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Siegel and Shuster's Funnyman: The First Jewish Superhero, from the Creators of Superman Paperback – July 1, 2010
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Here is a kaleidoscopic analysis of Jewish humor as seen through Funnyman, a little-known super-heroic invention by the creators of Superman. Included are complete comic-book stories and daily and Sunday newspaper panels from Jerry Siegel and Joe Shuster’s creative fiasco.
Siegel and Shuster, two Jewish teenagers from Cleveland, sold the rights to their amazing and astonishingly lucrative comic book superhero to Detective Comics for $130 in 1938. Not only did they lose the ownership of the Superman character, they also agreed to write and illustrate it for ten years at ten dollars per page. Their contract with the DC publishers was soon heralded as the most foolish agreement in the history of American popular culture.
After toiling on workman’s wages for a decade, Siegel and Shuster struggled to come up with a new superhero, one that would right their wrongs and prove that justice, fair-play, and zany craftsmanship was the true American way and would lead to ultimate victory. But when the naïve duo launched their new comic character Funnyman in 1947, it failed miserably. All the turmoil and personal disasters in Siegel and Shuster’s postwar life percolated into the comic strip.
This book tells the back story of the unsuccessful strip and Siegel and Shuster’s ambition to have their funny Jewish superhero trump Superman.
Mel Gordon is the author of Voluptuous Panic: The Erotic World of Weimar Berlin.
Thomas Andrae is the author of Batman and Me.
- Print length240 pages
- LanguageEnglish
- PublisherFeral House
- Publication dateJuly 1, 2010
- Dimensions7.25 x 0.5 x 9.75 inches
- ISBN-101932595783
- ISBN-13978-1932595789
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From Publishers Weekly
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"…Funnyman’s immediate historical relevance is as the character Jerry Siegel and Joe Shuster created as their follow-up to Superman, but underlying that is a point of larger cultural importance. Andrae and Gordon approach the character as the most straightforward expression of Jewishness in comics at the time, and as a springboard to a wider discussion of the history of Jewish humor…Funnyman was the result of Siegel and Shuster turning a specific ethnic style into a more universal one. Funnyman might come from Jewish tradition, but in comics form he becomes any goofy guy who has to stand up against brute force of any sort. He’s far more reflective of the reading audience, as well as the creators, than Superman ever was, though Clark Kent was an attempt to rectify that. The Yiddishisms might have whispered to one audience, but the 'schlemiel' is something many people can identify with…" — Publishers Weekly
"…Funnyman’s immediate historical relevance is as the character Jerry Siegel and Joe Shuster created as their follow-up to Superman, but underlying that is a point of larger cultural importance. Andrae and Gordon approach the character as the most straightforward expression of Jewishness in comics at the time, and as a springboard to a wider discussion of the history of Jewish humor…Funnyman was the result of Siegel and Shuster turning a specific ethnic style into a more universal one. Funnyman might come from Jewish tradition, but in comics form he becomes any goofy guy who has to stand up against brute force of any sort. He’s far more reflective of the reading audience, as well as the creators, than Superman ever was, though Clark Kent was an attempt to rectify that. The Yiddishisms might have whispered to one audience, but the 'schlemiel' is something many people can identify with…" — Publishers Weekly
About the Author
Product details
- Publisher : Feral House; Reprint edition (July 1, 2010)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 1932595783
- ISBN-13 : 978-1932595789
- Item Weight : 1.25 pounds
- Dimensions : 7.25 x 0.5 x 9.75 inches
- Best Sellers Rank: #888,655 in Books (See Top 100 in Books)
- #262 in Religion & Spirituality Graphic Novels
- #298 in Religious Humor
- #974 in Historical & Biographical Fiction Graphic Novels
- Customer Reviews:
About the authors
Jerome "Jerry" Siegel (October 17, 1914 – January 28, 1996), who also used pseudonyms including Joe Carter, Jerry Ess, and Herbert S. Fine, was the American co-creator, along with Joe Shuster, of Superman, the first of the great comic book superheroes and one of the most recognizable of the 20th century.
He was inducted (with Shuster posthumously) into the comic book industry's Will Eisner Comic Book Hall of Fame in 1992 and the Jack Kirby Hall of Fame in 1993.
Bio from Wikipedia, the free encyclopedia. Photo by Alan Light [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.
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Ph.D., Theater, New York University. Directing, Acting, History of Theater. Author of Dada Performance; Erik Jan Hanussen; Expressionist Texts; The Grand Guignol: The Theatre of Horror and Terror; Lazzi: The Comic Routines of the Commedia dell’Arte; Mikhoels the Wise; The Seven Addictions and Five Professions of Anita Berber; The Stanislavsky Technique in America; The Stanislavsky Technique: Russia; Voluptuous Panic: The Erotic World of Weimar Berlin; and co-writer of Meyerhold, Eisenstein and Biomechanics: Actor Training in Revolutionary Russia as well as one hundred and thirty articles and entries on American, French, German, Italian, Russian, and Yiddish theater and cinema. Director of over twenty productions in Frankfurt, Houston, New York City, Paris, and Zurich. Former Associate Editor of The Drama Review. Taught at Lee Strasberg Institute, Michael Chekhov Studio, New York University, and Yale University.
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History readers in general will also enjoy this, even if they never read comics. It’s such an interesting convergence of historical touch points, some that defined the 20th century and stretching back to the roots of this peculiar American story telling medium.
This ranks up there with The Ten Cent Plague for comic book historical reading. Fun and informative.
Fortunately, for them they had offers from other publishers and immediately embarked on a new creation. This book describes their most ambitious post-Superman project.
If you are a comic book fan/historian, you probably appreciate that we are in a Golden Age of comic-book reprinting. I look on the shelves behind me and I see the complete Spirit in 26 volumes, Joe Kubert's Tor from the 1950s, multiple volumes of Dr. Solar and Magnus, Robot Fighter, and well over 100 hardcover and paperback reprinting of classic material from DC and Marvel.
When I saw the solicitation for "Siegel and Shuster's Funnyman," I believed that what was being offered was another collection of rare comic books. How wrong I was. Oh, there are a few stories from the short run the character had in the comic-book format and a story from its comic-strip run, but the bulk of the book is a history of Jewish comedy along with related articles. Not that the articles are uninteresting, but they are not the reason I bought this book and I have a feeling there are books out there that better address that history.
Maybe I was wrong for reading too much into the description with regard to this book being a complete reprinting of the Siegel and Shuster's Funnyman, but reading the description now that I have the book the hand, I see nothing that would lead me to expect this book. The few Funnyman stories included raise my rating of the book to "two stars."