MEANT TU BE FUREVER ihe fp “tg _ D piSdxsow ~ Bt TM scot) 86. Fe CSF Fi 4 » KR & Fl ws a P Ye 4 we f AE el FA We PG, Fl (GHfe gui ¥ q S ; = Hate AWD Hinge Atte HL Heit A Bee FE ————— = SUE En006H ONE AND ONE MAKES “THO: 4 VEE ENOUGH Hn Hi Gat OMB, Gut Y Amt DF + WAS MATE fr “You, Sute Exious WE WERE MEM TD te FOREVER,sae geapess ("BEAT") FAI a v 2 int a9 ls CU add 13 Ci3-? te E mil C33 Full gris CH addr — mate = eS ; | be ‘ ya ( i? As y, Di ! = rae =| aa & ~~ "og(sweat ve eet? 2) cad Fil B3 Eb assig 4 43-9 ae Ala , @Gutarsote) (REPEAT 6X) TSeEE f s =e ZH ASS aS INTZO) = gto ors b) piano Soro ul (She) ty : ==fk CHAMP ssa BIL CHAMPLINN 193] “f) Gan) (SHUFRE')_, Hie Em? Eni Ut GHP Hil Hn Be Ent Dea % d No REPEDT AFTER DS. TY iwowsédi lee SAnSeien IF You Take A CHANCE 2.ogne SAM Love SHaLt) PESITATE (far) SAY TTHATIS A CQme 4. : =o. , top ae & 4 JU) Steenan tinel stay Oy MY TSE We COME TooTHE DANCE (2) SURE Yoyee MoT In Love TOpAY (aur) TAKE ONE AT THE TIME > i ee Psa (0) So Then TUR. ST went Ue GOT To Coot Mew WR? Ore MUSIC > a Ent fs ae Se (Deerouk Sac Mne, SQ HT LONG, | GOT To HEARA LITLE tnaipriotr HouR" (2) - —h TA Move ME === ——(race 17 verowss ~2) (1) 1 WANT EVERYBODY A 235 TH SING HEY NOW (HEY now HES NOK HEY Mu) (1 T Wart Eveertopy TD SinG | X27 . & 1 KNOW “DUE JUST DYING TOSINGJHET NOW (HEY Now, Hes KW te YON) (seenou) (20 gP WEL TA UPTOWN Tomorrow I'LL MAKE IT A NIGHT WON'T FORGET (3) WE'LL TEAR IT UP AND DOWN TOMGRROW YOU'VE NEVER SEE! NOTHIN LIME US Yer (oo eereat Fue TTY Ba AND IF \ GorTO 8€6 CR Zorpow,we'ee Gonwa GE SIDE BY SIPE Tomoi } 2x TAKE HOLDOF MY HAND, HOD MY HAND | WE'RE Gouna BE SIPE BY SDE Tomo, Kx D am a b ee Beir ft E Cmercovyixecs as G) (rerun cet ow HET = WELLTHCE TUF MLTALE UTE E Jd Pe (REPEAT PL FADE )Comoran “8=¥901) (02 ata gp) \ Meee we ARE AT THE «END OF TR4 - ING 2(THE)FIRE'S GONE AnD MY _HEACT Grows HEAVY A TY Loeniné GUT are te Rest OF — OUR Lives (© NC more woes _NO_ MORE REAGNS FoR WHY Dm Gi (0 WE Tom ME ROAD TD THE eaD oF ROMANCE (2) be) sor A TEAR IS THeee LEFT FoR Cex ING (NT THE PLACE — Beoxea Hears Ge TD DIE (2) eT THESE ARMS HOLY US CLOSE CNE_LAST Time SWE TA Dm GTA) AND TALK AND TALK AbeLr yr NU DONT_EVER HEAR PI NV(TALK-2) 235 a 530 WE TALK \AND TALK,AND TALK ABOUT IT IT NEVER CAME TRUE Forme GSS 1 CAN FEEL AW THE DESPERATION, AS 1T AU SuPS AWAY SO FAR a = —¥ AWAY ‘ THIS IS MoRE THAN A SEPARATION SS Ze IS 1T weone)'S IT RIGHTS (we've) OPENED UP THE DOOR BoT__rAm AceAD| EV To FLY Sts EF: £425 “s cme, emmy femme, peemeemneer,a Funiccu ira 7 (Drums) Pit | | | | | ia eke FP a a meer 7ae t a o% Fa be (md) 6 F o Fa AFTER SoLo: ((* BAUAD" PIONNE WARWICK |} Never THOUGHT (FEEL THUS WAY Ie VSHSUE EVER Go Way inane y THE FORTHE FIRM wii WeRe APAR CD Axo AS FAR AS IM COmCEZNED Jim GLAD INE GET THE CHANCETO SAY (2 WelagHen CUCSERyoUe EYES Tey Freee WAT WE DO TOLAN | Gy wetca CAME AnD OreNeD MIE AND now THERE'S PwcH More) SEE (4) Wed Then CLOSE Your EXES AND know THEE WORDS ALE COMING FROM ME HEART THAT 1 PE BELIEVE 1 Lng SoS Aue THEE EF YoucAN aemenfl, “CP 2 V2, vex s S Ant So er Mme wat | THAN YOU 4 An ln Aso Then iF Mov Can ge meni- ata 2) KEEP SUNG « w KEE? SHANG Yada MyAeyou CAL AURA COUNT Cu PR KEEP S™Lwe GEER SHINING LNOWING MOU CAs ALWAYS COUNTICW ME TMHaAtSihat FRIES APE F Mays wnat FeEnss ACE Eo!(That war FE1EN DS : Sage | FoR Gvop Wes And BAD Mes NU BEON Souk SIDE Foreves® URE é lw @Ap TIMES I'L BE on Your Sipe FOREVER More (HAN? fy Tatbwnar ceeeP Fron ] THATIS WHAT FRIENDS Aee FoR (wi keer Smiuine WEEP SHINS FSH ote You CAN ALAVATS COUNTRY + - = Te 4 ja BS OR SORE THATS WHAT FRIENDS AGE FOR SS as aa jp seee times \w BAP “Whes LL Be on Youe Site Forever sue Tt == i THAT'S WHAT FpeMDs Ave a se we? + + Fue eu ~ J (Repex TICE KDE; ¥ ia fos THERE ER a Ee ete et SSS SS ve i \ HELD HER Cease SH rae ! ‘CAUSE | KNOW SHE_ BREAKS So EA PIED (And) To Hee SHe'p ee FINE _Thouen WE “Sh KNBN ID was Jus =e We CN Vso Awd ATES 1 To Ea MT, Mew no MATIER How | (2) Ane (HAD TD DO 44 ITGASE)ID ASD ANTI i 3 SZ THoveHT THAT SHEP REAK Downs tel Sue 2) MELP Me GET THROUGH Ty THEN SHE REACH GUT FoR ait HAny Aub WER, (adds 3) 3) SPULED ALE Aw) NEVEE MEME ALSouNL AND GUESS SUSsUNvERSTEOD CN WERE AZE TIMES THE BEST IS No DAMNY GOOD, AND NO MATTER How fou Tey (2) Simpee TovgH was Mote Thay | COULD STAND AND | HAD 7D TURN AWAY (O TRIED Comsore HER SHED WST DO THE BEST SHE Comms ) BUT 0 EVERYTHING | Sug COLD OO it HER WAT CAUSE page Sitence BAY ME EEE ne TO BE nb THERE'S MLWANS STILL A PART CR UL You LcAne CAUSE LC N@ RN ALL THE NYRT THAUSHE WAS FEELING | WAS fee(meres uo CAST WAT-2) 283 (Gla wer SAY ures oT FAWS BACT THERE i Q) BEHIND whens IT FAUS APART, Teres Nu TASC WATTO 2) Lunt TOO a RUSE Whey EAS APACT I NOEASY WAT TD Fw eb WA Amelch BREAK Vsobeaou srt Tew BN el 4 Gus BeEAK SoneBoUY'S HEART SHE CouLD'Ve GOTTEN Audet jano mame ne =h) FEEL LIKE A GUILN CHILD, BUT ¢ REALTZED THAT NEWER WAS Hee STYLE, \ WANTED HEE TO HURT ME\AND NOT TRERT ME Lxe A FRIEND WANTED HER T SAT-THEZE'D BE SOMEDAT,I'DCONE CRAWLING 615 MY KMEES TOASK HER BACK AGAIN, yi 1 Bhat m Ht a4 eee. Aaa CODA 8UT SHE AETED pee Capt "Oae'e ite op 7 SS Se = ef ig WUST NO ea WAT aL THeecs WSTMO Easy a THERE'S Ne Fu} So 4 — Sl = 9 ae 3 @ f —— f t +CHAKA KHAN~ \93q eereat He ArTER DO) f—or lui Loow mi You EES AND |__ Can SEE \F_LwE_ So DANGEROUSLY = Po 2-1 know YW'RE AFEAID OF WHat You HAVE TE To Hee - Fee _ou_ ST! Wrov'ee vor TEYSTiaty OUR HeAet Te ANvoue ' +, (2) AND Caw TEUL IF YOULL ONLY Ler me REY. we SMART We'ge Theoucy BEFORE grAeT Le S (Zou TOUCHED ME AND SOMETHING iN me WHAT) WOULD HAVE WwiTh You} @ Foot Ent En) rey er NBuT | BELIEVE THAT WEE ONLY JusT BES) = ww J | (2) wr fh NOT READY To Kiss THAT DLEAM GOCDEYE (\) Woes MSTHIS Geoo THEee's NO SAYIN "Wd! 3 (3 urtarsorey© (neuen THE MEE 2) Cv eS nM LEADY TO Ge ce a =n (2) NEE ro & im Ceapy fe uw THROUGH THE LIMIT) THROUGH THE WALL FoR CHANCE Te a ey Teh WITH HOU | GLADLY RISKED ALL ee THtoUeh WHAT ~ EVER Come WHat mar Fok CHANCE TO Love~ | ~ING You I'D TAKENPAUL THE WAY RIGHT Dowa) To THE wad even THeoven TH Free P BM ply MME day Pe : + from (Nor Past tee \ .3 Vv THROUNTHE LT THROUGH THE FIRE, THROUGH WHATE-veR | MOLE Fig(Qway — AGAN ' STAYED AT Home @)LET You 60 Time AFTER Time (3) HAPPET py ness ONE KISS CAN CHANGE THE PAST. Here BY A, TE - LEPHONE THAT NEVER Seems 1 2 Nor HER ne SUDDEMLL SLATE Last NIGHTMOU TAY CAULeO op (3cast ALLA ~ Ruay NorHnl Wil E- ‘ver! THE WIRY 1 FEEL 87_CLE Die om one i ORNGARAY OF HOPE NDA MAN So AL ALONE [QS 2lAw rer OReRS Crme Tae TODA “Yhlie COMWE HOME TO STAY (3) | CAN HAROLY WAIT To SEE YOURE COMING Home AT LAST.(TONIGHT, Tontoet 4) 29% 1. JONIGHT, TONIGHT, THE LOVE Thar SUBST AWA JS Come HOME Te STAY Dat al Cova Clagg ackerden) CORA Ch a ohp AF" (saxsoro)_ ae i: iN SU7 cohwe Home To STAY Cae Phan aie ra 5 Ss — TONIORT, TONGA, we Hue Bil Phd nee nin (ese Se a TT Neceae wd sky | Coote CRUSE TONGHT, TONIGHT) op gine mi a Ell =~ A AA pe ip = 1 t =P i he : = i Jo Cove mis Bent a Cin e COMIN’ Home TO AN E/A Nou Age ymy A ___pfA, el J A Bye Ssreg Sear gs Ss Love we eveeenne Love EveRUMstinGe Love233 Too YOUNG MUSIC /LLECS! David FOSTER, ( YAY GRAYDON) STEVE Ki pm “UGHTING UF THE MIGHT NA Donn” QSMone: JACK WAGuame gs FRoM THe g@ecoRo: & ("GAULAD") Hae 4 i be Foss a Ft igh a + fm \ HELLo* Love wis Bee WAY Too 2. \GoWWA NEED TO TELL You | KNOW THAT 1 WAS. LONG WRONG (Simla) wl 7 _ eh OY SINCE NRE SE Lizep th syouke He Most wpont TANT THING INMYUFE (2) sHow You How t FeeL. | AND WHAT'S GOING ON 1 DONT KNOW WHAT TO SAY PHOVE THAT Gia so MUCH Gy? BUT | DIDNT «SHOW (TT SUH CLOLESS GAMES 1 PLAY “C1 FooLED HER WT my TOUCH SSS eee Sual) S pER sweer Si- Ge eKCE HANGS HEAVY ON May —s Time aly NOB SER, SELES Thar 1 cer sl ey }. (SD starred SPREADING MYSELF Too THIN) ,FooLED AROPND THOUGHT SHE Dipniy KNOW 1T [pisos ————— == =< Peay —t = + to a ij J E in Smece TA WKY WH YoU cH Ten Baew THe HANDS Tor Safar 2. ; == = ea Se (a yrme HAS TAU MESO MUCH (6) 1 CANT TAKE miycH meee OF HHS so 1 GewA tpy(Tee “COUNG ; YOUNG Bpr tars (A) INE GRowmmencvgn TO SAY 1) WAS TOP gb pred” (eyo ber Heepack to say dy € me TRAD TPO MUCH TEOSOON, | WANTED MORE RooM,ro PEAS em Ae Gus APG F/A) YouTH, be 1 “Nog AL THIS SPACE | CANT FIL YOUR PLACE |= YOU TREATED mel —— WALKED A-| SO KIND YOU WeRe ALL MINE AND | JUST. 1. bt GmF Dal. G=B0 ree.) WAY 1 wat TRUE Love Comes ONCE ISA LIFE -Time ob pb Tyel * cmF-s Fa, Bin b us TLE re ote aa e IF oe ae THEN You! BACK MINE by Bs » a Me Bia il rE : a “a , eee ee EE : : aeNS A} (Bext") ~ve | Gui © bw Du — Ghd Dw BIA Dod On Bou Abs Gn © Hy Dun es Wu G0 Vin(TEAINS -2) 291 — 7 As & (TAR Soto) |Sey SPO Rio Vere = CORRPERS SRC AMERTAPD ) (RT) ge gE “ = = |. WHEN IT APPEARS Your Love 1S FINLAY ON THE UNE. IR AND WHEN IT SEBMS AS THOUGH You'Re Runwiy OUT oF, THM 3. MAY You AL-WANS HAVE SOMEBODY TD DEPEND oN 4__AND MAY THERE AL-WAXS BE AN ANGEL OM Your SHOULDER (), AND YoU CaniT HOLD iT BACK MUCH LONGER 2) THATS THE TE You SHOU BE STRONGER | (3) mibmnt Your onrS Be cece —aiariowl t T (4) TO Help IN AWKWARD, STUA - TRON (Bree were Yoo CARE ABOUT IT DON'TYDY E — VER DoUgT HER Love ; g c —— ‘ = ae 7 as _ v LOVE EAU OTHER, You Never NEED ANOTHER LOVE . 4 — SS isn SST Tey 7 ia u WoUlo You. TURN AROUND AND THROW FALL AWAY S48 ; WHEN THE WHOLE NTODAY OUST Ler Hem KNOW TOPAY a= {aR CE a Sub STULL BE AROUND | Cs0ru E MEM AT LOOLS LILA A TROUBLE Ins PA —— = = RADISE AND wou'ke BURNING LOVE THAT'S CoLD AS ICE : : = 6 rr eS win So OUT Pq MOU CAn WARM w Daley pha UT Aste Ful Bey FLAME Aw x bi TUF Ret Dal i Sy (29 Catar) Cnt Dnt = Fil Dn Ein FA Gil Age GaSe HOES BAPE Gy te! Gu PAR AS Aun “fov'te GURWING Love THAT'S COLD AS ICE Gil (60.TAD294 (isHuefve") Sexy SEADTY Cm? SWERED IT nIS wil Con Trewin TE Comet TION ye One Zz Zz WiTH A_NASTY REPUTATION Din Dnt AND Din oa To PugsuE THE SITUATION, ~ Frall ao APPEARED Wwe A MAGICIAN ASSUMED TIE wum) Fn A HE _NEVERGOT, Anp HECON- Gril a He BREE zeU Gill -e Om HER PERMICGON 70 Dance! Bas. - BER ON POSITION NEVER CET HER PORMISTION, t —= St Dui +t4_+ vet + eo gin rail St = +(Het pAnceD--2) (DOH 295° THEY Dani, Fe CmnF ae: Hey WEETHE ONLY Ones THEY DANCED Om? GFT a me (SHS qHey WRETIE ONLY ones edd ey Dances ri ‘ont me ent OE gn bem Dome bene J aed Unt auey PADTRBE TOA THEY Were THE OUy owes me OR 7 CMF (seeBroceees) Dane ae Re Too Dow CALE Ea a Gee Eh E THe Mor was TRV IN! 6 PURSUADE = =s reer (ah = 3 Ss = Bur ee > Ste SHE ONY Lote nh en AY eS j Big ig SRE te ae Saas al om md ws > Ger TAcSoLo MICHAEL LANDAU)296 Ags eet ont Pus aN ~. = Sar rad a oa — = = f f y Gate LW cmp” ay PS + oS SS = on cae nh _o are +s ~ r+ +o WY 5 a Ss £ 4 = ~ THEN fs CIC ED Tey Pasec the ow ONES Cm Gin mw Puy CHT _ [oS SS a Fe WY ONE Tee oe, Cue Gut ‘Fat oie ; Bes bret) hs one ar FHL Fo pncce Sy Sap |ECORD * (LAST Time) “THIRD PLANE” 193gYBALLAD")ae ottf sabe) WITS CME A DIAMOND RING IT'S A PRECIOUS THe 2.m'S Que A FAVOQHE SNS LAT we txt Sine BWS UKE A RA DAY IN CANDLE -LIGN AWE GOT THE WHOLE Thine WURKING OUT So RIGHT (C1) ANd WE NE — TO Loose \T = Sic. ITS fe RUM AWC THE wat We PLAsNeD IT THWS Love TOGETHER, WE GoTHE: ‘Bi THAT LASTS Foe.(weRE IW OTHIS LOVE TOGETHER -2) fe f+ sae = Is THIS Love Toc ae Crt a BERRIES Om THE Wine Ba Gl STH jaxSole’ d Gil cmt 84 fee ere Se z wel ee iN ay LOVE TOOETHER = WIE BOT THE KIND THAT LASTS FOC £ = Pin 7 Seto eVER Ewe S tt SS ¢ C pp —~ Ant E welee ms THS love to CeTHES fe Cor We FSP IUT LAS FOC “s or A ae nomCurower mice’ Ggrene wenvee) {THEE Gomes A Tw WHEN WE HEED A CERTAIN. CALL Uneene hwoeus mug err ¢ (Pav sim) (NCOME TOEEMER AS ONE THERE ARE PETE DYING Time 1 Lisp A HAND TO URE HE MeenhesMEur® cr aw (went Roeers) (anes weean) Fo awe emir co on PRETENDING DAT OY DAY THAT Someone, Same Cc =I rm (UWMERE WiLL oo MME & CHAnGE weve AL A PRA OF€ ARE THe WORLD-2) 30, i 34 (Bux Jer) 3 (2) CREAT BG FAMILY AND THE TRU), YoU KMOW LOVE AL WE NEED Cees) (C) Cex wenn 2K BCE) WE AGE THE WORLSTEMESTE WE ARE THE CHILDREN an pemeemmais — (DIANA goss (2x steve Pd cer) TMErES A, + CHOKE WERE MAKWG WERE SAVING CUR OWN LIVES MS TRUE We MAC BBTES WHO MAKE A BRIGHTER DAY, SO LETIS START EI~ VING Q@Xoaere Had DidWwe Waewici | Pees a4 J WST YouTRID ME i t = AP J — (3) Seno THEMYour HEACT Sv THEMILKNOW Hat Gmepne Caces, tT AnO THEIR UVES WILL: & =} z othe i 3 ie i 2 we a uo 2 RF Le an Gt (reso) TWRNINE STDNES TO AS Gop! HAS SHOWN US. UK, yn ex)DS. a COMA BEUCE yn ee OS a1 COD ms Oo Reee x (aus) peau) BREAD HUST LEND A RELPIN FIAND. 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S (ASM FEL OME AGAIN wy SAS oF 7 = S Woo A Fuave w wach TW CANT oo oN? WILE You SEE IT {our WaT fiz) Grch TE WuTELL IFAM RMT CR | An WEENG | WHI Tou Geir Mut war ¥ pow Fab atsic OF kndwk WN CUE WE MA Coins OC GONE “Lie Can Welw iT avTIWe Treacy AGWME THAT WE NR Fag APAIT BE fog “Do Lonel Ble eeaye ny) bs s==! ee | i ATYOURE SAYING, FF er sed Ca BET IT WRONG AND STILL LOL 2. Mwnkery wv NK ol SS == [sce wat ee (THis TAP WS ALL SEH me emma pee | A, wus bBln Bhat AP A pha AS . =e 7 oF (Bont) HETCAME Feat) SOMBNHEZE BACKIN, HER Lom AGO Bee Abt SENTIME. A TAL Cnt DON'T SEE, TRIN, HARD Ag A Atlek Me U Be. NG aay Nae TOY fal Bink mp Avi Ag: as = —— be == = . 7 eC Ceearer F DISOILE FoR HIS TuosTALGic’ FALE, } SUMEWHERE BACK IN BER LONE AEC ONCE ws HER LIFE 2 & MUSTERS A NEVER COMIN. NEAR wear HewaID Tp (gee) HE Gans STIL BELIEVE THAT A FACE HE(WHAT Alfoor GEligves-2) - Lyre HAD A PLACE IN HIS AYE ” re wy K TWICE a NEVER Mave Hee Aby L AS HE 2) (RI) SES TR HER A -Po-Lo- 6,7 ANY 6O-DY ELSE WUULD SURELY Know! “| rr EC HES WATCHING HER GO Bin Gma-5 eneays) (vieves) NO WE MAN HAS THE Po-] Feat * > WHAT Seen Wwe gens A wn Hinge 4! WMUBA Galg (wnat aA Feou Gebieves ~ 54 4 ca (Fave Aeree DS.) TS se IS ALWAYS BCTTER Thaw Se eee eel * Vee EUS AND NOTHIKG AT ALC — ihe TT, WN |. S.MEEPS Semone HIM IZ, Wap A Foou BELIEVES £ Dur) 4 (os CZiT Ff) : tare Zz Zz Ne WISE MAM HAS THE Po Ce WHat SeEen| Te REASON A war awe (as is) Re em # (Anema £25 RECOR OWS) v 3rd vevse fae SS FE PFI Hao EA BH9 ae E 3 — s oan( Feom THe gecoen: SS oe “JAMES INGRAM~ |983) LATER ON Au your CAN MEET You ALE WAY MAYBE To UAT HERCES A CHANCE, we MAKE py ng SOE YUCK 1 Know Une Caw Go eS] SE] THAT WE MIGHT Ces YECOME(WHATEVER WE IMAGINE -2) 35 Yo AND me JUST TAKING SHoTS AT WHAT WE SEE, Aso IF We raul 2S Sees WELL SHAKE AWAY THE DUST AND JUST OUTLAST. THEM AuL === ’ « OL! Dal % al Coad = CODA bet SEE SH LeT THE WALLS GO DOWN, AND WE CAN TR IT AGAIN CAL bare ae [Ie Noéovt CAN STOP US Now 4. DONT be AreaiD ebigh nPipe a Fn Bla bgt 5 " WGU'RE Nor ND, rag E 5 ‘ MEET Brg SE niet TERE ety uo Is Stu. A CHANCE WE CAN FIND HS ly Know THeme!s eae = 4 3 BS / U WHATEVER We o) —ma- GINE @ CREPEAT VIL nib | Wr, WE ae cue 7zwe | (ALN) “Bau, np") \, THE WheeLs oF LIFE KEEP TURNING So MUCH FASTER 2)WINGS OF TIME ARE TURNG SQMUCH STRONGER ) ~ BY We) WHEELS OF Love WiLL TURN MY WOelD FOREVER [\)RESTINGNESS OF Time Pass ME BY THECE ARE ZIBLUES OF PAYS Gore BY ON WHE WE DIE MABE STE (B)want Yop “IN MY ARMS rok A Swe MABE C1) DREAMS ILNEVER Live To SEE, BUT AS LONG AS YouRcLIEVE WME, IS FILL (2) Love wie. COMETO RESCUE ME ANDI NEVER EVER SET You FREE Live ye Byung war Come TO ResTemeAE amp) NEVER EVER ser yOu PEE UME THE Tree. THe ow MY wa PAS gel TAKE CLIMBE PAL OY DAY —_2.THE — SHORE, J TURN BACK To YoUGKCE MORE(wreets of EG -2) sn > = THE WHEELS GF acl eH —== pe = aS te cmaye Dmtye Cmte . fre Sear THE WHEELS OF URE THE Dnt/e ping mtg we 7 RN WHEELS OF UE THE wreergor ire Bintg ont/e> cme A nS — ee THe wre ps fy NE THE WHEAS SF LEE [ ==Sa ; ao = J y 6 cmt Dnt ee Ont t t =e é fe a aa Ko wr A ¥ WHEELS OF LIFE KEEP THEN! ROUND AYD ROUN cmp Digi BF BOF Ops Ae = Ox Be oe Hn by b6 Ghpb py piso 37 +9, AND IF 1) SOU Amy, CHE mil Dm pl foe = f ==: aS : =] eh, ne s] AVE On VL s ts - Ae TONCeRoy \FETIME/IF) KAU 4 Ky + TH. NS = KES: < een (saa For coun SPEND MW oN With You ( N we i? SS = = it 5 a ui ab LEX pine The ‘Lert tae Lt(BEAT BAU) poten (h eb - view Sav sac CHE Cun CIEKT FD You ® OW SYCANT SEEM Ty MAME ENDS MEET RADWELL ALWAYS. EN Dw # cys KOMOU Auwats Stim LENA HEL? HAND — SOMERUWOY ALWArS Set WD DNOLCS TAR TTT SAY THE wofw THAT MED TOBE SAND. OGLE NEVER TELE Trg ourUr mb vib AL RAWAYS Seb TD SAN THE THe | NEED TD HEAR Somer ou ALWAI WASH AWAY 004 TERAS Loore MY WAY Mots MARE THINDS A WenslL ELT BCTER Lor pene(waens 1 Loose m4 WA -2) oss) 39 NYE LOST ALL SENSE OF. TNE CANTSEEMD MAKETHE WORDS _RLGHT Wee ave Lost AL DIRECTION\CAN'T Pid THE ANSwE CSTD THE ‘uesmiens Pe cop EP peal Ah ado (Rereat Ti FADE)Md fd (Tramoniss 55535583 ) 1 CaN wi E Fino if ung To po M1 GONNA SHAN IT CANT TELL My HEART WHAT TOPO MAE IT BEFORE WITHOUT TOU pur Mou Beaxe Yau Love IN, TWO, ¥ é BP Bhi BF32! TO KEEP ME Go-m' Tis EMeTYNESS JUST KEEPS ON GRO- + ip pea Be Ab Det WITHOUT YOU How AM | TO FAD MY WAY eb —E ney tage cb pb eae WHERE AM1 TO GO How COULD Yo) UST WALK AWAY. Gays “cb pb ost Pgadt “cb ~ p he TAKIN' MAORE oF mE. VER UNOW THAN You CURE © Ghat) ch ez fmt Ge Aen Abn Aas pb Dal. 09 badd p Hy Abe? bug _&b Bap Ale mata e CRrER E Seer = S t= aaom THE RECORDS: 5 ‘ "KENNY LOGEINS~KEE? THE Fi Bi cba DM L TWAY TVEM GROWN TIRED CF FIGHTING,WAETHER YOURE RIGHT CR WEONC 2-NOU___ Now XOU'RE ALMOST CRYING || SANG IVE EoT ME WRUNG GNwaETHER Tm WEAK OR STRONG, YOUR ENES. ‘Cars T'S A (2 EASIER SAD Than Dore, OH i SUE Ce } 4 r= a4 1) S = OY Lone tM ZENG WATEHINE HEL TURN AWA WHY DOCS AT HARM OTe | Lag (2) War You'ee HIDING Tew ARUUNY AND LOCK AT ME (ie 1) EVER BEpM iso agp 10 Hing =< 7 : NCHT ty MALE A PCT OF Bee RIGHT. if WE CrLY CAME TOGETHER (OR ONE MQMENT HE@E TOSI CHT ip Yeu 24 " CAE STEAD OF LOVE 2) UPL Me TERT LL EASE YouR TRoveLeD Syny(WHO'S RloHT = GHIS Weert) 323 aH SOMEONE'S HEART MioHT Ger BROKEN PEFOFE TR LONG, IF WE KEEPON PLATING THIS Game wos RIGHT; wHds WeomyG Wied LOVE 1S Gong GA 5] a PAS Wes RIGHT, WHG'S WROVE — NEVER USED TD MATTER “TO F9 " iso pe! Fo wT . BA wr's Slow FAQ wto's wrong) jo Wren hy \S Gone +l, SHE WAS NAIVE "AND ‘Never KNEW 2. THERE ISA MAROR IN HER ENES. a — BAK AGAINST THe WORLD HER DREAMS CAME TRUE (S.A THE WORLD WITH CHEe2y PAINTED. (Bridge) GOES. Nor JO NOTICE CAN MAKE ME WANT To GWE IT ALL.325 v Now, Im A HAPPY SoUuL, tHar Move jaSGor A HOLD, | uy (HeZnd vice also 8v*) CA ~ 4 rm ; 1, YoU KNOW THAT Love WONT LET ME FALL. MOU LIGHT THE WAY) 18 Pee ES tray) BRIGHTEN UP MY DAY You MAKE ME WANT TO STAY, GUESS You KNOW THAT PM IN Love wiTH YOU We TRUE 1 CHANGED MY PoINT OF WIEW Pw 1 Lock PAT LIFE THE Ai su b Cn obs RHE 3, WHEN 1 Am TF With MY TRUE 1TH cd DEEAM326 I (3) LIFE 1S So SmICCPE IN WHAT IP HANS (4) (teu er HXPNO ~ Ty Zeb) WITH A LOVE THAT Took ME BY suR-| (Bridge) (4) PRISE 1 woud Be ~— ow NOT TO NOTICE Wao CAN MAKE ME WANT TO GIVE IT ALD LOVE 1S So PROFOUND | (>RGGND TO OPEN uP THIS LONELY HEART rent YOU LIGHT THE way Mou BRIGHTEN LP my DAY, \ | I32% (vou-4) ) MAKE ME WANTTO STAY, | GUESS HOU KNOW THAT I'M IN LOVE WITH od - AND i's Tave YoU CHANGED mY PONT OF VIEW (ou) E i ban bap Now ; LOoK AT LIFE THE WAY OU WiTh A BEAUTY SHI- NING Z. MAKE IT ALL SEEM RIGHT, 'D Lové To SHARE MY (Sax. Sove) WITH You328 tdmiment— sy = ———— {Fre HE—RpEcoRp See ee (ern eos ~ STEvie ae) ("BALA") | ci * / 4 SS ae | 1 Fete we A nr CARTH TRGETHE R VS é { AM Guar AT LEAST In MY LIFE Gov MSS MADE FRU AM eve Ss TRUE 2D) Tay MAY NET BM heze fos Qyet TO sek me THe Ove THe Love You Feet Foe Me, we 1T SAT THAT) wave SHOW YOU A BRIGHTER DAY SSS Me, THROUGH UN” THROUGH Me= eC mt Mid WE Cau COngued THe Porty i MMI D Mgu wilt STAY HELE ALWATS Is (&te, fou avo | ‘ov AnD wove +400 Avo MOU AMD A 329 Mou Avo ou ano] You AND | IN Love YOu AND \, MoU AND he You Avt|(Reon Te RECORD’ } QE Fe Se ESSE —oNON BUR ee eee ee ree ey ree Je wae mY TO MAKE aX Love GRew "EVERY VAY You BONG THE, a Peal SSS Saas TU LIGHT THE NICKT LE TO MAKE THE DARKNESS 60 A NEU REACH TO ME No Maree WHER i C \ REACH “TO “104 (tute rB Eo.) kM OU ALANS CE é : m(Yo Bee THE Sud COT -2) 33) a eens FAR Feom M1 HEACT, ILL AWWAYS Have You HERE , | Aqwatts Knows MOVE NeaR, TodensTH| SUS OT See SPNeS OLT TO Lig THE NIGHT UP TO Make THE DaAcKEss Go A- RIT. ce eee v iS DRAKE THE DARKNESS GO A eS TO MAKE MY LOVE GRUW = EVE2Y DAY Mou BeING TheDmF 4% ire) HEART Wy LOOKW AECUND GB) (GortAae SeL0) io At, (4) Fi = Re STZQNG IW YOUR HEAS 1) Ores UP AND LET THEM THROUGH "CAUSE ENERY (2) You owt Have TO be Ae Ne in (4) Avi MOvee SHLCE WSSTGIG Awd RIGHT. hy nes! NEEDS SOMEONE AROUND » oS nek (NS) Aw You NEEB IO Kwow (4) Bue J} THRE THE COLD AWD VARI Citas CAs TUMBLE Lown Or Nin YEE PEEL ALL Alone oe at THeee’s 49 IT Caw WARM THE CoML None g(C He) _335 You Mich MELD Strae Be 7 Mou Moni tt VY (Hou micHt siatp soneeeot TL0 ) MA MIGHT SElY S-Ne Eo Oy You MIGHT NETDSENEBA ~ DY Tere SR (Mou MibiT NEED SomEBeDY Tee) p.s. (2% CONTI % Sue 4 + + — t aes re x a — —s Vou Mie NEO IVECO Seu MIGHT NEES SENERG Amt 6 Dae 4 by Te Cao Sour seu Pecnubawy 1 ov —— a == ae A ci ‘% Mont sayy SMEBC- OY YeuMblir NteD SOMEBO py we Aw ow a f oS Mod meHT weer SOMEvee( TEX’) (Vocat Seve) ( REPEAT ae FADE). THE ESAS IN Move LEE (exe) 2. \ GCT NEWS eR MOU AS whe 3. (eee oust A MEACT? BEAT APART. 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